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mitsubishi magna owner manualPlease try again.Please try again.Please try again. Please try your request again later. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Full content visible, double tap to read brief content. Videos Help others learn more about this product by uploading a video. Upload video To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later. patti w. 5.0 out of 5 stars It is easily understtod over the manual that comes with the camera. Excellent samples for comparisons and defined detail of the camera and all its features. I highly recommend this book.This makes me question the overall accuracy of the balance of the book. Magic Lantern guides that I have purchased in the past for other cameras have been wonderful. I recommend waiting for the next edition of the Nikon D300s guide.It breaks down the different options available to the user, much more thoroughly than the instruction book provided with the camera.However, throughout the book, there are reference's to xxx Page Numbers. I have noticed this several times. I feel like I bought the book before it was ready to be published.I was an experienced DSLR user but the D300S was a significant step up and I felt I needed some additional help. On that basis alone the book has succeeded. Read in conjunction with the camera manual I now feel I am getting to grips with the camera and my photographic results are improving. One of the aspects of the book that I have particularly enjoyed is the personal hints and notes from the author. These provide invaluable information that is not covered in the camera manual and have helped enormously. The book is also small enough to be carried round.http://ibpoffice.com/cite_imgs/fisher-800-receiver-manual.xml
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Weight of kit is often a problem for photographers but I have made room for the book in my bag (for the moment at least). A handy quick reference wallet card is also provided. The book is well laid out. The colour illustrations are well placed to allow you to read the text and see the menu screen shots. This makes it easy to sit with the book and experiment with the settings on your camera without having constantly to put one done whilst picking up the other. There really is no excuse for this and it does take the shine off what is an otherwise excellent publication. Overall I can recommend this book. It provided exactly what I wanted and has helped me get to grips with a fairly complicated bit of kit.So this was a second chance and I was not disappointed this time. Simon Stafford has a reputation for comprehensive and different views on photographic equipment, so instead of a crib of the Nikon manual, it introduces many facets of the camera and its use which one would be unlikely to discover independently. The book can be read as a whole (it is interestingly written) or dipped into for specific information. It is printed on heavy paper and thus weighs a little too much for a light photo pack on a longish walk. My only other criticism is that there are numerous references in the text to a page on which further details may found. However, someone has forgotten to substitute the author's pre-layout page reference (e.g. xxx) with the actual post-design page number. Fortunately there is an adequate index and a pencil will soon rectify this omission, but it should not have happened.If these had been amended prior to general release, I would have happily given out 5 stars but if you can live with these oversights, I would still recommend this bookThe camera itself has a somewhat daunting menu system which this guide helps to make much more understandable. I think this will be a helpful book to anyone fortunate enough to own a D300s.http://itps-group.com/uploadfiles/canon-powershot-s60-manual.xmlLeaving the daytime to get out to use my D300S. Please try again.Please try again.Please try again. Please try your request again later. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Full content visible, double tap to read brief content. Videos Help others learn more about this product by uploading a video. Upload video To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later. Mary Ann 5.0 out of 5 stars As we all shoot different subjects and have preferences as to metering modes on different shoots, there are a lot of questions as to which is the best setting for each. I use Photoshop in post production; my settings will be different than yours if you do not use a powerful post software. I shoot fast moving subjects; my settings will be different than yours if you shoot landscapes. I basically shoot a Nikon D3X and D3 but help my brother with his D300. These are powerful tools you don't want to randomly mess-around with when you determine your best settings. I wasted two weeks playing around with possibilities on my three awesome factory default-set cameras, only to be more confused in the end. As such, you will get wonderful shots, but miss so much more. This book is unbelievably simple and precise to understand, with not only what the settings do, but why, and what is suggested for each metering method. You won't learn this information in the field or in school. My circle of friends include many retired Cinematographers who are still stuck on film because they don't understand digital until they see it in action. Even they need to rethink how digital works compared to the old film days.http://www.jfvtransports.com/home/content/feinwerkbau-602-manual Finally, not everyone has the years of working in Photoshop that others may have; this is a big drawback as all shooting needs post production. The Dark Room is still as important today as it ever was, but it's in the camera settings. I'm sharing a treasure of information with you if you're really into photography and not merely shooting snapshots, though there is nothing wrong with that. Mary AnnThis book offers helpful ideas for shooting pictures and explains how different options on the camera affect your photos.This is not a newbie camera. It is a tool, and this book is clarifying a great deal of the function in the camera after four years of using it. The book is well written by knowledgeable people. It enhances the investment in this great piece of equipment.Very well made, high quality. This guide covers practically everything you would ever need to know about your D300. I say practically because although I have yet to ask a question that this wonderful guide couldn't answer I'm sure someone would if I said it DOES cover everything. Well worth the money. Highly recommend.Well organized and fun to read.I picked up this used book as an addendum to my library. What a pleasant surprise. The language in the book is very clear and not only tells you what the function is, how it works and what it does but the author points out HOW the photographer might use the feature. So many times in camera books this is the missing piece. I am very pleased with my purchase and will definitely pick up a Lantern Guide for my next camera.Easy to use. It's a little big to carry around with me but it's helps me when I do. Great manual for all who own a Nikon D300. I was told by a friend to look into this book and I am glad I did, It's now my camera's buddy.All the relevant facts about the D300 are here in an easy to read and logical order. The book demystifies many parts of the manual but can be quite intensive in places. Having said that the D300 is not exactly a beginners camera. It matters not that the images are in mono because the author is not trying to demonstrate image quality or image style, he sticks to his remit of telling the reader what everything is and what everything does. On many occasions he imparts good advice on settings and I found his information of the D300s focus system very well explained and helpful. This book is the ideal take anywhere reference book due size and weight, and also includes smart wallet cards in the back. Bear in mind the book was completed before the last firmware update so the very latest changes are not included but as they are minimal it does not matter that much. Summary: No hesitation in reccomending this book. Well written, accurate and incredibly useful as a reference guide.Page 1 of 1 Start over Page 1 of 1 Previous page Next page. Upload Language (EN) Scribd Perks Read for free FAQ and support Sign in Skip carousel Carousel Previous Carousel Next What is Scribd. Any other use, especially commercial use, is forbidden under law without written permission of the copyright holder. Nikon, Nikkor, Speedlight, and other Nikon product names or terminology are trademarks of Nikon Inc. Other trademarks are recognized as belonging to their respective owners. Every effort has been made to ensure that all the information in this book is accurate. However, due to differing conditions, tools, and individual skills, the publisher cannot be responsible for any injuries, losses, and other damages that may result from the use of the information in this book. Because specifications may be changed by manufacturers without notice, the contents of this book may not necessarily agree with software and equipment changes made after publication. Here, in its factory in Thailand, Nikon’s expertise in quality cameras continues with production of the Nikon D300. Introduction The Nikon Corporation has accrued many years of experience building digital cameras beginning with a variety of hybrid cameras produced in collaboration with Kodak and Fuji respectively, but their breakthrough came in 1999 with the launch of the Nikon D1. This model represented their first fully independent digital SLR (D-SLR) camera design, which not only broke new ground technically, but also made high quality digital photography financially viable for many photographers. Since Nikon has never attempted to introduce new camera models at the frequency of some of its well-known competitors, the development of Nikon D-SLRs during recent years can consequently be best described as a process of steady evolution. Nikon has unveiled a variety of models aimed at different sectors of the market, from the popular D100, launched during 2002, to the phenomenally successful D70 that arrived during 2004, and later to the mid-range D200 and D80, together with the professionally specified D2Xs. In light of this, the simultaneous announcement of the D300 and D3 models represents a positive revolution. Coming less than two years after the introduction of the D200, the model it effectively replaces, the D300 offers specification, that surpass those of the former flagship D2Xs at less than half its cost, which in itself is an indication of how the economies of scale involved in the manufacture of digital cameras and associated technologies have changed in a short period of time. It is clear that development of the D300 was closely associated with that of the D3, which at the time of writing represents the most advanced Nikon D-SLR made to date. In fact, the two new models only differ significantly in three aspects of their specification: size of sensor, ISO range, plus their respective size and weight. Consequently, it is capable of meeting a broad range of requirements, from those of a dedicated enthusiast to a full-time professional photographer. The D300 incorporates Nikon’s new Live View system, enabling real-time viewing of the subject before shooting. Production of the Nikon D300 The D300 is assembled at Nikon’s wholly owned production facility, Nikon Thailand, near Ayuthaya, the old historical capital of Siam, about 50 miles (80 km) north of Bangkok. I say assembled because a number of core parts of the D300 are manufactured elsewhere, such as the camera’s main printed circuit board and its associated electronic components, which are produced at the Nikon factory in Sendai, Japan. The Nikon Thailand plant has been involved in precision manufacturing for almost twenty years. Its ability to handle high-volume production in the digital era was proven by the tremendously successful D70 and D70s models, with the unprecedented demand for these cameras bringing about a significant expansion in the size of the workforce. Today the factory, which also handles production of the D40, D60, and D80 models, together with a number of lower-priced Nikkor lenses, operates around the clock. Taking the time to become familiar with the D300 and shooting a lot of photos is the best way to become proficient in D-SLR handling. This guide is designed to make camera operation understandable, so you’ll gain maximum enjoyment from your photography. About This Book To get the most from your D300 it is important that you understand its features so you can make informed choices about how to use them in conjunction with your style of photography. This book is designed to help you achieve this and should be seen as an adjunct to the camera’s own instruction manual. Besides explaining how all the basic functions work, this book also provides useful tips on operating the D300 and maximizing its performance. The book does not have to be read from cover to cover. You can move from section to section as required, study a complete chapter, or just absorb the key features of functions you want to use. The key to success, regardless of your level of experience, is to practice with your camera. You do not waste money on film and processing costs with a digital camera; once you have invested in a memory card it can be used over and over again. Therefore, you can shoot as many pictures as you like, review your results along with a detailed record of camera settings almost immediately and then delete your near misses but save your successes—this trial and error method is a very effective way to learn. Conventions Used in This Book Unless otherwise stated, when the terms left and right are used to describe the location of a camera control, it is assumed the camera is being held to the photographer’s eye in the shooting position. In describing the functionality of lenses and external flash units, it is assumed that the appropriate Nikkor lenses (generally D- or G-type Nikkor lenses to ensure full compatibility) and Nikon Speedlight units are being used. Note that lenses and flash units made by independent manufacturers may have different functionality. If you use such products, refer to the manufacturer’s instruction manual to check compatibility and operation with the D300. When referring to software, either Nikon or third-party, it is assumed that the most recent iterations of each application are used. Compatibility between image files recorded by the D300 and Nikon software will require the following, or later, versions: Nikon Transfer (version 1.0), Nikon View NX (version 1.0.3), Capture NX (version 1.3), and Nikon Camera Control Pro (version 2.0). Simon Stafford Wiltshire, England. Developed alongside the professional D3 camera and produced largely in Nikon’s plant in Thailand, the D300 is an advanced D-SLR, offering photographers a myriad of choices from fully automated to sophisticated user-defined operation. The Nikon D300 Design Nikon has a long heritage of innovative engineering and progressive design that sets their cameras apart from the rest of the pack, and the D300 is no exception. It is clear that development of the D300 took place along near parallel paths with the flagship D3 model, which was announced at the same time. These two cameras have much in common, sharing cutting edge technology and many advanced features. As a consequence of this design philosophy, the D300 possesses a meld of qualities that allows it to be used proficiently at assorted skill levels, from the relatively inexperienced photographer who seeks nothing more than point and shoot convenience to the demanding requirements of professionals. At first glance the D300 appears almost identical to its predecessor, the D200, as both models share virtually the same specifications in terms of size and weight: W x H x D 5.8 x 4.5 x 2.9 inches (147 x 114 x 74 mm) and approximately 29 oz (825 g) without battery or memory card. On closer inspection, the 3 inch (7.6 cm) LCD monitor that dominates the rear of the D300 and the relocation of some external control buttons hint at the significant changes that have taken place internally, including an entirely new 12.3 megapixel CMOS sensor. Nikon has long been trumpeting that image quality in the digital world rests on three pillars: optical quality of the lens, sensor technology, and internal camera processing. The D300 epitomizes this in respect of the latter two aspects, where the new sensor supports a multi-channel output to an in-built 14-bit analog-to-digital converter (ADC), thereafter all internal camera processing is handled at a 16-bit depth by a single ASIC. Nikon has dubbed this entirely new image-processing system Expeed, and it is at the heart of the camera’s ability to record, process, and output high quality images at a rapid rate. This fast data processing is combined with a completely new design of the mechanical shutter that enables the D300 to cycle at a maximum of 6 frames-per-second (fps), which can be raised to 8 fps with the addition of the MB-D10 Multi-Battery Pack; the shutter unit is tested to perform at least 150,000 actuations. Another new aspect of the camera is its 51-point autofocus system, which is one of the numerous features and functions that mirrors very closely those available on the D3 model, along with its comprehensive menu system. The camera body is built around a sturdy magnesium alloy chassis that imparts a solid, rugged feel to the camera, as well as sealing against moisture and dust. The D300 has a Nikon F lens mount with an automatic focusing (AF) coupling and electrical contacts, the design of which can be traced back to the Nikon F introduced during 1959. The greatest level of compatibility is achieved with either AF-D or AF-G type Nikkor lenses. Other lenses can be used but provide a variable level of compatibility: AF and Ai-P type Nikkor lenses offer a slightly reduced functionality of the camera’s TTL metering system, as 3D Color Matrix is not available. Even manual focus Ai, Ai-s, Ai converted, and E-series Nikkor lenses can be used with the D300, although neither 3D Color Matrix metering, nor Programmed Auto and Shutter Priority exposure modes are supported. For image storage, the D300 accepts CompactFlash cards—both Type I and Type II. Nikon D300 — Front View 1. button 2. Depth-of-field preview button 3. Sub-command dial 4. AF-assist illuminator Self-timer lamp Red-eye reduction lamp 5. Built-in flash 6. Flash pop-up button 7. Flash mode button Flash compensation button 8. Flash sync terminal cover 9. Ten-pin remote terminal cover 10. Lens release button 12. DK-23 viewfinder eyepiece cup 11. Diopter adjustment control 12. Metering selector 13. AF-ON button 15. Main command dial 16. Multi selector 17. Focus selector lock 18. Memory card access lamp 19. AF-area mode selector 20. Card slot cover latch 21. MODE button (exposure) FORMAT button 11. Exposure compensation button Two-button reset button 12. Control panel 13. Focal plane indicator Power A single Nikon EN-EL3e (7.4V, 1500mAh) rechargeable Lithium-ion battery powers the D300. This battery weighs 2.8 oz (80 g) and is distinguished from earlier EN-EL3 batteries (see note below) by its light-gray casing. There is no alternative power source for the D300 that can be fitted internally; the standard camera body cannot accept any other type of non-rechargeable, or rechargeable battery. Battery performance is dependent on a number of factors, including condition of the battery, the camera functions and features used, and the ambient temperature. Alternatively the D300 can be connected to the Nikon EH-5a or EH-5 AC adapter to power the camera during extended periods of use. Note: The D300 is not compatible with the earlier EN-EL3 (7.4V, 1400mAh) or EN-EL3a (7.4V, 1500mAh) batteries originally supplied for the Nikon D70-series and Nikon D50 cameras, although these models will accept the EN-EL3e battery. Unlike fitting the optional battery pack for the D200, there is no requirement to remove the battery chamber door of the D300, so the camera’s internal EN-EL3e battery can be left in place. In addition to providing extra power, the battery pack has a shutter release button, duplicate main and sub-command dials, an AF-ON button and a duplicate multi selector to improve handling when the camera is held in the vertical (portrait) orientation. Hint: Fitting the MB-D10 requires a rubber terminal cover to be removed from the base of the D300; it can be stowed in a depression in the top plate of the MB-D10. When fitted with an MB-D10, which contains an EN-EL4, an EN-EL4a, or eight AA-sized batteries, the D300’s maximum frame rate is raised to 8 frames per second (fps). The same frame rate can be achieved if the camera is powered from its dedicated AC adapter. Note: All electronically controlled cameras may occasionally exhibit some strange behavior where unexpected icons or characters appear in the LCD display, error messages are displayed, or the camera ceases to function properly. This is often caused by an electrostatic charge. To remedy the situation, try switching the camera off, removing and replacing the battery, or disconnecting then reconnecting the AC supply, before switching the camera on again. Sensor The Complimentary Metal Oxide Semi-conductor (CMOS) sensor used in the D300 is not unique to the camera. It is produced by Sony and also used in their Alpha 700 D-SLR. There are total of 13.1 million photo sites (pixels), of which 12.3 million are effective for the purpose of recording an image. Each photo site is just 5.9 microns (mm) square. This gives the camera a maximum resolution of 4,288 x 2,848 pixels, sufficient to produce 11.8 x 17.8 inch (30 x 45 cm) prints at 240ppi without interpolation (resizing). The imaging area is 0.66 x 1 inch (15.6 x 23.7 mm), which is smaller than a 35mm film frame of 1 x 1.5 inches (24 x 36 mm), but retains the same 2:3 aspect ratio. Nikon calls this their DX-format (often referred to as the APS-C format) and use the same DX designation to identify those lenses that have been optimized for use with their digital SLR cameras. Due to the smaller size of the DX-format digital sensor, the angle-of-view offered by any focal length is reduced compared with a lens of the same focal length used on a 35mm film camera. If it assists you to estimate the angle-of-view for a particular focal length in comparison with the coverage offered by the same focal on a 35mm film camera, multiply the focal length by 1.5x (see page 179 for a full explanation). The D300 is powered by the EN-EL3e battery. The life of a battery charge is decreased by the use of power-hungry features such as Live View, the built-in flash, and picture playback. The CMOS sensor of the D300 is actually a sandwich of several layers each with a specific purpose: Wiring Layer: Immediately adjacent and in front of the layer of photodiodes is the wiring layer that carries the electrical circuitry that not only carries the electrical signal way from each photodiode but also amplifies it before it is fed on to the analogue-to-digital converter (ADC). Bayer Pattern Filter: Above the wiring layer is a colored filter layer. The photodiodes on the CMOS sensor do not record color—they can only detect a level of brightness. To impart color to the image formed by the light that falls on the sensor, a series of minute red, green, and blue filters are arranged over the photodiodes in a Bayer pattern, which takes its name from the Kodak engineer who invented the system. The Bayer pattern comprises 50 green, 25 red, and 25 blue filters; the intensity of light detected by each photodiode located beneath its single, dedicated color filter according to the Bayer pattern, is converted into an electrical signal before being converted to a digital value by the ADC. If the camera is set to record a NEF Raw file the value for each photodiode is simply saved. When you open this file in an appropriate raw file converter the software will interpret the value from each photodiode to produce a red-green-blue (RGB) value, which in turn is converted into an image that can be viewed. However, if the camera is set to record either JPEG or TIFF files then the value from each photodiode is processed in the camera by comparing it with the values from a block of surrounding photodiodes, using a process called interpolation. The interpolation process produces a best guess for the RGB value for each sampling point (photodiode) on the sensor. Microlens Layer: Immediately above the Bayer pattern filter there is a layer of micro lenses. Since the photodiodes on the sensor are most efficient when the light falling on them is perpendicular each photodiode has a miniature lens located above it to channel the light into its well to help maximize its light gathering ability Optical Low-Pass Filter: Positioned in front of the CMOS sensor, comprising the layers of the photodiodes, wiring layer, Bayer pattern filter and micro-lenses but not connected to it is an optical low-pass filter (OLPF), sometimes called an anti-aliasing filter. When the frequency of detail in an image, particularly a small regular repeating pattern, such as the weave pattern in a fabric, alters at or close to the pitch of the photodiodes on the sensor there is often a side effect that produces unwanted data (often referred to as an artifact) due to the way in which the in-camera processing converts the electrical signal from the sensor to a digital value via the analog to digital (ADC) converter. This additional data is manifest in the final image as a color pattern known as a moire. Furthermore, the same in-camera processing can also result in a color fringing effect, known as color aliasing, which causes a halo of one or more separate colors to appear along the edge of fine detail in the image The OLPF is used to reduce the unwanted effects of color aliasing and moire. However, the OPLF reduces the resolution of detail, so the camera designers must strike a balance between its beneficial effect and the loss of acuity in fine detail, which increases as the strength of the filter is increased. The OLPF also incorporates a number of important coating layers to help improve image quality: To help prevent dust and other foreign material from adhering to the surface of the OLPF it has an anti-static coating made from Indium Tin Oxide. To reduce the risk of light being reflected from the front surface of the OLPF onto the rear element of the lens, which could then result in flare effects, or ghost images, the filter has an anti-reflective coating. The CMOS sensor is sensitive to wavelengths of light outside the spectrum visible by the human eye. This light, which can be either in the infrared (IR) or ultraviolet (UV) parts of the spectrum, will pollute image files and cause unwanted color shifts and a loss of image sharpness, so the OLPF has both an IR-blocking and UV-blocking coat. These IR and UV blocking coatings are very efficient, consequently, the D300 cannot be recommended for any form of IR or UV light photography, which was possible with some earlier Nikon D-SLR cameras, such as the D1 and D100. A D300 on the assembly line in Thailand. Note: The Indium Tin Oxide anti-static coating applied to the surface of the OLPF is more susceptible to being damaged by physical contact, or use of alcohol based cleaning fluids compared with the Lithium Niobate coating used in other Nikon D-SLR cameras such as the D200. So take extra care if you decide to clean the OLPF of your D300 for yourself. Built-In Sensor Cleaning The presence of dust and other unwanted particles on the front surface of the OLPF (i.e. the surface closest to the rear of the lens mounted on the camera) is the bane of all digital photographers, because it causes dark shadow spots to appear in the final image. The definition of such spots will, to some extent, be dependent on the lens aperture used; at very wide aperture settings these shadow spots will appear less well defined and in some instances may not even be apparent. But at moderate-to-small aperture settings they will mar the image. This will require extra effort to remove them using software cloning tools in post-processing. Regardless of how careful you are, dust will eventually find its way into a camera.