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jv 80 manualStay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The Roland Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Trademarks and Copyrights are property of their respective owners. Login Registration is disabled. We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok. This board contains new Patches and Rhythm Sets which combine the waveforms in a manner that highlights the benefits of SRX Effects and Matrix Control. Along with piano, electric piano, organ, and clavi sounds, this board also features numerous vintage synth sounds. The included CD-ROM contains data reproducing the original sounds of the SR-JV80-04, SR-JV80-08, and SR-JV80-10. (Compatible models: Fantom, XV-5080, XV-5050, XV-3080, XV-88, XV-2020). This expansion board utilizes a new format. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety.RhythmName 1 Ring Kit 2 Slam Kit 3 Verb Kit 4 Slap Kit No. RhythmName 5 RockOn Kit 6 DryFat Kit 7 LiteFunk Kit 8 Warm Kit No. In order to make it possible to provide an even greater variety of sounds, a new format (implemented originally on the SRX-05) is now being employed. This new format is capable of handling more than 128 Patches. It can save 64 patches, 16 performances, and 1 drum kit to a M-256E memory card. See also the other Roland JV-series synthesizers: JV-30, JV-35, JV-50, JV-90, JV-880, JV-1000, JV-1010, JV-1080, and JV-2080. It helped lay the foundation for the later JV-1080, JV-2080 and. XP-series synths. It featured a full 61-note keyboard and severalOrchestral, Vintage Synths, Techno, etc. sets. The JV-90 is basically the same as this, except thatThe JV-80 also came in a 1-space rack-mount form.http://www.hotelsinroorkee.com/userfiles/k3-transceiver-manual.xml
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ATTENTION: risque oe choc electrique ne pas ouvrir The exclamation point within an equilateral triangle is intended If you experience any Care should be taken so that objects do not fall and liquids The product should be serwced by qualified service per- A. The power-supply cord or the plug has been damaged; B. Objects have fallen, or liquid has been spilled into ttie C. The product has been exposed to rain; or. D. The product does not appear to operate normally or E. The product has been dropped, or the endosure dam- M\ other servicing The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marited by. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN nriust be connected to the terminal which is marked with the letter Lor coloured RED. The product which is equipped with a THREE WIRE GROUNDING TYPE AC PLUG must be grounded. Owner's Manual. Introduction. Thank you for purchasing the Roland JV-80 Multi Timbral Synthesizer. To take full advantage All rights reserved. No part of this publication may be reproduced Though we recommend that Since many Section 1: Setting Up and Playing the JV-80. This section covers preparation before play, ROM Play Section 2: General Overview. This section covers the structure of the sound sources of the. JV-'SO, and Patches and Performances, which are the units Section 3: Play. This section covers the operations for using the JV-80 in the Hn the Play section and the Edit section, concrete The resulting sound applications in using the parameters Play section and at the beginning of each item of. Following these The buttons and switches used in operation are referred to Section 4: Edit. This section covers the operations of the modes (Patch Section 5: Command. This section covers the operations and functions of the. Write mode, which Include the storing of edited data and Section 6: Reference.http://wacoinstrumentsindia.com/userfiles/k2526-1-manual.xml Chorus button. Tone switch. Cursor buttons The various functions of the instrument are accessed This section includes a list of error messages, a sound Also, an Index How to use the PART SWITCH. I Explanations of the Parameters Using PART SWITCH. I Explanations of the parameters. Performance Common Parameters. Parameters Selected by ) COMMON. Transmit Zone Parameters. Parameters Selected by TX ZONE S.Factory Setting 1 80. G.BIank Chart i84. Roland Exclusive Messages 1 97. MIDI Implementation 1 99. MIDI Implementation Chart 207 Hill When using a set of headphones, insert When using the optional PJ-IM cable, the instrument can be directly connected to the jacks of a stereo We suggest that you use the stereo outputs of this instrument to take full advantage of the functions of Hi. Pedal swfitch Expression pedal Pedal switch Stereo headphones To the AUX, LINE IN terminals Stereo amp. Stereo set, radio cassette player, etc. The following display appears. The JV-80 has a protection circuit that mutes the output for a few seconds after the power is turned on. Minimum Occasionally, the characters in the display may be difficult to read, depending on existing lighting If this is the case, adjust the contrast of the LCD according The ROM Play function automatically plays these songs. We suggest that you connect a stereo amplifier or ROM Play mode. CHOftUS REVEflS TRANSPOSE RKlTHM. EDITPAlETTe. Adjust the volume of playback by using the MASTER VOLUME slider.House Sounds. Cosmo Space. Acoustics. Finale. Songs 1 through 5 are parts that play Music by Eric Persing Music by Adrian Scott. This returns the instrument to the PlAY Ettl This is used to play the sounds. It also lets you continuously change the various elements of the sound Effects such as vibrato and pitch bend can be obtained depending on the The pitch alone can be changed by moving the lever laterally (to the right and left).https://skazkina.com/ru/boss-dr-770-manual-0 Pressing the lever Generally, this is used to apply This slider can be used to control the same functions as the foot pedal, and can change the tonal The parameters which are The Parameter Sliders can also be used to set the parameters when creating or programming sounds. These are used to turn parameters on and off while playing, or to change the sound programs or By connecting the JV-80 to other musical instruments that are MIDi-compatible, you can play and Internal Sound Source. The internal sound source of the JV-80 consists of three sections: memory, in which sound program The sound program that is selected (either The sound signals Performance Performances Temporary Area. Preset A. Preset B. Performances Patch and Rhythm DATA Card. Performances Chorus. Reverb COMMON EfFECT COKTROl WAVEVO PfTCK TVf TVA S e 6 7 In the Patch Play mode, a single Patch is called up to the temporary area from where it can be played. A Patch Parameter Sliders 1 —4 or the iTONE SWITCHI buUons (1 —4). However, since the data which is DATA card will be retained. The data being used in the temporary area can be stored as a new Performance in the Since the Patch Play mode allows you to control each Tone of the Patch and fully utilize the C Exam pie J tva lfo i Depth. TVA V - Cfv. TVA Velo Sense Tone Delay Time. Tone Delay Mode. Parameters Available for Realtime Control. The parameters which can be controlled while you are playing are divided into the categories This changes the pitch in halftone units. By changing this pitch parameter, you can change the sound program. You Tone within one sound program. This lets you make fine changes in the pitch. It is used to create a detuning effect or make the sound thicker. For This changes the cutoff frequency of the TVF. It is useful for creating dynamic changes in the brightness of the A growling This creates a characteristic sound by emphasizing the frequency elements around the cutoff frequency of the TVF.http://clinicamaxclin.com/images/8500-manual.pdf This lets you adjust the volume of the sound. When a Patch consists of several Tones, the character of the Patch as a For example, when the attack and decay By shortening the attack time, you can emphasize the attack portion of the sound. This lets you create a sense of space and movement by changing the stereo position of each Tone. For example, you Three-dimensional effects, such as placement of sounds in the foreground or echo can In addition to the basic parameters explained above, there are parameters which allow you to change the sound With the use of these parameters, In the Patch Play mode, one parameter controls four Tones. Because of this, it is occasionally difficult to see the entire Therefore, it Is effective to use the Patch. Play mode in order to edit the Patch, keeping the balance among This section how to select Patches, how to select the LCDs (pages) in which the parameters are shown, and how to Selecting the Patch Play Mode. Press the PATCH PLAY button to enter this mode. Changing Patches Switches between User With the label side up.CARD slot on the rear panel. The DATA card has a special protect switch used to Always make sure the. Protect switch is On when inserting or removing the DATA card. Selecting and Adjusting tiie Patch Parameters with the Assign Buttons. Pressing one of the assign buttons directly calls up the Patch parameter corresponding to that button. (The letters Cfdj TUR LFQ 2 Depth Strings. TUR LFQ 1 Depth Strings TUR Le'.'el Strings The number printed above each slider indicates the Tone which can be operated by the CHORUS REVER8 TllWISPOS. ISMi Assign buttons Parameter. PfiTCH tJU Strings. TUH Le'.'el Move the CUfSOC to the You can move through the values faster by holding down one of the two buttons and pressing the other. PlAY. PiAY EOtr PfiTCH tJU Strings: T', How to use the TONE SWITCH This section explains the Patch parameters adjusted in the Patch Piay mode for each assign button. The parameters which are displayed when the assign button is pressed are explained first, followed by explanations The maximum is 127. F'RTCH tJU Strings -i TUfl Le' This determines how sensitive the level of each Tone is to the velocity. PflTCH Level. When TVA Velo Sense is set to a. Veloccity. Level. When TVA Velo Sense is set to a Veloccity. TVA V-Crv. This determines how the level of each Tone changes in response to the playing velocity, according to the specified TVA LFO 2 Depth. These two pages are used to set the depth of LFO 1 and 2 applied to the TVA level of each Tone. The larger the PRTrH tJU Strings TUR LFO 1 Depth. TUR LFO 2 Depth. TVA Key Follow. TVA Level Key Follow. This determines how the level changes in response to the key range played. With the C4 key as a standard of. When the value is negative The farther the value is set from 0, the greater the change TUR Key Follow. Level This determines the time that elapses from note on (playing of a key) until each Tone starts to sound. The greater the When set to KEY-OFF, the sound starts only after the key is released (note ofO-. PRTCH tJU String. I i 1 I i. T o n e D e 1 a y T i r-i e This determines the type of delay applied to each Tone. NORM simply delays the sound, and is effective even after the note is released (note ofO- When HOLD is selected, The PLAY (PLAYMATE) setting PPlTCH tJU Strings: Tone Delay Mod-H. Ill I NORMAL I NORMAL i HOLD I PLRV Note off. Delay time Note off. The Tone The delay time changes depending The sound position is at the farthest left at L64, at the center at 0, When set to RND, the position changes randomly with each note played. Pan Dry Level Range: o — 1 27. This determines the level of the unprocessed (diy) sound (the signal to which no effect has been applied). PHTCH tJU Strings. Dry Leuel Chorus Send Level Range: o — 1 27. This determines the level of the signal to be sent to the chorus processor. ChgrLJ: Reverb Send Level Range: o — 1 27. This determines the level of the signal to be sent to the reverb processor. PHTCH iJU Strings: Reverb send level. Chorus. Chorus send level Pan Key Follow. This determines changes in the stereo image position of the sound according to the key range played. With the C4 The farther the value is set from 0, the TVF LFO 2 Depth. In these two pages, these parameters determine the depth of LFOs 1 and 2 that are applied to the TVF cutoff Setting the parameter to either St-r:Ln9s: This determines the type of TVF for each Tone. The LPF (low pass filter) setting allows the low elements of the The HPF (high pass filter) setting allows the high elements of the frequency to pass PH'T'CH tJU Strings -. F:i. Iter- Type. HPF i Level Cutoff frequency. Cutoff Key Follow. This determines how the TVF cutoff frequency of each Tone changes in response to the key range played. With the The farther Key number TVF Resonance Range: — 1 27. This determines the strength of the resonance effect applied to the TVF of each Tone. The greater the value, the This switches between strong and moderate resonance. The resonance effect becomes stronger when set to HARD, Ill HI SOFT I SOFT i HfiF;:D I SOFT TVF Envelope T4. TVF Envelope L3. TVF Envelope T2. TVF Envelope T1 TVF Envelope T1. TVF Envelope T4 TVA Envelope T2. TVA Envelope L3. TVA Envelope T4. TVA — Env Key Follow TVA Envelope L3. TVA Envelope T2. TVA Envelope T1. TVA -Env Key Follow. In ttie following five display pages, the cttange of the cutoff frequency over time Cutoff Key off TVF Envelope T1. TVF Envelope T1 Range: — 1 27. This determines Tl of the TVF envelope. The greater the value, the longer the time of T!, allowing you to make the TVF Envelope T2 Range: o — 1 27. This determines T2 of the TVF envelope. The greater the value, the longer the time of T2, allowing you to make the PRTCH tJU Strings TVF Envelope L3 Range: — 1 27. This detetmines L3 of the TVF envelope. The greater the value, the brighter the sustained portion of the sound. HJU St.rin9: TVF Envelope T4 Range: — 1 27. This determines T4 of the TVF envelope. The greater the value, the longer the time of T4, allowing you to make the PRTCH tJU Strings e TUF TVF-Env Key Follow. TVF Envelope Time Key Follow. This determines how the TVF envelope changes in response to the key range played. With the C4 key as a standard When the value is negative ( - ), the Level Key on Key off TVA Envelope T1. TVA Envelope T1 Range: 0—127. This determines TI of the TVA envelope. The greater the value, the longer the time of Tl, allowing you to make the PRTCH tJU Strings TVA Envelope T2 Range: — 1 27. This determines T2 of the TVA envelope. The greater the value, the longer the time of T2, which makes the decay of TVA Envelope L3. TVA Envelope L3 Range: 0—1 27. This determines L3 of the TVA envelope. The greater the value, the higher the level of the sustained ponion of the TVA Envelope T4. TVA Envelope T4 Range: — 127. This determines T4 of the TVA envelope. The greater the value, the longer the time of T4, allowing you to have PRTCH tJU Str:i.ngs TVA Envelope Time Key Fol low. This detennines how the TVA enveiope changes in response to the key range played.When the value is negative ( - ), the lower the key played, the shorter the overall Key Fol low When you play the JV-80 in the Performance Play mode, the performance data controls the Patches through the The internal device (the controllers of the JV-80), such as the keyboard, controls the Patches assigned to each Part You can also change the sound of Patches Since data which is called up to the temporary memory area Command Section, Write iVIode.) The parameters which can be controlled while you are playing in the Performance Play mode These are parameters which are related to the overall sound, such as the volume and the fixed stereo position of the. Part. They are not parameters of the Patch itself, but are parameters of a Part that apply relative changes to settings This is particularly effective for lead lines, Assign the placement Part by setting the y-N. One changes the pitch in units of a semitone (Coarse Tune) and the. These can be used to temporarily change the They can be also used to create a chorus You can even use this instead of the Retuning Patches to keep them all at the Making one Patch sound at different pitches Tune parameter of the system common parameters. JV-80, the JV-80 can easily be matched to the transmission channel(s). This is especially convenient for checking Also, by combining this function with Patch selection (the This is convenient when determining the. Patch assignment for an entire Performance, or when switching only the Patch of the Part to be played from the Part. CD en O CD CD CD C3CD CD CD CD a C3. Internal. DATA card Voice shortage during realtime performance can be prevented by reserving a For example, it is possible We suggest that you use the Coarse Tune setting, which is a Pan parameter, to adjust the Instrument sound Instrument sound Shift the key range which can be played on the main keyboard. Since it is For example, set the velocity CUrve to respond quickly for a Pan that is to sound loudly. When you want a On the other hand, when you want to emphasize the velocity It is also possible lo limit the key range of each Pan to different areas of the keyboard. This is used to temporarily For example, you could play a bass sound with Processed velocity. Velocity from the keys of the main keyboard. The same key velocity can be processed in different ways for different Parts. The actual response of the They consist of the same parameters used with Parts and internal The processed data is transmitted from the MIDI OUT It can be used not only for controlling several external Part or internal zone. The explanation here describes how to create play data by various devices, including a The program change number for selecting the Performance is;??: transmitted to the control channel; at the same In this case, on the Parts for which transmission of data is not needed, set the MIDI transmit switch to OFF. It is possible to transmit the necessary program change numbers, volume and pan data for the song in realtime. First, Then, by controlling the transmit zone parameters while listening to the song, This makes it easy to balance the relative volume of each sound program, letting you continuously fade in and fade Performance is played by the. Also, if you record this onto Set to IS MIDI data from the Sliders. The velocity parameters are normally used to limit or emphasize velocity values in the play data. However, if you set Moreover, by using the transpose or key range Using the transmit zone settings in this way allows you process or edit the data in realtime as These settings Operation. This section how to select Performances, how to select the LCDs (pages) in which the parameters are shown, and Selecting the Performance Play Mode Changing Performances Switches between User. COMMON Ef f ?CT rX ZOKE INT 20H? PART WI -:- 'IftlW. Selects numbers 1 — 8. Selects numbers 9—16. With the label side up, gently (but firmly) insert the DATA card into the DATA. CARD slot on the rear panel. Protect switch is On when inserting or removing the DATA card. Selecting and Adjusting the Performance Parameters with the Assign Buttons. Pressing one of the assign buttons calls up the Performance parameter corresponding to that button. (The letters PERFOFlM. Tx. Max Uelocit-y Tx. Transpose Slider. Each number of the eight numbers in the display indicates the parameter value of each Part (in order CMonus PlAY. PlAY EWT This determines the fixed position of the Part's sound in the stereo image. Relative to the Patch setting, L64 is the This determines the tuning of the Part. The tune of the Patch can be shifted in semitone increments. When set to a. When negative ( - ), the greater the value, the lower Part. This determines the fine pitch setting of the Part.PERFORM tS-jn Le-isnd P-Biirt. Fine Tune Patch Select. This determines the Patch to be assigned to each Part (Part 8 is used for the Rhythm Set). Selection can be made Rhythm Set can be selected from preset A (PRA), preset B (PRB), internal (INT), and DATA card (CRD). When the. Patch has been selected, the Patch name is shown at the top right of the display. Patch number. The Patches can also be changed by pressing these buttons. (The Performances cannot be changed.). Receive Channel. Receive Channel Range: l — i a. This determines the MIDI receive channel of each Part. PERFORM tSyn Lead. Voice Reserve. Part Voice Reserve Range: — 28. This determines the number of voices that will sound for the Part. Keep in mind that a Part consists of a Patch, For example, in order to reserve two voices of a Patch made up of three Tones, Since the total number of voices on the JV-80 is 28, the total of the voice PERFORM tSyn Lead. Chorus Switch F-'EF:FnRr DFFIGFFIOFF i OFF ! OH. Receive P.C. This switch enables or disables reception of program change messages for each Part. F-' i:::: R r Receive Volume. This switch enables or disables reception of volume data for each Part. RERFORN tSyn Lead. Receive Hold-1. This switch enables or disables operation of the Hold.When the Bank Select in the Control Change messages Chart.). Patch Number. Program Change Number Program Change Number MIDI transmit switches for turning MIDI data transmission of each Part on and off. TX VOLUME I Transmit Volume Range: o — 1 27. This determines the volume data transmitted over MIDI for the transmit zone of each Part. However, if the settings are later changed by the Parameter This determines the pan data transmitted over MIDI for the transmit zone of each Part. The sound position is at the J- 1 t i 6 I L64 I L32 II 1 32R I 64R I 8. However, if the settings are later changed by the Parameter Slider or. Transmit Program Change. Transmit Program Ciiange Settings: A1 1 — 88; B1 1 — 88. This determines the program change data transmitted over MIDI for the transmit zone of each Part. The letter. The program change number (1 — 128) of It is possible to switch the program change to be transmitted by pressing these However, if the settings are later changed by the Parameter Slider or the Transmit Channel Range: i — 1 6. This determines the MIDI transmission channel for the transmit zone of each Part. F--EF:F-0RM tSyn Lead. IBl I 1 i 2 I Note data from the keyboard is transposed for the transmit zone of each Part and is transmitted via MIDI. PERFORM tSyn Lead s Tx.Velo Sense. This detennines the amount of offset applied to the key velocity data before being transmitted as MIDI velocity data PERFORM ts-jn Lead The velocity after The velocity after Transmit Velocity Curve Range: 1 — 7. The strength of the velocity sensed at the main keyboard is changed according to the curve set here, and the altered The mark which indicates the shape of the selected PERF-GRM tbyn Lead Velocity curves. Tx.Max Velocity. Transmit Max Velocity Range: — 1 27. This determines the maximum value of the velocity data which is transmitted over MIDI for the transmit zone of Internal Velocity Curve Range: 1 — 7. The strength of the velocity sensed at the main keyboard is changed according to the curve set here, and the altered The mark which indicates the shape of the selected curve is Internal Max Velocity Range: — 1 27. This determines the maximum value of the velocity data which is transmitted for the transmit zone of each Part. This function compresses the original velocity data sensed at the main keyboard and transmits the altered (reduced) PERFCfRM liSyn Lead i; Int.Max Uelocit-d. Play velocity data Int. Max Velocity setting. Max velocity. Velocity curve. Velocity sesitivity. Using the combined values above results in the Int.Range Upper. Internal Zone Key Range Lower Range: C2 — C7. Internal Zone Key Range Upper Range: C2 — C7. These two pages determine the low and high key limits for the internal zone of each Part. From the note data PERFORM tSyn Lead: I n t.. R a n 9 e L o w e- r Key range lower'. I Key range upper Operation The parameters Parameters. PERFuRM EFFECT i. Explanations of the Parameters This determines the effect parameters of Patches in the Patch Play mode, and the effect parameters of Performances C- e f- t- h i R e u. EFFECTS i 20 1 20 1 Chorus Rate Range: — 1 27. This determines the modulation speed of the chorus sound. The greater the value, the faster the modulation speed. IfcMOiil Chorus Depth Range: — 1 27. This determines the depth of the chorus effect. The greater the value, the more pronounced the chorus effect. Rev-Lev. Reverb Level Range: O — 1 27. This determines the level of the reverb sound. The greater the value, the higher the reverb level. Reverb Time Range: o — 1 27. This determines the time of the reverberant decay sound. The greater the value, the longer the reverberant decay. TRONSMITl Transmit Channel Range: i — le. This determines the channel over which program change messages are transmitted. P.C No. This determines the program change number that is transmitted over the channel set in the Tx-Ch parameter above. The value to the right of the slash mark is. Depending on the program change number selected, the EOrr PALETTE. Ail note off (note off velocity 127). Pitch bender center. Channel aftertouch. Modulation. Hold 1. Volume 127 The parameters whose settings are common to the entire operation of the JV-80 are called system common parameters. The system Remember that the Page name (parameter type). Parameters INT I i::i::0?.--UOLUnE I I. PEDflL2 The INT setting sends the It does not function when set to Assign. This determines the parameters which are controlled by the pedals or CI slider. The CCO — CC95 setting switches The AFTERTOUCH setting corresponds to aftertouch. The. The value in parentheses ( ) indicates the current value of the. PEDAL POLARITY Page Set it to STANDARD when using a Roland pedal switch (DP-2). Set it to REVERSE when using other manufacturers' pedal switches that have reverse polarity. (For example, a AFTERTOUCH Page. FtFTER BBHsHil Threshold Range: — 127. This determines the value (threshold) at which aftertouch begins to affect the sound. When the aftertouch value is When the threshold is set to 127, it does not function either. MIDI (5 pages). The first page to be displayed when this button is pressed differs depending on the mode selected. PATCH MIDI Page When this is set to ON, the internal sound source of the JV-80 receives and responds to play data from the This, however, has no effect on the transmission QgJI Patch Receive Channel Range: 1—16. This determines the MIDI receive channel in the Patch Play mode. Tx-Ch. This determines the MIDI send channel in the Patch Play mode. The Rx-Ch setting indicates that the transmission It does not transmit when set to OFF. Besides that it seems that the Performance Mode only receives Bank en Program changes on Midi Channel 1. Do you know an solution for these problems? Details are in the text above. I started with a JV-880 in 1993 and moved up from there. On top of the XP-80, sits a Oxygen-8 midi controller that controls a JV-1010 that is used for bells and wind instrument patches. A Dell laptop running Windows 2000 is used for Sounddiver that controls patch changes for everything except the XP-80 and XP-30. I use the XP-30 for strings mostly and the XP-80 for B-3 type organs. All of the keyboards and modules go through a Behringer RX-1602 line mixer, then to the FOH main mixer. The problem is, when I play a note on the JP-8000 or JV-80, all of the modules play a sound. I tried changing the Device ID but that didn’t help. I will eventually have my (currently unused) DJ-70 control the S-760. It’s starting to wear me out because we change songs pretty quick. Same with the JV-80: device ID 10 for example (I don’t remember what device ID’s I tried) and the S-760, JV-880 and JV-1080 all set to device ID 10, then they only should be receiving what the JV-80 is sending, right? Vintage Card contains a bank of JV-80 patches and i can load them normally like other patches. If you have a couple of such patches, simply recreate them parameter by parameter. Takes a couple of minutes, it is not that hard. IMPORTANT: JD uses 0-99 value range for the parameters, Super JV uses 0-127 range. Here you can find the conversion table: I will try to change the MIDI channel on the Rx device and see if that helps this weekend when I get to my gig. I had the RC-100 with my S-330, never got rid of it after I ditched the S-330. I like the RC-100, but the mouse will help a lot better in my opinion. Or maybe that was for Atari mouse i no longer remember. Good luck with the search though!