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manual adobe premiere pro cs5 espanol pdfPage Count: 464 Legal notices. For legal notices, see Contents. Chapter 1: What's new. What’s new (CS5)Working with Panels. PreferencesCross-platform workflowAdobe Dynamic LinkCreating and changing projects. Archiving projectsImporting assets from tapeless formatsImporting XML project files from Final Cut Pro. Capturing and digitizingCapturing HD videoDigitizing analog videoWorking with timecodeCustomizing the Project panelManaging metadataChapter 7: Monitoring assets. Using the Source Monitor and Program Monitor. Playing assetsUsing the Reference MonitorEditing multi-camera sequences. Creating and playing clipsWorking with offline clipsCreating special clips (synthetics). Adding clips to sequences. Trimming clipsRearranging clips in a sequenceCorrecting mistakesWorking with markersOverview of audio and the Audio MixerRecording audioCreating and formatting text in titles. Drawing shapes in titles. Add images to titlesFills, strokes, and shadows in titles. Titler text stylesApplying, removing, finding, and organizing effectsViewing and adjusting effects and keyframes. Applying effects to audio. Working with audio transitions. Effect presetsEliminate flickerModifying and customizing transitions. Effects and transitions referenceAdding, navigating, and setting keyframes. Moving and copying keyframesOptimize keyframe automation. Chapter 13: Compositing. Compositing, alpha channels, and adjusting clip opacity. Blending modesWorkflow and overview for exportingExport to Panasonic P2 format. Exporting OMF files for Pro Tools. Export a still imageExporting to videotapeChapter 15: Keyboard shortcuts. Finding and customizing keyboard shortcuts. Default keyboard shortcutsWhat’s new (CS5.5). For a complete list of what’s new and changed in Adobe Premiere Pro CS5.5, see this post on the Premiere Pro Work. Area blog. To see the new features of Adobe Premiere Pro CS5.5 in action, see this video tutorial series by Video2Brain.http://www.adishaktiyogacentre.com/UserFiles/eurosteam-4488-manual.xml

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For more information about new features in Premiere Pro CS5.5, see the Adobe website.See “SynchronizingMercury Engine Performance Gains New GPU-accelerated features include speed changes, footage interpretationMore video cards are supported, as well. See thisUsability Improvements Lot of usability improvements have been added to Adobe Premiere Pro CS5.5, as describedSee “Find keyboard shortcuts” on page 451 and this video about keyboard shortcutsSee “Insert or Overwrite by dragging a clip to the Program panel” onA modifier key is no longer needed to set keyframes, as well. See Add, select, and delete keyframes.See Link and unlink videoEditing in Adobe Audition A new workflow allows you to interchange with Adobe Audition CS5.5 a clip, or an entireSee “Edit audio in Adobe. Audition (CS5.5)” on page 250 and this video by Video2Brain. Accelerated Video Effects More video effects and transitions are now GPU-accelerated for the Mercury Playback. Engine. See “List of GPU accelerated effects in Premiere Pro CS5” on page 276. Unified Audio Effects Audio effects are now combined into a single, unified effect. See “Audio effects” on page 405 andExpanded native support for RED digital cinema workflows The RED R3D Source Settings dialog has been redesigned,Saves and loads the latest versions of RMD, createsChoose a desired Color Science, and applySee “File formats supported for import” on page 58 and this video by. Video2Brain. Speech analysis improvements with Adobe Story You can find and fix speech analysis errors more easily by makingYou can also attachYou don't have to use. OnLocation for this step anymore. See “Improve speech analysis with Adobe Story scripts (CS5.5 and later)” onClosed Captioning You can attach a closed caption data file to a sequence and display the closed captions in the. Program Monitor and through Firewire DV output. See “Attach closed caption files (CS5.https://www.cnsostudios.com/images/ford-telstar-repair-manual-download.xml5 and later)” on page 156Integration with Adobe CS Review Enables clients and teammates to take part in reviewing video sequences using aReviewers can make frame-accurate comments that visually correlate to the Adobe. Premiere Pro timeline. What’s new (CS5). For Premiere Pro system requirements, see the Adobe website. For lists of various categories of hardware compatible with Adobe Premiere Pro, see the Adobe website. See this page for what’s new and changed in Adobe Premiere Pro CS5 (5.0.2). See this page for what’s new and changed in Adobe Premiere Pro CS5 (5.0.3). See this page for what’s new and changed in Adobe Premiere Pro CS5 (5.0.4). See this page for what’s new and changed in Adobe Media Encoder CS5. This blog post on the animotion website details the advantages and considerations of upgrading to Premiere Pro CS5. Native 64-bit and GPU-accelerated performance with Adobe Mercury Playback Engine Edit HD as fluidly as SD. The. Mercury Playback Engine delivers native 64-bit support, GPU acceleration, and other performance and stabilitySee results instantly when applying multipleWork with numerous other effects acrossFor more information. See “GPU-accelerated effects” on page 276. Expanded native tapeless workflows In CS5, Premiere Pro gains native support for XDCAM HD 50, AVCCAM. DPX, and AVC-Intra as well as enhanced RED. Premiere Pro continues support for P2, XDCAM EX and HD, and. AVCHD.https://78as.it/emerson-boombox-manual You never waste valuable production time transcoding or rewrapping, and always have access to the pristineEdit video natively from the latest DSLR cameras like the Canon 5D Mark II and CanonScript-to-screen workflow Collaborate on writing scripts with Adobe Story, capturing key production direction as youUse Speech Search to synchronize the script to footage, and then edit based on theFor more information, seeRound-trip editing with Final Cut Pro and Avid Media Composer Leverage the unique tools in Premiere Pro in anyAvid Media Composer to enable a collaborative production process. Bring the creative benefits of Adobe tools to theEdit with SpeechSearch, which turns spoken dialogue into searchable text for faster editing. For more information, see “Crossapplication workflows” on page 28. Editing and production efficiencies from metadata features Add intelligence to your assets using innovative metadataSynchronize content with your. Adobe Story script, or by using reference scripts that are optimized for your content. Accelerate editing by marking InUse face detection technology to locate clips containing human faces. Plus,For more information, see. Understanding the script-to-screen workflow and “Analyze speech for text XMP metadata” on page 194. Client and team reviews made simple with CS Review CS Review is a new online service that allows you to share dailiesCS Review eliminates the need for burning discs or swapping large files back andClients andUpgrading to Premiere Pro CS5 gives you a complimentary one yearThe CS Review video workflows for Premiere Pro will not be available when Premiere Pro. CS5 initially ships. Premiere Pro CS5 customers will automatically receive access to the CS5 Review video workflowsSimplify everyday tasks with small changes that make large differences Take advantage of the most requested editingUse automatic scene detection toImport assets from DVDs. Use new extend edit and find gaps keyboardClean up your sequences quickly with new commands for findingStreamlined encoding with revamped Adobe Media Encoder Efficiently deliver your content in virtually any formatAdobe Media Encoder saves you time by batchSet up multiple items for encoding,Use any combination of sequences andDPX joins FLV, F4V, Windows Media (Windows only). QuickTime, MPEG-2, MPEG-4, and H.264 codecs. For more information, see the help document for Adobe Media. Encoder: Using Adobe Media Encoder. Log footage from virtually any camera with Adobe OnLocation CS5 Use the powerful logging options in Adobe. OnLocation when working with tapeless cameras.When you copy clips from the tapeless camera, Adobe OnLocationFor more information see help for Adobe OnLocation: Using Adobe. OnLocation. Ultra Key for fast, accurate keying—even on challenging footage Key HD footage in real time with the new Ultra KeyUltra Key is optimized for footage that includes uneven lighting, wrinkledUltra Key preserves shadows and can achieve complex keys on smoke, liquids, andNative support for DSLR cameras Edit video from the latest DSLR cameras. New native support means that you neverPremiere Pro supports video shot on the following DSLR cameras:Create searchable web-DVDs in Encore CS5 Create a more engaging experience with web-DVDs that nowEncore. Encore uses the metadata along with subtitles and menu button text to make your web-DVDs searchable. ForDynamic Link is now bidirectional Dynamic Link communication between Adobe Premiere Pro and Adobe After. Effects is now bi-directional. Previously, if you used Dynamic Link to send information from After Effects to Premiere. Pro, you could not later use Dynamic Link to send information from Premiere Pro to After Effects. You had to restartIn Creative Suite CS5, thatMore Help topics. Premiere Pro CS5 feature tourWorkspaces. For an overview of the Premiere Pro interface, see this introduction to panels and workspaces from Peachpit Press. For an overview of the Premiere Pro interface, see this video from Learn By Video and Video2Brain by Maxim Jago. Import a workspace with a project. Workspace selections and customizations made in a project are saved in the project file. By default, Premiere Pro opensHowever, you can instead open a project in the workspace last used with it. ThisIf you import a project and the workspace is empty, close the project. Deselect Import Workspace From Projects. Import the project again, and select an existing workspace for the project. Customizing workspaces. About workspaces. Adobe video and audio applications provide a consistent, customizable workspace. Although each application has itsThe main window of a program is the application window. Panels are organized in this window in an arrangementYou customize a workspace by arranging panels in the layout that best suits your working style. As you rearrangeYou can create and save several custom workspaces forYou can use floating windows to create a workspace more like workspaces in previous versions of Adobe applications,In these two tutorials Andrew Devis from Creative Cow shows how to use different workspaces, and how to customizeA. Application window B. Grouped panels C. Individual panel. Choose a workspace. Each Adobe video and audio application includes several predefined workspaces that optimize the layout of panels forDock, group, or float panels. You can dock panels together, move them into or out of groups, and undock them so they float above the applicationDocking zones. Docking zones exist along the edges of a panel, group, or window. Docking a panel places it adjacent to the existingGrouping zones. Grouping zones exist in the middle of a panel or group, and along the tab area of panels. Dropping a panel on aDock or group panelsDrag panel gripper to move one panel. Drag group gripper to move entire group. The application docks or groups the panel, according to the type of drop zone. Undock a panel in a floating window. When you undock a panel in a floating window, you can add panels to the window and modify it similarly to theUndock Frame undocks the panel group. When you release the mouse button, the panel or group appears in a new floating window.Resize panel groups. When you position the pointer over dividers between panel groups, resize icons appear. When you drag these icons,For example, suppose your workspace contains three panel groups stackedTo quickly maximize a panel beneath the pointer, press the accent key. (Do not press Shift.) Press the accent key againThe pointer becomes aA. Original group with resize icon B. Resized groups. Open, close, and scroll to panels. When you close a panel group in the application window, the other groups resize to use the newly available space. When you close a floating window, the panels within it close, too.Drag horizontal scroll bar to see all panels in narrow group. Working with multiple monitors. To increase the available screen space, use multiple monitors. When you work with multiple monitors, the applicationMonitor configurations areMore Help topicsSave, reset, or delete workspaces. Save a custom workspace. As you customize a workspace, the application tracks your changes, storing the most recent layout. To store a specificSaved custom workspaces appear in the Workspace menu, whereType a nameNote: (After Effects, Premiere Pro, Encore) If a project saved with a custom workspace is opened on another system, theIf it can’t find a match (or the monitor configuration doesn’tReset a workspace. Reset the current workspace to return to its original, saved layout of panels. Delete a workspaceNote: You cannot delete the currently active workspace. Brighten or darken the interface. You can lower the brightness, as when working in a darkened editing suite or when making color corrections. Changing the brightness affects panels, windows, and dialog boxes but does not affect scroll bars, title bars, and menusIn addition, the change doesn’t affect the application background on Windows.Click Default to restore the default brightness level.Working with Panels. Navigate the panels. You can use keyboard shortcuts to activate panels in rotation.Kevin Monahan provides instructions and keyboard shortcuts for activating panels in this blog post. Display any panel full-screen. You can expand any panel to display it in full-screen mode, and toggle back to normal view. You can do so with theIn Adobe Premiere Pro CS5, do theTypically, this key lies just to the left of the numeral one (1) key. Some see this key as thePress the accent key once more to restore the panel size.Press the accent key to toggle the panel size of a panel you are hovering over with the mouse. Note: When Adobe Premiere Pro is installed on a computer with a non-U.S. keyboard, the Maximize Or Restore FrameThe key for Maximize Or Restore Frame is listed in the Keyboard. Customization dialog box. To find it, select the Adobe Premiere Pro Defaults set. Then, select Application from the menu. Scroll down past the Help heading to Maximize or Restore Frame. More Help topicsDisplay panel optionsYou can open a panel menu even when the panel is minimized. In Photoshop, you can change the font size of the text in panels and tool tips. In the Interface preferences, choose aDisplay context and panel menus. In addition to choosing from the menus at the top of your screen, you can choose from context menus, which displayPanel menus display commands relative to the active panel.Tools panel and Options panel. When you open the Options panel, it opens by default in the horizontal docking area running just under the menu bar,You can undock, move, and redock the Options panel like any other panel. By default, the. Options panel contains a menu of workspaces and a link to CS Services. You can also dock the Tools panel to the. Options panel. Tools. When you select a tool, the pointer changes shape according to the selection. For example, when you select the RazorHowever, the SelectionIn some cases, pressing a modifier key (such as. Shift) as you use a tool changes its function, and its icon changes accordingly. Select tools from the Tools panel, or useNote: The Selection tool is the default tool. It’s used for everything other than specialized functions. If the program isn’tA. Selection tool B. Ripple Edit tool C. Rate Stretch tool D. Slip tool E. Pen tool F. Hand tool G. Track Select tool H. Rolling Edit tool I. RazorSelect any tool to activate it for use in a Timeline panel by clicking it or pressing its keyboard shortcut. Let the cursorSelection Tool The standard tool for selecting clips, menu items, and other objects in the user interface. It’s generallyTrack Selection Tool Select this tool to select all the clips to the right of the cursor in a sequence. To select a clip andTo select a clip and all clips to its right in all tracks, Shift-click theFor more information aboutRipple Edit Tool Select this tool to trim the In or Out point of a clip in a Timeline. The Ripple Edit Tool closes gapsFor more information about using the. Ripple Edit tool, see “Making rolling and ripple edits” on page 187 or this video tutorial about the Ripple Edit Tool by. Andrew Devis. Rolling Edit Tool Select this tool to roll the edit point between two clips in a Timeline. The Rolling Edit Tool trims the. In point of one and the Out point of the other, while leaving the combined duration of the two clips unchanged. ForRate Stretch Tool Select this tool to shorten a clip in a Timeline by speeding up its playback, or to lengthen it byRate Stretch tool” on page 300 or this video about the Rate Stretch Tool by Andrew Devis. Razor Tool Select this tool to make one or more incisions in clips in a Timeline. Click a point in a clip to split it at thatFor more informationRazor Tool by Andrew Devis. Slip Tool Select this tool to simultaneously change the In and Out points of a clip in a Timeline, while keeping the timeFor example, if you have trimmed a 10-second clip to 5 seconds in a Timeline, you canFor more information about usingSlide Tool Select this tool to move a clip to the left or right in a Timeline while simultaneously trimming the two clipsPen Tool Select this tool to set or select keyframes, or to adjust connector lines in a Timeline. Drag a connector lineCtrl-click (Windows) or Command-click (Mac OS) on a connector line to set a keyframe. Shiftclick noncontiguous keyframes to select them. Drag a marquee over contiguous keyframes to select them. For moreHand Tool Select this tool to move the viewing area of a Timeline to the right or left. Drag left or right anywhere in theZoom Tool Select this tool to zoom in or out in a Timeline viewing area. Click in the viewing area to zoom in by oneFor more information aboutOpen the Options panel. Dock the Tools panel to the Options panelUndock the Tools panel from the Options panelPremiere Pro removes the Tools panel from the Options panel, and returns the Tools panel to the location it hadClip details in the Info panel. The Info panel displays several data about a selected item, and timecode information for clips under the current-timeAt the top of the panel, information is displayed for the current selection. This information varies depending on itsFor example, the Info panel displays information unique to an empty space inVideo Indicates frame rate, frame size, and pixel aspect ratio, in that order.Audio Indicates sample rate, bit depth, and channels, in that order. Tape Indicates the name of the tape. In Indicates the In point timecode of the selected clip. Out Indicates the Out point timecode of the selected clip. Duration Indicates the duration of the selected clip. The section below the current selection data contains the timecode values for the active sequence and for clips in eachThese values are displayed in a stacking order that matches the Timeline for easy visualThe only time this section is blank is when all sequences are closed. When a track is added to or deleted from the current sequence, the Info panel updates to accurately display the numberThere is no limit on the number of tracks displayed. Similarly, when the user switches to aThe Info panel displays timecode for the current selection and for all track items under the current-time indicator. When the playhead crosses a blank area in the timeline, no timecode value is displayed for that track, but the track labelThe vertical stack layout of the timecodes is easily correlated with the physical layoutA. Name of selected clip B. Data for selected clip C. Tape name D. Sequence timecode locations of clip Start and End points E. Name of activeNote: You can change the default behavior of some of the panels in the Preferences dialog box. See “Preferences” onPreferences. Change preferences. You can customize the look and behavior of Premiere Pro, from determining the default length of transitions to settingMost of these preferences remain in effect until you change them. The preferencesWhenever you open a project, it automatically defaultsOS), and select the category of preferences you wish to change.Release the Shift-Alt keys or Shift-Option key when the splashPreferences are stored in the following location. This excerpt from the Adobe Premiere Pro Classroom in a Book explains how to set up projects, sequences, andSee Selecting Settings, Adjusting Preferences, and Managing. Assets in Adobe Premiere Pro CS5. General preferences. In the General pane of the Preferences dialog box, you can customize settings for everything from playback prerollIn page scrolling, each new view of the timeline appears after the playhead moves offscreen. InSelect the desired option from the New. Timeline Audio Tracks menu.More Help topicsAppearance preferences. In the Appearance pane of the Preferences dialog box, you can set the overall brightness of the user interface. More Help topicsAudio Preferences. Automatch Time The Automatch Time preference specifies the time, in the Audio Mixer, for any control that has beenAffected controls are Volume, Pan, Effect and Send parameter knobs in. Audio, Submix and (except sends) Master track. Automatch Time preference affects properties in Touch mode, andMute Input During Timeline Recording Check this box to prevent monitoring of the audio inputs while recording theDefault Track Format Defines the type of track in which the clip audio channels are presented when a clip is added toFor example, whenIf you capture from a stereo source with this setting, Premiere Pro maps each of the sourceYou can apply the Mono track format to clips containing any number of audioWhen you add the clip to theYou can applyIf the clip doesn’t contain an even numberThe silent channel is paired with the unpaired channel when the clip is addedPremiere Pro duplicatesYou can applyIf the number of source channels is not a multiple of six, Premiere Pro creates a 5.1 surroundLinear Keyframe Thinning Creates keyframes only at points that don’t have a linear relationship to the start and end. With this option selected, PremiereThis option is selected byMinimum Time Interval Thinning Creates keyframes only at intervals larger than the value you specify. Enter a valueMore Help topicsAudio Hardware preferences. In the Audio Hardware pane of the Preferences dialog box, you specify the computer audio device and settings,More Help topicsAudio Output Mapping preferences. In the Audio Output Mapping pane of the Preferences dialog box, you specify the target speaker in your computerNote: Adobe Audition users will need to use Audio Output Mapping preferences to that 5.1 clips will output Ls, Rs, C,More Help topicsChange the Auto Save settings. By default, Premiere Pro automatically saves your project every 20 minutes and retains the last five versions of theYou can revert to a previously saved version at any time. Archiving many iterations of aIt’s best toArchived files are saved in the Premiere Pro Auto-Save folder.For example, if youNote: Premiere Pro will only execute an auto save when there are unsaved changes in the currently opened project. ThisThe potential consequence for leaving a project openAdjust this preference according to your workflow or close Premiere. Pro when you will be working on other applications for an extended period of time. Capture preferences. Controls how Premiere Pro transfers video and audio directly from a deck or camera. (None of the other projectIf you’re capturing DVAdditional capture formats andNote: For P2 DVCPRO 50 and P2 DVCPRO HD projects, the Capture Format setting is not relevant, because the assetsMore Help topicsDevice Control preferences. In the Device Control pane of the Preferences dialog box, you specify the settings Premiere Pro uses to control a. More Help topicsLabel Colors preferences. In the Label Colors pane of the Preferences dialog box, you can change the default colors and color names. You canMore Help topicsLabel Defaults preferences. In the Label Defaults pane of the Preferences dialog box, you can change the default colors assigned to bins, sequences,More Help topicsMedia preferences. Indeterminate Media Timebase Specifies the framerate for imported still-image sequences. Timecode Specifies whether Premiere Pro shows the original timecode imported clips, or assigns new timecode toFrame Count Specifies whether Premiere Pro assigns a 0, or a 1 to the first frame of an imported clip, or assigns aWrite XMP ID To Files On Import Check this box to write ID information into XMP metadata fields. Enable Clip And XMP Metadata Linking Check this box to link clip metadata to XMP metadata, so that changing oneMore Help topicsMemory preferences. In the Memory pane of the Preferences dialog box, you can specify the amount of RAM reserved for other applications,For example, as you reduce the amount of RAM reserved for other applications, the amount of. RAM left available for Premiere Pro increases. Some sequences, such as those containing high-resolution source video or still images, require large amounts ofThese assets can force Premiere Pro to cancel renderingIn these cases, you can maximize the available memory by changing the. Optimize Rendering For preference from Performance to Memory. Change this preference back to Performance whenMore Help topicsPlayer Settings preferences. In the Player Settings pane of the Preferences dialog box, you can select the default player. Premiere Pro uses the playerYou can choose the default player for your computer, or a third-party plug-in player for Premiere Pro. Third-partyTitler preferences. In the Titler pane of the Preferences dialog box, you can change the letters Premiere Pro shows in the Titler Style. Swatches panel and in the font browser. More Help topicsTrim preferences. The Trim Monitor includes Large Trim Offset buttons. Clicking one of these buttons moves a trim point earlier orMore Help topicsBasic workflow. The steps you take in editing video, from import or capture through final output, make up your workflow. The basicSpecific types of workflows, such as the. P2 workflow or the cross-platform workflow, explain the noteworthy settings, variations, or issues specific to each type. Reviewing the entire workflow for a production before creating a project and first sequence can help you optimize. Adobe Premiere Pro for the needs of that production. It can also help you plan for the special needs your productionFor example, if you learn, before you begin, the parameters of your footage, you can selectFor resources relating to optimizing your computer system, your workflow, and Premiere Pro so that you can get theWhether you use Adobe Premiere Pro to edit video for broadcast, DVD, or the web, you’re likely to follow a workflowFor Adobe recommended tutorials on basic workflow, scroll to the bottom of this page. Before you begin editing. Before you begin editing in Premiere Pro, you will need footage to work with. You can either shoot your own footage,You can also work with graphics, audio files, and more. Many projects you work on do not need a script. However, sometimes you work from or write a script, especially forWhile you shoot, organize your shots and take log notes. You can also adjust and monitor footage as you shoot,For capturing to a drive, use Adobe OnLocation. It is important to note that using Adobe Story or Adobe OnLocation are not necessary for editing with Adobe Premiere. Pro. Writing a script, and making notes on the set are optional steps to help organize a project before you get started. Get started editing. After you have acquired footage, follow the steps to get started editing with Premiere Pro.Open an existing project, or start a new one from the Premiere Pro Quickstart screen. If you are starting a new project,From the New Project dialog, you can specify the name and location of the projectQuickstart screen. If you are starting a new project, the New Sequence dialog will appear after you have exited the New Project dialog. Choose the one that matches the settings of your footage.Maxim Jago.For file-based assets, using the Media Browser you can import files from computer sources in any of the leading mediaAlternatively, using the Capture panel, capture footage directly from a camcorder or VTR.