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boss bx-800 manualInstructions Manual, presented here, contains 6 pages and can be viewed online or downloaded to your device in PDF format without registration or providing of any personal data. We remind you, that it is highly advisable to carefully read the instructions before starting of using Boss BX-4, in case of unforeseen situations - you need immediately contact the nearest service center.The right choice of power source directly affects on the life-cycle of the equipment, and the amount of energy consumed will help optimize costs when using it. In such cases, we recommend our users to see related documentation or simply ask a question to other owners of Boss BX-4 in the form below. Factory PAPER (or reprint) manuals may be available; if required, please send inquiry with your location for a quote which includes shipping and handling charges. You are buying the service notes only to aid in a repair, and not an actual mixer.If you require a copy custom scanned for you without use restrictions, (for sharing or for posting online), contact us for a quote. After payment completion, you will be returned to our website and presented with the download link(s). We highly recommend logging into, or registering an account PRIOR to adding items to cart. The reason is if you wish to download later (up to 60 days), you will need the password to log into your account to access purchase history. If you have trouble figuring out how to download a product after purchase, please visit our how to download tutorial page HERE. Or Email us so we may help you with this.Advanced Search. It is in very good used condition. The unit has been fully tested, and all 8 channels work great, with no hum or other issues. The knobs and controls work smoothly, and case is in great shape - only a little dust, but no cracks or breaks or loose parts. Also includes the original vintage Boss sticker set (see photos). Please email with any questions and thanks! You are the light of the world.http://spb-pogruzchik.ru/img/bose-model-awrc-1p-manual.xml
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With trusted Roland quality you can plug all of your gear into the BX-800 and count on the greatest quality sound. With straightforward design, the BX-800 is extremely easy to use and has everything you need to keep your inputs sounding clear and mixed properly. Use this mixer with your digital signal processor to get great effects and keep all of your levels under control. The unit is in excellent condition and everything on it works perfectly. It is equally suited for home studio or stage use. Please contact them to ask about shipping. I've used it for my rehearsal room but no longer need it. Here's the info from Boss: This Roland Boss BX-800 is an awesome little mixing board with 8 input channels with eq on each input. It is equally suited for home studio or stage use.Please check the fields highlighted in red. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. I've seen it but can't find it anymore. Are you trying to repair one? A bit noisy but I can see why someone might want that sound. I suppose one of the PCBs would be simple enough to trace (I guess there's not much magic in the specific implementation) but not sure if that's something I want to do instead of doing something more fun. FWIW my reason for figuring out what it's eaten is that in all its noisiness etc. Would be a fun exercise to draw a clone with few channels of the same vibe for eurorack or standalone.http://anatolianlgs.com/userfiles/bose-model-p1-personal-music-center-manual.xml I'm not active here anymore for personal reasons, so for those I've had the pleasure of dealing with please send an e-mail instead of PM if you wish to get in touch. Take a chance together. I am all for having a tiny mixer. I have been using my bx600 for years and it is all I need. Would be neat if it didn't take up so much space.If I could build the same thing but smaller, maybe in a pedal enclosure. I've asked him for a copy and also pointed him to this thread. I guess one could just adapt a simple generic opamp mixer circuit for stompbox format if you wanted. I'm assuming BX doesn't have much magic involved except for the distortion (it uses some Mitsubishi SIL opamps that theabsent mentioned elsewhere) but it IS quite a compact design and I guess could be made even smaller by using SMT passives (while probably retaining the signature distortion by using original transistors and opamps.?). Then again, if one wanted a simple line mixer, something like would probably be the way to go. I'm not active here anymore for personal reasons, so for those I've had the pleasure of dealing with please send an e-mail instead of PM if you wish to get in touch. I have been using my bx600 for years and it is all I need. Would be neat if it didn't take up so much space. That input stage does some good agressive saturation. That sound never gets out-dated to my personal taste. I guess cloning the simple omamp input stage isn't that hard. You will probably end up with something like a x0xb0x having 95 of the sound of the original. It has a circuit diagram, but doesn't get to the component level,.I am no Electronics engineer, but that seems simple enough, taking the Pre Fader line to the FX sends from just before VR104. Question - Would I need to add some sort of buffer in the path, or can I just pull the signal out direct? (Attaching local circuit clip for reference) I have one BX8 where the channel 4 never really gets muted.http://www.diamondsinthemaking.com/content/4-gen-ipod-nano-manual With identical settings, it's always louder than the other tracks, and pulling the fader track to minimum doesn't mute the channel. I guess there might have one faulty component, and i am willing to open my BX8, but i don't really konw what might cause this strange behaviour. Would anyone have a clue ? I am no Electronics engineer, but that seems simple enough, taking the Pre Fader line to the FX sends from just before VR104. I want to do the same thing. Did you get this to work? I recently got one from ebay - and had to order power supply seperately from Japan. I then plugged it in using a converter (but not a step down converter). The light went red before slowly fading off. Since purchasing a step down converter. It still isnt turning on. Have i blown it ? Is something like this easy to fix? x. Please check your inbox, and if you can’t find it, check your spam folder to make sure it didn't end up there. Please also check your spam folder. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Translate this page: Relevant AUDIO forum topics: Keresem a Fisher ca-890 rajzat - szervizkonyvet Sziasztok! Javitasra kerult hozzam a draga, jo lenne valami ralatas,hogy mit talaltak ki anno a tervezok! Segitsegetek koszonom! Leiszt Jani May be useful - Harman Kardon information For your information to repair.http://mstar2k.com/images/boss-bx-800-manual-1.pdf Harman KArdon HD710 Player uses a KSS210B Pickup (as spare, original unknown)Harman Kardon Receivers; Series AVR 2000,3000. Change these elkos! If you want to make it better. Resolder all points there. Have a look at the two caps and the security resistors beneath this chip. My be dead too. Replace this chip only by the -007 version.Be careful with the bigger stripe cable.So i hope i can help you.Multheten kaptam 2db ORION hangfalat. A hangszorojarol talaltam leirast, de hogy mi lehet a konkret tipusa a ladanak arrol nem. Vagy esetleg tartozott-e valamilyen radioerositohoz.egyeb? Elore is koszonom a faradozasokat. Blaupunkt CD33 (ZB 96454095 Radio ASM-3 BAND CD Player) alkatresz azonositasa. Sziasztok! Tegnap hoztak hozzam ezt a autos CD lejatszot. Automosoban volt az auto es allitolag beparasodott es azota nem mukodik. Rajzot nem sikerult lelnem hozza. Meregetesek kozben egy smd tranzisztora emlekezteto alkatresz van ami nagyon valoszinu hogy szakadt. Semmilyen iranyba nincs vezeto kepessege, nem talaltam kod alapjan semmit rola. De magan a panelon pozicio szam sem talalhato mellette. Ha valaki talalkozott ezzel a lejatszoval az kerem segitsen ki. Az alkatreszre 26 van vizszintesen es 40 felirat olvashato fuggoleges iranyba. Ha netan valaki tudja konkretan mi a pontos tipusa ennek a lejatszonak arulja el nekem.You can write in English language into the forum (not only in Hungarian). Create one here. Service manual and diagrams of equipment and musical instruments of BOSS. Roland SC-55ST (EU), Roland MT-32 (EU). Willis3000 I noticed some people talk about the BOSS BX-8 and BX-16 mixers, they seem. Siemens Gigaset USB Stick 54 Driver, Pioneer CT-W502R Manual (review) Onkyo TX-3000 Receiver, Toshiba Satellite 4030CDT Specs (bios, drivers, manual) Manual (review), Behringer PMH880S Manual, Samsung AW1001M Manual The Before using a Roland Bolt-60 Guitar Amplifier, it's advisable to first read the Roland Bolt-60 Guitar Amplifier Owner's Manual PDF.https://verkoop-je-wagen.be/wp-content/plugins/formcraft/file-upload/server/content/files/1626d837c923a5---3m-overhead-projector-manual.pdf Roland Boss BX-8 BX-16 Stereo Mixer Service Manual - Dayton. BOSS BX-800 PDF Manual Download for Free. Download Music Mixer Instruction Manual of BOSS BX-800 for free. BOSS Owner's Manual: (16 pages). I only recently retired my Yamaha RX-11 after many years of dutiful service in my I don't see why This page lists owners manuals, service manuals and documentation available for Boss audio, music, stage and studio equipment. Our website has lots of manuals and documentation for many brands in multiple languages as PDF, DJVU or paper document. Trying out my new Boss BX-800 as a classic techno distortion unit. Skip navigation Sign in. Search. Conectar Procesador de efectos a Mixer 2.0 - Duration: 7:33. Revolution Music 209,646 views.Creators are allowed to post content they produce to the platform, so long as they comply with our policies. United Kingdom. Company number 10637289. These include general usage, recording, playback, and service questions. For subjects related to tape itself, see the Open Reel subforum under this one. Obscure service subjects that don't quite fit go in the Help and Do It Yourself subforum.So forgive for for the very basic questions. How do I multi track n stereo if I want drums on the right and left. Doesn't that take up two tracks. If this Tascam records 4 tracks and how do I get them on two, but over dub right and left separately. I'm softly confused here. But have some cool gear. Please lead me to knowledge.Anyway, assuming those jacks in the pictures are mic inputs then you can use up to all 8 channels to mic your drum kit, using the pan pots on each individual channel to assign a position for each mic on the kit in the mix. Pan the channel 1 mic far left, the channel 2 mic to the center, and the channel 3 mic to the far right and record your drum track. Run the outputs from the Boss to Channels 1 and 2 on the Tascam. Once tyou've recorded those tracks, unplug all the mics from the mixer and plug in output cables from the Tascam.applestudenttours.com/ckfinder/userfiles/files/columbus-ohio-stormwater-drainage-manual.pdf Channel 1 goes to input 1 and so forth. Adjust the relative volume for each track in the mix as you prefer. You'll need to output the four tracks of the Tascam to another two-track deck of some sort - it can be a cassette, another reel to reel, or to a computer if you have the interface. Still no stereo drum mix but you get more instruments in the ensemble. Don't do this bounce more than once without some dbx, however, as tape hiss will start building up quickly. In either case, though, you still need a second deck of some sort for the final mix into stereo.It all seems so obvious now of course. Three mic drum tip is solid. Seems within reach. So. I have a nakamichi cr-2a stereo deck. That should work for the final mix. It's been in a closet for a while. Any thoughts on that. Just need that its worth a purchase. This seems like some seriously legit amature gear. Wish I could play an instrument. Thanks again. Any other tips with this gear is helpful.I'd pull it out of the closet and try it first, though. It probably works fine. Have fun!Last nights I recorded my landlord singing the Rolling Stones with his acoustic. Guitar, vocal, vocal harmony, solo. Recorded each separately directly into the back of the Tascam 34b. Now I'm listening and mixing in post with the boss and recording into the two channel. ?'s Should I record into the boss and then into the Tascam. Can I utilize the Dbx button on a Tascam portastudio when recording into this reel to reel. Is this reel life?Last nights I recorded my landlord singing the Rolling Stones with his acoustic. Is this reel life? Tape deck mic inputs are traditionally okay but nothing great so everyone generally uses a board with good internal preamps or boutique outboard preamps. In the case of the Boss that you have, I'm not sure there's much improvement over the Teac's mic inputs. I'd test it both ways: plug in a mic directly into the Teac channel 1 mic input and set the levels and record.https://www.melodypods.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626d838d30761---3m-overhead-projector-9200-manual.pdf Then plug your mic into the Boss and use the line level connections to send another version of what you recorded on track 1 to track 2 on the Teac. Listen and compare; use the one that sounds best. BTW - if you're plugging your mics into the line inputs on the back of the Teac, you're not getting nearly enough volume from them. Which leads to questions 2 and 3: 3) The ganged input volume controls on the Teac control input levels to the line inputs on the back of the deck or the mic inputs on the front of the deck. I think the smaller knob controls mic level, the larger knob controls line input volume. For cleanest sound, turn off the volume on the line input if you're recording with a mic and vice versa. 2) I doubt you will need the att 30 switched in on the Boss. But you may find it necessary if the mic you use is too hot for the input. Most dynamic mics I'm familiar with don't have that much signal level. To answer the other half of the question, the dbx box will help with live recording on these machines. You'll get a quieter signal that you can bump over to other tracks more times than without it. 5) Sam can correct me on this, but I think the dbx circuitry on the Tascam portastudios is specific to the cassette deck in the portastudio. I've never really fiddled with one, but I would think that's the case as there are no access points for dbx on the back of a 246 I'm currently in possession of. Hope this helps. Edit: see my note below about forgetting which tape deck you own. See the multiple white marks on either side of the fader between the 5 and 10 numbers at the top. You first set the fader there, then use the gain knob at the top of the channel to properly adjust the final volume coming from the fader. Too little, and you won't see much signal going to the Teac (if you're tracking). Too much and that Overload light at the top of the channel will light up like a Christmas tree and the sound will be distorted.www.belladermeestetica.com.br/wp-content/plugins/formcraft/file-upload/server/content/files/1626d839e8cff0---3m-overhead-projector-model-2000-manual.pdf You may find that the gain knobs won't all be set at the same point, but if you properly record your signals onto each of the Tascam's 4 channels, the gain knobs and the faders should all be set equally to get equal volume from each of the Tascam's channels. Once you have established your reference point for each channel, you'll adjust the volume in the mix using the fader only.I was thinking you had a Teac 3440. Concurrently, you'll need to control playback volume from the Tascam with the faders on the Boss. You gots lotsa patchin' to do, my friend.Not sure why I typed otherwise. So. I made a recording. 4 tracks. Acoustic guitar. Lead vocals. Background vocals. And a solo. Tracked direct into the mic inputs of the Tascam 34b. Then later mixed into the boss mixer, staged the gain pretty well and sent it into a two channel cassette to get the master. Very epic recording. But lots of noise. So. Last night I received a Tascam dx-4d in the mail.What is the lineage for recording. To review I have. A sure 58 Some old vocal mic Boss 8 channel mixer Tascam 34b Tascam dx4d Nakamichi cr2a Not bad for some amature cassette mastering. In what order do I plug all of this in. How do I take advantage of the noise reduction and what is noise floor. The mic att 30 switches on the back of the Tascam. Are they for play back or tracking. How do I play guitar?You really do have mic inputs back there. Try to get as much signal on each track as possible without distorting. Since you're tracking directly to the Tascam with your mics, you won't be able to use the dbx for noise reduction - that has to happen by plugging mics into the Boss and placing the dbx unit between the Boss and the Tascam as I describe below. With the DX-4D, you have a multi-pin connector that will plug into a port on the back of the 34.aokman-gearbox.com/d/files/columbus-navigation-system-manual.pdf Then you'll run line outputs from the Boss to the line inputs on the DX-4D, outputs from the DX-4D to the Tascam 34 line inputs, line outputs from the Tascam 34 back to the DX-4D tape recorder inputs, and line outs from the DX-4D to the Boss. You can switch any of the four channels on and off as needed but once you record a channel with dbx noise reduction, you HAVE to play it back through the dbx box for it to sound right. Don't take this wrong because I know the Boss was free, but it might be time to consider getting a real mixer. Find a vintage in-line mixer like a Teac 5 or a Tascam 30 or 35. You can plug both line level devices like your tape deck and a microphone into the same channel and use a switch on the mixer to choose between the two. It will save you from hours of patching and repatching. About the guitar playing, hopefully with two hands. (grin) Enjoy!With the dbx 4d. I go mic to mixer to dbx to Tascam, to dbx, Then back to mixer. When does it get recorded to tape. If the 34b records to tape why does it go back out to the mixer. The manual only shows lineage to the mixer. Where does it go after that. And finally. Will a Tascam m106 do the trick?With the dbx 4d. I go mic to mixer to dbx to Tascam, to dbx, Then back to mixer. When does it get recorded to tape? It's there if you have the dbx box switched on. Keep the dbx box turned on as you play the recorded signal from the tape deck back to the mixer and you should hear a very quiet signal assuming you've recorded at a reasonably loud - but not too loud - volume. And a Tascam M106 should fit your bill very nicely.Just different directions. Could I record tracks direct into the Tascam and only engage the dbx on the way out to the mix down. Or does it have to do both. This is where I'm getting confused. It encodes, lays it on the tape, then decodes only after playback. Don't I want the clean signal on the tape? Now I have the dbx-4d. If I play the pre recorded tape through the decoding then to the mixer the to a two channel out. Will that effectively reduce the noise. I guess I could try, instead of typing all this. I'm a little lost as to where I observe the noise reduction. Through the headphone amp on the Tascam or the boss. Or only on the two channel mix down deck? TUpon playback through the noise reduction box, those frequencies are cut by the exact, matching amount that they were boosted. The idea is to get back to a flat frequency response while cutting the tape hiss by burying it. What this means is that if you play back a dbx encoded signal without the dbx decoding, it will sound very tinny, as the high frequencies are all boosted very aggressively. The flip side of that is that if you apply the decoding process on playback to a signal that isn't recorded with dbx, it will sound extremely dull. Finally, if you use the mic inputs on the back of the Tascam to record your tracks, there's no way to get the signal through the dbx box, so on playback, if you try to use the dbx, you'll get that dull sound with no high end. It is only designed to work when it is between the signal source and the tape deck and if you use the tape deck's mic inputs, it's not between the signal source and the tape heads. And you can't plug a mic into the dbx box to encode the signal.There are ways of getting dBx on the mic process from the Tascam but it gets very convoluted to do this- such as mic in line out to the mixer then back in another line in channel and record on that. That is too much passing the signal around and is better to get a good mixer than a Boss to do the job. I thought Boss only made effects devices so I would think if the boss is a mixer it is the Radio Shack type and size. For the correct use of a 4 channel deck get a mixer with a 4 buss system. You can use a Model 2A or larger mixer with the 34B but right now it seems that there is a lot of confusion over basics. The dBx works wonderful on a well calibrated machine but when was yours calibrated last. The purchases off E bay and other people who tinker with unit do not help the dBx work correctly as they are often times a mess when I get them. The dBx should be used on all tracks in a consistent manner otherwise if you use on some tracks and not others it will be hard to keep track of and mistakes will be made. The Tascam series is all based of nominal levels of -10dBV so this is what the equipment should be set up for on trims with the faders in the grey or 70 position so as to keep gain at a nominal amount. In the Tascam mixers the reason they have a greyed panel marking on the mixer is that this is the gain of unity. Unity means a gain of 1. The grey zone will give you -10dBV out when -10 dBV is put in. Above that is gain and below that is attenuation. Due to circuit noise and resistor noise in circuits adding up, it is best to run as close to unity gain on the fader and compensate the trim on a mixer for the input level. We had to make some correction to the Crest mixer we had at a Church PA system when the guy in charge did not know about the correct use of a mixer. His advantage is that he had two Radio Engineers on the staff who could explain why turning the trim up all the way and not running the fader at 1 or 2 was not a good practice.And where from? If I record from mic to mixer to dbx to Tascam. Listening to the recording from the Tascam headphone out only gets an encoded signal. So I have to reproduce to dbx then to the mixer and listen from the mixer headphones. Got it cheap. Probably won't work.And where from? If I record from mic to mixer to dbx to Tascam. Got it cheap. Probably won't work. Sam can correct me if I'm wrong here, but the headphone amp in the tape deck is a parallel feed from the line out amp boards. It would be a good comparison, however, to listen to it and then listen from the mixer's headphone amp. You should get a very good demonstration of the effect of DBX encoding. Good luck with the M106. Hopefully it works and you're up and running with a more reasonable workflow. If you want a loan for all those cables, I can get you a REAL good interest rate. TH's-only special and all that. Seriously, have fun and start playing with it. In the grand scheme of things, this is reasonably simple gear and great for learning on. Just keep manuals handy while you explore it all.