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manual blackberry curve 9320Please try again.Please try again.Please try again. Please try your request again later. This book has been called an essential reference. It is. It will also make you laugh. 52 short, understandable Conversations provide artists in all genres with a working knowledge of the legal issues affecting their arts and businesses. This book uses a humorous, storytelling format. It is organized sequentially for classroom use; includes exercises for reinforcement and further study. Fully indexed. Extensive glossary. So teachers: use it as your textbook. Arts Law Conversations is divided into four sections: Navigating the Legal System; Intellectual Property; Contracts; and Business Issues You Might Have Overlooked. This book is for everyone. It's for you, creatives: musicians, filmmakers, writers, performers, visual artists. It's for you, industry professionals: agents, managers, lawyers, galleries, venues. It's for you, teachers and students. It's for you, business community. We all create, and we all consume the creative work of others. These brief Conversations, featuring characters in real-life situations, will help readers spot and understand the legal issues that too often cause creators and consumers alike to roll their eyes and use bad words. You'll get it. You might even laugh. Arts Law Conversations won a gold medal in the 2014 Independent Publisher (IPPY) Awards; a bronze in the 2014 INDIEFAB Book of the Year awards (reference category); and was a finalist in the 2014 USA Best Book Awards. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. She makes the labyrinth of arts-related law clear, actionable, and compelling to read. Instead of dense rhetoric and legalese, she offers friendly and focused conversations that connect the dots for cultural entrepreneurs, artists, managers, and supporters. If you make art or work in the arts, you need this book. --E. Andrew Taylor, Asst.http://www.morozovawedding.ru/cite_imgs/electronic-aeronautical-information-manual.xml
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Professor Arts Management Program, American University If you're an artistic type, like me, Arts Law Conversations is a book you'll actually enjoy reading. Elizabeth Russell speaks in down-to-earth plain talk that everyone can understand. She weaves the stories of real, recognizable people in this volume of useful information about every aspect of the law and the arts. At the end of each conversation you get to try your own hand at lawyering. And that's where Elizabeth is like a great dance partner. You didn't think you could do it, but you're dancing! --Terre RocheIt's for creatives: musicians, filmmakers, writers, performers, visual artists. It's for industry professionals: agents, managers, lawyers, galleries, venues. It's for teachers and students. It's for the business community. You'll get it. You might even laugh.She also maintains an arts and entertainment law practice. Elizabeth is a frequent author and speaker. In both capacities she enjoys taking complicated issues and explaining them in understandable terms for non-lawyers. She is the author of Art Law Conversations: A Surprisingly Readable Guide for Visual Artists. Art Law Conversations earned a rating of Essential from the American Library Association's CHOICE Magazine and was included on CHOICE's 2006 list of Outstanding Academic Titles. In 2008 that title was awarded a Writer's Digest First Place award in the reference category. Elizabeth's undergraduate degree is in music. She earned her law degree from the Pace University School of Law where, reluctantly, she served as a member of the Pace Law Review. She is admitted to practice law in the states of New York, Connecticut and Wisconsin.Full content visible, double tap to read brief content. Videos Help others learn more about this product by uploading a video. Upload video To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.http://aiswaryamatrimonials.com/fck_uploads/elitebook-8730w-bios-manual.xml Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later. J 5.0 out of 5 stars If you only ever buy ONE book on artists' legal matters, this is IT! The 13-digit and 10-digit formats both work. Please try again. Used: GoodAccess codes, CD's, and other accessories may not be included. All items ship Mon-Fri.Please choose a different delivery location or purchase from another seller.Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. This should be required reading for all artists as well as art and design students and faculty.She received the world's only known bassoon scholarship to law school and is admitted to practice law in the states of New York, Connecticut and Wisconsin. Ms. Russell served as a senior attorney in the Counsel's Office of the New York State Education Department and has held positions with the Albany (NY) Symphony Orchestra; the Madison Repertory Theatre in Madison, WI; and Opera for the Young, a professional opera touring company. Today, her practical experience in the arts informs her legal work with artists, musicians and business clients in the arts and entertainment industry.Full content visible, double tap to read brief content. It also analyzes reviews to verify trustworthiness. Please try again later. Eloise Ockert 5.0 out of 5 stars The book answers questions with real-world examples and includes references to specific online resources for more information. A very solid contribution in an important field!I can't wait to dive in some more. The book looks less than serious, but its actually a super-helpful and realy easy to read (and understand) book on art law.just as it says. Good stuff and HIGHLY recommended for all artists.Highly recommend this book to any artist looking for answers to copyright questions and a better understanding of the law.http://www.bouwdata.net/evenement/emerson-heat-pump-user-manualWell worth what I paid for it.Up to date information since it was published after 1999. I would recommend it to anyone working with non profits.It’s informative without overwhelming the reader and it’s entertaining. Groups Discussions Quotes Ask the Author Featuring delightfully whimsical illustrations throughout its easy-to-read format, this book is an ideal resource for artists of all genres and is a must for art school libraries. To see what your friends thought of this book,This book is not yet featured on Listopia.I thought I would be able to browse it, but I ended up reading all of the 32 conversations (topics). The author breaks everything down to a simple language so that artists can understand legalese (legal language). As an art entrepreneur, writer and blogger, I want to know my rights and I want to learn how to respect the rights of others. This book breaks it all down. I now possess an understanding of art law and I know to refer to copyright.gov for any questions th I thought I would be able to browse it, but I ended up reading all of the 32 conversations (topics). I now possess an understanding of art law and I know to refer to copyright.gov for any questions that I may have. Honestly, I think I have violated some artists rights due to the ease of use of the internet. However, I will not continue on in this manner. I want to acknowledge all people and their work just as I want my work to be respected. I see a lot of people steal images and other works due to their own lack of creativity. This book will help any reader to comprehend copyright law inclusive of trademarks, service marks, word marks, design marks, etc. I especially appreciated the last conversation (32) about non-profit organizations. You have got to read it for yourself! There are no discussion topics on this book yet.She also maintains an arts and entertainment law practice. She is the author of Art Law Conversations: A Surprisingly Readable Gu She also maintains an arts and entertainment law practice. She is the author of Art Law Conversations: A Surprisingly Readable Guide for Visual Artists (Ruly Press 2005). She is admitted to practice law in the states of New York, Connecticut and Wisconsin. If you continue browsing the site, you agree to the use of cookies on this website. See our User Agreement and Privacy Policy.If you continue browsing the site, you agree to the use of cookies on this website. See our Privacy Policy and User Agreement for details.You can change your ad preferences anytime. Find Yourself First. A Surprisingly Readable GuideOnlineReadable Guide for Arts Entrepreneurs Read. OnlinePages: 320 pagesq. Publisher: Ruly Pr 2014-01-01q. Language: Englishq. ISBN-10: 0976648016q. ISBN-13: 9780976648017qReadable Guide for Arts Entrepreneurs Read. OnlineNow customize the name of a clipboard to store your clips. This book has been called an essential reference. It is. It will also make you laugh. 52 short, understandable Conversations provide artists in all genres with a working knowledge of the legal issues affecting their arts and businesses. Arts Law Conversations won a gold medal in the 2014 Independent Publisher (IPPY) Awards; a bronze in the 2014 INDIEFAB Book of the Year awards (reference category); and was a finalist in the 2014 USA Best Book Awards. It's for creatives: musicians, filmmakers, writers, performers, visual artists. You'll get it. You might even laugh. She also maintains an arts and entertainment law practice. She is admitted to practice law in the states of New York, Connecticut and Wisconsin. Satisfaction Guaranteed. Book is in NEW condition.All Rights Reserved. Center for Art Law frequently receives notices of upcoming publications and accepts books for review. In addition to the list of Publications, we are happy to offer comments about some of the recently published materials on the subject of law and visual arts. Note from the previous book’s title that while the 2005 version focused on “Art” and “Visual Artists,” the new book included “Arts” and “Arts Entrepreneurs” in response to those creative entrepreneurs who felt that the previous version did not cover non-visual artists’ legal issues. The book should not be taken as legal advice, however, as it is “intended to provide accurate information regarding the subject matter,” reminded by the author on the first page of the book. What is most remarkable about this book is its wealth of legal information broken down in everyday language—anyone who is not familiar with legalese could enjoy reading it. As an added bonus, this book is humorous and witty, making it a truly delightful read. This reviewer could not help but wish for other casebooks used in law school to have been as entertaining and as informative. Intellectual Property, III. Contracts, and IV. Business Issues You Might Have Overlooked. First and foremost, the book opens with a conversation called “First Thing First: The United States Constitution.” In bullet points, the author narrates the background and content of the Constitution in plain English, reminding readers of the foundation of the laws in the country. The second conversation introduces readers to the concept of jurisdictions and venues, possibly the first thing new law students learn in civil procedure class, through a hypothetical conversation between an artist in conflict with a gallery and her lawyer friend. Throughout the book, names of important concepts are bolded and main points are separately headlined on the side of pages, aiding readers’ understanding and refreshing what they have read. Some conversations also have a practical section called “YOU TRY,” encouraging readers to engage with the material, for example, by looking up a landmark case or other important facts not discussed in conversations. Although I wished that the section had an answer key somewhere in the book, the practical exercises allow readers to interact with the legal topic. The book also provides information on how to conduct legal research for people who are not in the legal field, making it genuinely artist-friendly. In addition to the appendix section of indexes, table of cases, and Bill of Rights, the book has an extensive glossary section where it lists definitions of concepts discussed in the book, which would be helpful for readers. For example, the author explains commissioning agreements and goes over details about fine art consignment agreements, referring to UCC and various state statutes that artists should be aware of. Arts entrepreneurs are also reminded of other important business issues that could intertwine with legal matters such as organizing business, taxation, and collection. As if the author could read the minds of creative entrepreneurs, she comprehensively covers a variety of topics that has anything to do with law, which could be daunting to non-legal professionals. Creative people who want to protect their hard work or want to start their own business using their creative skills could truly benefit from this brilliant book. For law students or lawyers, this book is a great review of trademark, copyright, contracts, and corporations law. Artless Boycotts Blossom Donate today! To find out more, including how to control cookies, see here:Information available on this website is purely for education purposes and should not be construed as legal advice. From copyright and contract law to immigration law, authenticity issues, and Nazi-era looted art, the Center for Art Law offers training opportunities to artists, attorneys, students, and scholars to further protect art and cultural heritage. DONATE NOW Never see this message again. It's a great asset for all creative entrepreneurs attempting to wade through the complexity of intellectual property.But whatever the challenges of making sense of it all, we need to be very aware of what the law says about these topics. I’ve recently taken a job at my local State Bar Association where I webcast and record Continuing Legal Education (CLE) classes. She reached into her backpack and pulled out a copy of her book, Arts Law Conversations (Ruly Press, 2014). The purpose of my review is not to delve into all the explanations and law about intellectual property, but rather to describe how the book helps lay people (i.e., non-lawyers) learn about the subject. The book is written in a way normal people can grasp the content and concepts of intellectual property. It’s almost like an “Intellectual Property for Dummies” kind of writing style, with concise information in non-legalese language mixed with occasional humorous examples and explanations. Each chapter is very short and focuses on a specific legal issue. The first few chapters actually explain how part of the legal system works regarding statutes and publications. There are lots of links to sites that will help you to do some of your own research if you want about topics. There are great explanations of how to do your own research when needed, and how to interpret some of the laws and rulings cited in the book. It does cite many legal cases with the actual case codes, so looking them up for yourself is as easy as using a search engine. At the end of many of the chapters there are even small exercises for you to do try and explore the concept further. As part of the style of writing the author uses, most chapters are laid out as a role play type of situation with dialogue going on between an artist and a lawyer. It’s actually very entertaining, and makes you feel as if you’re sitting in on the meeting they’re having. Each chapter builds on previous chapters. As a concept from a previous chapter is mentioned, that chapter is referenced so you can easily go back and re-read the content if needed. The book covers a large spectrum of intellectual property law from copyrights, to trademarks, to licensing, public performance, and even contracts. As a videographer or photographer, I found that about one-third to one-half of the book was targeted at the issues I would have questions about. Intellectual property law is very complicated both from the creator’s rights and the publisher’s rights perspective. Arts Law Conversations dives deep into both sides of the rules. It helps entrepreneurs understand what they need to do to protect their copyrights, and it helps creatives know what kind of rights they need to use that property. Let me offer an example of what I learned in Chapter 24 entitled, “Owning the Piece (as Opposed to) Owning the Copyright.” I’ve modified the actual story (so I don't break copyright laws) but will convey the concept via a similar story. Here we go: You are a doctor who likes to collect fine art for display in your home. You purchase a beautiful painting from an artist well known in your community. When you purchase the artwork, you get the exclusive right to display the painting publicly without permission. You can even transfer that exclusive right if you sell the painting years later. It can legally be displayed with no problem at your doctor’s office even though you are displaying it at a for-profit location. Here is where it gets interesting: As a doctor, you have developed a new ground-breaking procedure that saves lives and has taken the medical profession by storm (kind of like a video going viral in our business). As a result, the film industry has decided to do a documentary about your life and the journey of creating this new ground-breaking procedure. They decide to film portions of the movie right in your office so the movie is as real as possible. As part of the filming process, scenes are shot where the painting from your local artist is part of the background of scenes. When your best friend from Wyoming goes to see the movie they see that painting on the wall. However, they are viewing the painting on the wall but they are not in the same place as the painting. They are watching it on their TV via digital download from a streaming service. The producers of the video will need to purchase a license for public display of the painting, or the artist would have a case for copyright infringement. To make it more interesting, think of the implications of a tattoo on your arm when you’re being interviewed on TV because your video went viral. A tattoo is artwork, which means the tattoo artist has intellectual property rights. You can see how this could be a problem. Arts Law Conversations tackles complicated intellectual property issues in a format non-lawyers can understand. This book would be a great asset for all creative entrepreneurs attempting wade through the complexity of intellectual property. Restrictions apply. Try it free See our disclaimer Arts Law Conversations: A Surprisingly Readable Guide For Arts Entrepreneurs Specifications Language English Publisher Ruly Press Book Format Paperback Original Languages English Number of Pages 320 Author Elizabeth T Russell Title Arts Law Conversations ISBN-13 9780976648017 Publication Date June, 2014 Assembled Product Dimensions (L x W x H) 10.25 x 7.25 x 1.00 Inches ISBN-10 0976648016 Customer Reviews Write a review Be the first to review this item. 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