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slick video camera manualThe battle over Nevada's Thacker Pass Thacker Pass could be one of the largest lithium mines in the U.S. But its future is murky as its backers face challenges in court and by protesters. A Free Artown Event life. Whether adding to an existing system or including your Profile CD player in a new system, you are certain to notice immediate performance benefits. Use a grommet to protect the wire when running through the fire wall. PCD920. Clean only the exterior surface of the unit with a dry, clean soft towel using no chemical solvents. Operating in extreme temperatures Sometimes the unit will not operate in extreme, hot or cold temperatures. Always store the disc in its case for protection. Scratched up discs will produce poor sound performance and cause CD player to skip. Label surface up PCD920. If you do not wish to cut or tap into the vehicles existing factory wiring, there are wiring kits available at your car audio retailer that will allow you to plug directly into the factory wiring harness. Once the CD player is secured, fit the trim ring over outside edge of the radio until it snaps into place. PCD920. To turn OFF the unit, press the POWER button for more than 2 seconds. 2 FLIP DOWN PANEL Press the OPEN button to flip down the face pate. This will allow you to insert or eject a CD and also remove the face plate. DSP OFF 8 or 9 button to move to the next or previous 8 or 9 button to fast forward or fast (Bass) (Treble) (Balance) ROCK (Fader) CLASSIC FLAT PCD920. Press the SEL button for more than 2 seconds to display the DSP function. Then use the VOL knob 5 SEEK- The unit is equipped with two types of seeks, SEEK 1 and SEEK 2, for radio. Should any problem persist after you have made these checks, please consult your nearest Profile retailer. Before going through this check list, refer back to the wiring and operating procedures. Check the antenna and connection to insure proper performance.http://www.videlec.be/ressource/husky-air-compressor-y1010-manual.xml
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Select stations manually and make sure the tuner is in the distant stereo mode. PCD920. If this product is proven to be defective within this one year period, Profile will repair it when said product is returned, with a copy of the dated sales receipt, freight prepaid to Profile. Send unit to: PROFILE CONSUMER ELECTRONICS, INC. 15060 SHOEMAKER AVE SANTA FE SPRINGS, CA 90670 TEL: (562) 404-9393. Please try again later. Standard messaging and data plan rates may apply. Please refer to the redirected website for its privacy policy. Some of these cookies are set automatically because they’re necessary for the site to perform. Other cookies are used for functional, performance, and targeting purposes to enhance your experience by personalizing content and ads, enabling third party content and features, and enabling us to analyze how this site is used. To learn more, please visit our Legal Notices - Cookie page. By clicking 'I Accept', you are agreeing to our use of functional, performance and targeting cookies. Please review and provide any missing information. Please review and provide any missing information. Or, onboard construction technology that helps you get to grade faster, hit target payloads, and keep you safe.Learn more about licensing with Caterpillar. Or, onboard construction technology that helps you get to grade faster, hit target payloads, and keep you safe.Please get in touch if you'd like more information about our products and services, to arrange a demo of SafelyHome, or to discuss how we can help your organization achieve safety excellence. We need to understand the unique challenges of your operation, your maintenance and repair practices, and your fleet. Shop for parts and machines online, manage your fleet, go mobile, and more. Shop for parts and machines online, manage your fleet, go mobile, and more. Would you like to do that now? Our dealer locator provides the most up-to-date information on Cat dealers close to you.http://extremebootcamptustinranch.com/userfiles/husky-air-compressor-vt6315-manual.xml Simply enter your address and select the type of equipment you're looking for. Or, if you already know the name of the dealer you're searching for, you can type in the dealer's name for a list of locations. English edit Some of these cookies are set automatically because they’re necessary for the site to perform. By clicking 'I Accept', you are agreeing to our use of functional, performance and targeting cookies. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services. You consent to our cookies if you continue to use this website. Check out our Privacy Policy. If you want to visit a local KICKER dealer in your area, we recommend calling ahead to confirm store hours and availability. Copyright and Trademark Notice. It provides the best proof of any accidents so that drivers can avoid any insurance hassles. When the memory card gets full, it will remove the oldest file before creating a new one to work continuously. Introduction in detail With the Roav Spectrum App connected with SmartCharge, you can enjoy Smart Driving experience on your smartphone with all easy - to - go features. Sign up now Hi My Sony Sign in Favourites My Products Register a new product My Account Details Newsletter Preferences Community Favourites Sign out Favourites Search Sony Sony Sites Search Sony To get the full experience on Sony.co.uk, please change your settings to allow JavaScript. The Car Audio Unit and the smartphone will recognise each other and connect automatically from the next time on. Note that you can always check the pairing procedure in your product manual, available on the product page on this support website. That means that you will be able to detect it with your smartphone. Look in the list of “Available devices” in your smartphone’s Bluetooth menu.https://api.e-talmud.com/content/hw45-instruction-manual Make sure that you have enabled Bluetooth on your smartphone too. Smartphones generally will automatically be in pairing mode once Bluetooth is enabled. Note that this is NOT the case for Car Audio systems. You need to make it discoverable. It’s a control mechanism to be sure that you’re connecting the right devices. Notice how the Bluetooth symbol on your smartphone ever slightly changes once it is connected with a device. If you connect another device, it will replace the previous Bluetooth connection. If a Bluetooth device is connected to the Car Audio system, it must be disconnected before a new device can be detected. You can have the pairing information of multiple Bluetooth devices stored in your Bluetooth list (8 is the magic number). Once you store more than eight devices, the oldest device’s information gets deleted. The time window for pairing is usually limited to a couple of minutes, so if you’ve missed the window of opportunity, please enable pairing mode again. If you can’t find your Car Audio System in the Bluetooth device list on your smartphone (even though it’s in pairing mode), quickly disable and enable your phone’s Bluetooth. This refreshes the list. Some smartphones offer a Refresh function. However, if it’s not helping, please try to entirely deactivate and reactivate Bluetooth on your smartphone. If your playback device supports A2DP (Advanced Audio Distribution Profile), you can listen to music via the Car Audio. Most modern smartphones are equipped with A2DP. It became a mainstream feature since 2009. If you’re experiencing recurring issues with Bluetooth pairing, try to delete the current pairing information on the Car Audio unit or smartphone, and recommence the pairing procedure. Car Audio starts to cut out after Bluetooth connection Find information and receive instant notifications about your product We recommend downloading and installing the latest version of one of the following browsers: Our site is not optimized for your current browser. A newer version of your browser may be available Chrome Chrome Download the latest version IE Internet Explorer Download the latest version Firefox Firefox Download the latest version Apple Safari Download the latest version Proceed with current browser for now Proceed with current browser for now. Think of each unique Scene file as a unique level. In each Scene, you place your environments, obstacles, and decorations, essentially designing and building your game in pieces. More info See in Glossary. To learn about using GameObjects in the Scene and Hierarchy in the Unity Editor, see the GameObjects section of the user manual. For an exhaustive reference of every member of the GameObject class, see the GameObject script reference. These typically correspond to the controls visible near the top of the inspector A Unity window that displays information about the currently selected GameObject, asset or project settings, allowing you to inspect and edit the values. More info See in Glossary when you have a GameObject selected in the Editor. In this case, a directional light. The Scene status properties are outlined in red. This generally means it will become invisible, and not receive any of the normal callbacks or events such as Update or FixedUpdate. You can control this using GameObject.SetActive. If any of its parents are not active, then it will not be active despite its own active setting. Unity has two global illumination systems that combine direct and indirect lighting.: Baked Global Illumination, and Realtime Global Illumination (deprecated). See in Glossary, Occlusion, Batching, Navigation, and Reflection Probes A rendering component that captures a spherical view of its surroundings in all directions, rather like a camera. The captured image is then stored as a Cubemap that can be used by objects with reflective materials. More info See in Glossary, rely on the static status of a GameObject. You can control which of Unity’s systems consider the GameObject to be static by using GameObjectUtility.SetStaticEditorFlags. Read more about Static GameObjects here. By default, the main camera in Unity renders its view to the screen. More info See in Glossary or physics collisions. For example, you might define and “Edible” Tag for any item the player can eat in your game. More info See in Glossary and Layers Layers in Unity can be used to selectively opt groups of GameObjects in or out of certain processes or calculations. This includes camera rendering, lighting, physics collisions, or custom calculations in your own code. More info See in Glossary. Note, you can also enable or disable script components, and some types of built-in component, via script without destroying them. To remove a component, you must use Object.Destroy method on the component itself. To do this, the first step is to get a reference to the Component instance you want to work with. This is done with the GetComponent method. Typically, you want to assign the Component object to a variable, which is done in using the following code. In this example the script is getting a reference to a Rigidbody A component that allows a GameObject to be affected by simulated gravity and other forces. More info See in Glossary component on the same GameObject: More info See in Glossary attached to the same GameObject. If you need to access one script from another, you can use GetComponent as usual and just use the name of the script class (or the filename) to specify the Component type you want. For example, in a cooking game, a chef might need to know the position of the stove. Unity provides a number of different ways to retrieve other objects, each appropriate to certain situations. This accesses the Component directly rather than the GameObject itself. You can use an array variable to link several objects of the same type, but the connections must still be made in the Unity editor rather than at runtime. It is often convenient to locate objects at runtime and Unity provides two basic ways to do this, as described below. These may need to be tracked by a particular script that supervises or reacts to them (for example, all waypoints might need to be available to a pathfinding script). Using variables to link these GameObjects is a possibility but it makes the design process tedious if each new waypoint has to be dragged to a variable on a script. Likewise, if a waypoint is deleted, then it is a nuisance to have to remove the variable reference to the missing GameObject. In cases like this, it is often better to manage a set of GameObjects by making them all children of one parent GameObject. The child GameObjects can be retrieved using the parent’s Transform component A Transform component determines the Position, Rotation, and Scale of each object in the scene. Every GameObject has a Transform. More info See in Glossary (because all GameObjects implicitly have a Transform): A tool or utensil that can be picked up and put down during gameplay is a good example of this. However, sometimes it is impossible to set up these in advance (for example, finding the nearest item to a character in your game, or making references to GameObjects that were instantiated after the Scene loaded). In these cases, you can find references and send messages between GameObjects at runtime. You can use it to call a named method on every MonoBehaviour on a particular GameObject or any of its children. You can optionally choose to enforce that there must be at least one receiver (or an error is generated). Individual objects can be retrieved by name using the GameObject.Find function: In Unity, a GameObject can be created using the Instantiate method which makes a new copy of an existing object. The available primitive types are Sphere, Capsule, Cylinder, Cube, Plane and Quad A primitive object that resembles a plane but its edges are only one unit long, it uses only 4 vertices, and the surface is oriented in the XY plane of the local coordinate space. More info See in Glossary. Try a manual calibration. Most AV receivers have manual and auto speaker setup or calibration features, and even if you've already used an automated system you can make your system sound even better with manual tweaks. But is a manual calibration for you. What if it sounds pretty good already. Armed with just your phone and a tape measure we walk you through the process of determining if your audio-visual pride and joy can indeed be improved upon or whether it's just dandy as it is.Most auto setup systems also use equalization to balance the frequency response of all the speakers and the subwoofer. There are a number of different calibration routines available and the most popular ones are: Audyssey -- Denon and Marantz AccuEQ -- Onkyo (previously used Audyssey) MCACC (Multichannel Acoustic Calibration) -- Pioneer DCAC (Digital Cinema Auto Calibration) -- Sony YPAO (Yamaha Parametric Room Acoustic Optimizer) -- Yamaha While auto setup programs can sometimes work wonders, our confidence in their results is pretty low. Too often they misjudge crucial things like speaker size (which determines crossover points), relative volume levels of subs, or apply heavy-handed equalization. If your receiver has Dolby Atmos or DTS:X with front or rear height channel speakers, auto setup programs don't always set their volume correctly. You, and a smartphone, can do better. If you already used your receiver's auto setup, start by listening to your system with and without the effect switched on. To help, try listening to familiar movies and music and see if the automated settings improve the sound or not. If the sound is better with the EQs turned on, great. Go no further, put on your favorite movie and microwave your popcorn. There is no right or wrong here. Your remote will come in handy when tweaking your system's sound. You may need to live with the EQs turned off for a day or two, then turn the EQs back on. If you can't tell the difference, leave the EQs off and go to the next step: manual speaker setup. Familiarize yourself with your receiver's speaker setup menus The Channel Config screen lets you adjust the size and level of each speaker: the basis of a manual calibration. If you have five speakers, plus a subwoofer, that's 5.1. Those systems typically have three front speakers, left, center and right, and two surround channel speakers, plus the sub. Seven channel (7.1) systems have three front speakers, left, center, right, four surround channel speakers, plus the sub. Dolby Atmos or DTS:X systems have a different layout, they might have five front speakers, left, center and right, two height channel front speakers, and two side or rear surround channel speakers, plus the sub. You'll see this listed as 7.1.2, for example, where the last digit is the number of height speakers.Floor standing tower speakers or big bookshelf speakers are large, all other speakers should be configured as small. When in doubt about size, opt for small. Next, look for the crossover setting option on the speaker setup menu. If your speakers have 4-inch or smaller woofers use a 100 Hertz crossover, and any speakers with larger woofers than that can use an 80 Hertz crossover. If you're not sure about your speaker's woofer sizes, use a 100 Hertz crossover setting. Large speakers typically don't need crossover settings.Sit in the sweet spot, and hold the mic or the smartphone up near your face, and hold still during calibration. Now start the receiver's test tone sequence running through one speaker at a time at a medium loud level on the meter -- we'd suggest 75 decibels (dB). Adjust the receiver's master volume control to get the tone level up or down to the same 75 dB. When running the test tones (which sound like a whooshing noise or beeps), the room should be as quiet as possible, so turn off your air conditioner, and shut all the windows and doors. Take your time and repeat the sequence a few times, fine-tuning the level of each speaker with each pass of the test tones. When using your system, if you find you have difficulty hearing movie dialogue go ahead and raise the center channel volume to 78 dB. That way the dialogue will stand out a little more clearly in the mix, but feel free to add a few more dB if it's still not clear enough. Don't worry, no harm will come to the speaker. Setting up a subwoofer While speakers are pretty straightforward, a subwoofer takes a couple of extra steps. This is mainly because unlike the other speakers it's a powered unit and comes with its own volume control. First, set the subwoofer's volume knob halfway up, and then set the sub's volume level with test tone as you did for the speakers, and the meter reading 75 dB. That's just a starting point. Sound meter accuracy with bass readings (in manual or auto setup) can be hit or miss, so you may have to raise or lower the sub's volume later on. You can do so with either the receiver speaker setup menu, or with the sub's volume knob, whichever is easier. Getting the subwoofer volume perfectly dialed-in may take some time. As you watch movies or listen to music, you may feel a need to tweak the sub level up or down to find just the right setting. One of the best indications the sub volume level is optimal is when you aren't aware the sub is working; its bass seems to come from your main speakers. Finishing up Each receiver's menus are different, so our descriptions may not exactly apply to your receiver. So before you make any changes, bring up the setup menu and see what's there. It's also a good idea to write down or take a picture of the menu settings as they are before you make any changes, just in case you accidentally mess something up. While a manual calibration takes a little bit more elbow grease than an automated routine, there's a reason we use them solely in the CNET office -- they work. Your own ears are usually much more sensitive than a microphone, and doing it yourself can help you get the system to where you want it to be. We delete comments that violate our policy, which we encourage you to read. Those classifications pertain to maximum operating pressure in the duct as follows:ASME qualified, orifice meters do not require calibration. Orifice openings shall be centered in the meter tube. Plates shall be perpendicular to the flow path and shall be free of leaks at points of attachment. Characteristics of typical orifices are shown in Table 5-2. Accuracy to the nearest 0.1 is not implied. As discussed in previous sections the following requirements should be clearly specified: When several separate segments within the same system and pressure class are tested for compliance, the aggregate leakage should not exceed the allowable, even though the amount in one or more segments may somewhat exceed the cfm allowable indicated for each segment. In such case, to compensate, another segment would have to be tighter than required. If the duct is not in compliance refer to section 3.7 of the general procedures. In such case record the type of meter on the test report. Compute and enter the corresponding area of duct surface area excluding any equipment connected in-line. If the sum of the cfm measured is less than or equal to the sum of the allowable leakage the test is passed. Record the date(s), presence of witnesses and flow meter characteristics. However, it is recognized that a percent of fan cfm or a percent of flow in a section of a system that passes through unconditioned space (considered as a heat loss or a heat gain) can be a useful parameter in energy conservation analysis. Leakage as a percent of flow entering one selected section of duct is not an adequate appraisal of the system performance. Five percent of the system flow is quite a different criteria than allowing 5 in each 100 ft of a 500 ft continuous run of duct. It should also be remembered that actual leakage will tend to be less than that appraised for the maximum pressure, because the average pressure under operating conditions will be less. An example of the application of leakage classes to a duct system is provided to aid a realistic approach to the use of seal class, leakage class and percentage method analysis. While other parameters such as cubic contents (of duct interior) or lineal feet of joint might be used for leakage evaluation they are less practical and should not be used unless the square footage analysis has already been made. However, when a total allowable leakage is expressed as a percent of total flow, it is somewhat more cumbersome to prorate the allowable leakage to any single test segment. A suggested method is as follows: Enter this number on the report for each test segment. If the calculated value is below the value suggested in Table 4-1 the contractors should anticipate some difficulty in obtaining satisfactory test results. The greater the difference is, the greater the difficulty will be. Resolve the issue under sections 2.1(e) and 2.2(c) of the leakage test manual. It is not practical to include duct from two different construction classes in the same leakage test segment. Ducts should not be leak tested at pressures greater than the construction class. Also, for the normal range pressures in HVAC system testing, the effects of air compressibility are negligible. A combined coefficient K is used for various effects due to approach, contraction, discharge and pressure tap locations. Appendix J relates Reynolds number, Beta ratio, and K. The following equation gives a simplified method of calculating Reynolds number for standard air: It varies more below R values of 105 than for higher values.However, ASME and other texts point out that the basic orifice flow coefficients need modification for the effects of gas expansion if the pressure drop across the orifice is more than a few percent of the absolute pressure upstream of the orifice.Fluids with density corresponding to scale calibration must be used. Recalibration is not necessary. Densities of various manometer fluids are given in Appendix M. In Chapter 9 of Industrial Ventilation, ACGIH discusses orifice calibration with a standard Pitot tube and states that orifices conforming to meters indicated in Table 5-2 of this manual do not require calibration. Otherwise, the nominal values for K that are given in Table 5-1 are deemed suitable for flow measurement under field conditions.The required capacity of a leakage test meter should be examined in relation to the duct leakage classification chart.Comparing Figure 5-3 with Figure 4-1 can facilitate testing. Excess fan pressure can be controlled with inlet dampers, bypass, variable speed motors or other means. Fischer and Porter Co., with permission Moist air is less dense than dry air at a given temperature. Industry documents define “standard air” in different ways. Comparable limits should be acceptable for field tests. Other variations can be observed in Appendix K. The “A” refers to “actual”; the “S” refers to standard (CFM). Chapter 10 of the Industrial Ventilation Manual, published by ACGIH, defines three equivalent methods of calculating ACFM.Provisions in both of these documents are reviewed in the ERDA 76-21, Nuclear Air Cleaning Handbook, available from the U.S. Department of Commerce NTIS. NBS has used the method and numerous ASHRAE transactions report this method and fan pressurization methods. Transaction HI-85-03 No. 2 lists many of the references. ASHRAE Fundamentals Handbook Chapter 25, on ventilation and infiltration, reports leakage rates for various building elements. Key standards for such tests are: This document has an extensive bibliography on stairwell, shaft, and building leakage. At the present it appears that insufficient knowledge exists about the leakage rates in ceilings, interior partitions and corridor construction to document rates for design purposes. Several classifications of damper leakage are published in UL Standard 555S, Leakage Rated Dampers for Use in Smoke Control Systems. Higher integrity classifications of damper leakage are in ANSI N509. From ISA Recommended Practice RP2.1—Manometer Tables. You can change your cookie settings through your browser. Check your spelling again, or go to the home page and explore from there. You can contact us and we'll try to fix the issue. This also helps meet ASHRAE 90.1 requirements. SMACNA has an industry leading Procedural Guide for testing adjusting and balancing a HVAC system. Will TAB solve this? Download them here. They are in Word format so you can easily make changes to them. How should I proceed. Most backordered items can be rushed in from the publisher in as little as 24 hours. Some rush fees may apply. Contact your nearest IHS Markit Office It appeared in Chapter 10 of the high velocity (later high pressure) construction standards and in Chapter 8 of the “Balancing and Adjustment of Air Distribution Systems Manual” of 1967 vintage. In the 1970’s energy conservation measures led to a decline in the use of truly high pressure commercial HVAC systems. Now, greater concern with the amount of leakage in systems of less pressure has evolved from the efforts of reducing carbon via energy saving strategies. New research in the leakage rates of sealed and unsealed ductwork has disclosed a need for a better method of evaluating duct leakage. European countries introduced an evaluation approach using the surface area of the duct and the pressure in the duct as the basic parameters. SMACNA concluded that this approach is far superior to the arbitrary assignment of a percentage of fan flow rate as a leakage criteria. The surface area basis highlights the effect of system size and is now one of the primary factors of SMACNA duct leakage classifications. Leakage testing on job sites disrupts productivity and is costly.