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flashpoint 320m manualPlease choose a different delivery location.Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. You may be charged a restocking fee up to 50 of item's price for used or damaged returns and up to 100 for materially different item.Used: Like NewPlease try again.Please try again.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.Used on location, the 320M provides multiple lighting for weddings and events without the weight and limits of multiple head pack generator systems. The flash duration assures rich color and full spectrum vibrancy with a full power recycle time at a snappy maximum of 1 second on AC. The unit stays stable and cool even when using the bright quartz modeling lamp. The use of affordable portable, lightweight strobe units adds real image controlto your work without the major expense of high energy generator packs. Portraits become masterful. Event coverage a b reeze. Product photography is brought to life. Food and beverage pictures become tempting. Buy several of the 320M's or mix it up with the larger 1220M and 620M's for a powerful lighting system. INSSTRO Videos for related products 2:25 Click to play video Nicefoto TB-600C 600W Compact Studio Flash Light FOMITO Videos for related products 2:20 Click to play video Godox AD200 HSS Strobe Flash Strobe Speedlite Monolight TONGLI-FOTO Next page Upload your video Video Customer Review: Take and Make Great Photography - Dark, moody and sinister, Film Noir.http://www.FlashPointIP.com/fckupload/fasttrak-s150-tx4-user-manual.xml
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See full review Adorama Onsite Associates Program Amazon Influencer To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later. Andrew P. Welch 5.0 out of 5 stars They are essentially identical feature-wise, the only difference being the power output and chassis size. Also, for the price, these are definitely the best quality monolights that I have seen. I also own Alien Bees and Eilinchrom lights and I am very impressed with the value and quality of the Flashpoints. Highly recommended!While AlienBee's are also know for being well made and a good value. I got a pair of these lights for less than what one Alien Bee strobe would cost. Since I'm not yet at a pro level and doing photography has a very serious hobby I have to keep my expenses down where I can and these lights have allowed me to do that. But with 4 photoshoots so far on these lights I am impressed with how well built the lights are for the budget price they cost. May even add one of the next higher powered ones to my setup for shooting outdoors where I might need more lighting power.A little big for the light output but they are nice and sturdy. Pros: Lots of light for the price. I hate having two different systems. A bit slow to recycle. At this price point I love it. The battery pack uses a standard 18V battery pack internally. Lots of space to put in a bigger pack. I might have to see about adapting something.I am not happy with the fact that these units take a non-standard speed ring. I have other units that take a standard bayonet connection that's 3 lugs - this one is 4. So when I change lighting instruments on my soft boxes I have to change speed rings as well. Big hassle. I assumed there was some sort of adapter but I have not found one.http://hospitalityroyal.com/upload_files/fasttrak-tx2200-manual.xml In short, check this out and be aware if you have other speed rings. These are not the same.I found this flash, a shoot-through umbrella and some folding backgrounds like kids use for science projects and told her, let's do it ourselves. I already had a Nikon with a SB-600 flash and a couple of stands. Once I went back to my old manual settings and did a few test shots, we were off and running. The recycle time on this is more than adequate for a 1 year old. We didn't miss a shot because of flash recovery. The long cord reached to an outlet in her old house. We were able to dial back the power settings on both flashes, set the SB-600 to bounce of the ceiling with this one as the key light. Beautiful 2-1 lighting with great modeling. It seems rugged, has a handle to carry that lets you sit it on the reflector. It hold the umbrella in the included stand bracket. It was a great shoot and she is happy. Mission accomplished.This is a great light to improve your indoor and outdoor shots. The weight is light enough that it is not a burden to carry around. Great for portraits and anytime you need extra light on a shot.Works well and good for a small home studio. I use this as fill light and tried a few low key - single light sours images, I wasn't disappointed. Modelling lamp is not an LED, that is a plus.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Can anyone give me a heads up. Thanks for any info. Besides, you do not, I repeat, you do not want to use TTL flash metering when also using a studio monolight. You want the camera-connected speedlight flash to be in a manual mode, about 95 of the time. Otherwise,to connect the triggers, you need to plug in a connecting cord to the Synch outlet on the back of the 320M, and run that cord to a Cowboy trigger receiver.https://www.informaquiz.it/petrgenis1604790/status/flotaganis18062022-1735 Do you have the proper cord, which would be a microphone-style plug on the 320M and, I am guessing, a 3.5mm mini-mike that goes into the Cowboy trigger receiver units.So, setting it to Manual for the first time and using the 320M and my SB-700 as OFC will be a challenge as a first time I guess. Given I've never used manual flash, I'm not certain how to use the camera so that it will work with my ofc's. It looks like I'm a bit lucky, the way I have it setup now, I can get the 320m to fire, but my SB-700 isn't firing. Thoughts? Or, should I simply leave my sb700 on camera. Thanks, BrianNot sure yet how to set the amount of flash in this setup. The new Flashpoint Studio300 R2 and Studio400 R2 are 300 and 400 watt second monolights, designed to be compact AC studio members of the R2 Family of wireless radio controlled flashes.Keep these safety instructions where users can read them for ready reference. Do not disassemble or modify There are high-voltage components inside the unit. Optical Slave Light Sensor 1. AC Pow 2. Sync Cord Jack 12. Modeling Lamp Indicator 3. Power Switch 13. Power Ready Indicator 4. Open Flash Test Button 14.Modeling Lamp is in the PROP mode 3. Wireless Channel Switch Code 11. Modeling Lamp shows the power in 4. Slave Model Indicator 5. Install the modeling lamp and attach a standard reflector. To detach the standard reflector, press the release button on the flash head and turn the standard reflector counterclockwise. 2. Attach the flash unit onto an appropriate light stand. TECHNICAL DATA Flashpoint Model Studio 300 Monolight Studio 400 Monolight Max Power (Ws) 300Ws 400Ws Guide Number( ISO 100) The flashtube and the modeling lamp are user-replaceable. This product, except consumables e.g. flash tube and modeling lamp, is supported with a one-year warranty. Flashpoint may, at. I bought one of these about 9 months ago to use as a portable light kit.You can also turn the optical slave off so that there are no unintentional pops.Outdoor shade. While the 320M has a beeping indicator for flash-ready, you can turn this off when you need to be a little quieter.I get between 300-400 pops out of a single charge at various power settings. Again, that’s a lot of bang-for-buck in my book. While it’s rated for 180 pops at full power, I’ve never used it for that many at full power before. Outdoor shade. Generally, when I’m in more traditional studio situations, I use it combination with other lights. For outdoors, it’s best suited for shots in the shade or as the sun begins to go down. Thanks for your continued support. Monolights are typically powered by AC current but there are times on location when an electrical outlet may not be so conveniently located and long extension cords can create safety hazards, even when securely fastened down. I’ve had people trip over taped cords and believe me, it can ruin your day. That’s why a new breed of monolights, such as Adorama’s Flashpoint II monolights, offer a DC option with a battery pack when you might be out standing in a field or, at one time during my tests, in a big parking lot. A switch lets you choose between AC or DC power provided by a dedicated Ni-MH battery pack that measures 7x7x3” and weighs 2.65 lbs. You can see a comparison in the Instant Links section of our website for this issue (www.shutterbug.com and click on Instant Links and then Flashpoint). The 320M delivers up to 180 full-power flashes from a battery charge, the 620M provides up to 100 full-power shots, and the 1220M can produce up to 65 full-power pops. The rated recycle time for the monolights under battery power is less than 1.5 seconds (depending on model) and shorter when AC current is used. All three monolights have a built-in optical slave that can be turned on for cordless triggering and a 100- or 150-watt modeling light with proportional control for maximum output when used under AC power. Each Flashpoint II monolight has a metal housing and the 620M and 1220M models have a cooling fan. All units accept a full range of affordable Flashpoint attachments, including softboxes, snoots, and beauty dishes. Here the 620M monolight with the 64” Flashpoint umbrella is set up as the main light with the other Flashpoint II monolight with the 28x28” PZ softbox used as a sidelight (at camera left) and slightly to the rear of the subject. Another difference is that the 320M has the same sound off-on switch present in the other models, but Adorama tells me this feature will be added to AC-only versions in the future. Bucking a trend of digital readouts, the monolights use a simple knob to adjust power output and, to tell the truth, I find this method easier than having to push “up and down” buttons to achieve ideal lighting ratios. Simply turning a knob is faster and easier and just as repeatable as using Chiclet-style up and down buttons because there’s one control, not two. Right: Here’s the setup for the outdoors shot with a battery-powered 620M Flashpoint II monolight with the 28x28” PZ softbox attached. The monolight was tripped by a radio-controlled Flash Wave 2 Pro. There’s even a locking screw on the monolight’s housing to hold an umbrella firmly in place. The accessory bayonet mount release is a metal pin with a rubberized cover, but every time I used it the cover jumped off. I’m going to stick it on with some Loctite or just take it off. These days few digital SLRs have a PC connection, so a radio-controlled system, such as my Flash Wave 2 Pro Kit (www.boothphoto.com), was used to wirelessly trigger the monolight without requiring a cable, and that’s what I used for this test. It performed admirably in the studio as well as for outdoor portraits when triggering a single Flashpoint II operating under battery power. Have you ever wondered why you always see photographs of Mary putting these light banks together. Now you know why. After some help from Mary (she suggests “patience”) I used the 36x36” softbox as key light and was blown away by the image quality, even when used as the only light source. The first three rods are easy to install but the fourth is not because of increased tension. Installing that “different” one last makes the process go quickly and smoothly. While the PZ softbox comes in sizes up to 36x48”, I discovered why the 28” square would be perfect for the wedding shooter working in a bride’s home.I sometimes missed a shot and because the capacitor was not fully charged I slightly underexposed a few photographs when shooting quickly with a subject, like Kimber, who can change poses as fast as I can click the shutter. The moral of the story is to use the recycle beep as a guide and if you simply take a breath before snapping the shutter after it sounds, you’ll be OK. The main light, another 620M Flashpoint II, fitted with the 28x28” PZ softbox, was placed to the right of camera position. If you set up to do photography at an outdoor event, the Flashpoint II units will pay for themselves the first time you don’t have to rent a generator. The Flashpoint Air case is made of black ballistic nylon, measures 13x19x18”, and is rated at a capacity of 30 lbs. It has pockets to hold documents, such as the instructions for lights and battery as well as small accessories. This is not uncommon to optical slaves in high ambient light. In one outdoor location Mary and I moved the main light all around trying to find a position where it worked, to no avail. I placed it at camera right as close as possible to the subject without it getting into the frame. The 36x36” softbox produces luxurious light and the variable power output of the 620M Flashpoint II monolight makes getting the aperture you want a snap.Because it uses radio it will also keep Uncle Harry from firing your lights with his point-and-shoot camera at a wedding. There are eight channels so each channel can avoid interference from multiple lighting setups that sometimes occur at proms or large charity events. While I am under no obligation but to write my honest opinions rather than superfluous hyperbole, I have been just as impressed. That said, I have been a videographer and editor for many years now, but have never called myself a professional photographer.A shoulder strap is also provided. For many, once the light is set up in the studio you might never need to use the bag, but it's there if you do need to transport it. At a weight of only 3 lbs, carrying it shouldn't strain anyone. There is pretty much everything you need at the ready. The Sound switch may provide an audible chirp when the mono-light is charged.Essentially, the 320M was able to produce an effective exposure over a 7-stop range.Check the manual for exact language. However, the Flashpoint Monolight is a self dumping light so that you do not have to push the test button when changing power settings, it does it automatically. The light comes with a user replaceable flash tube and modeling lamp and a two year warranty. You have full control over the intensity of the modeling light as well. Notice the smoothness and consistency of light being produced.Despite that, it still took about a half hour to complete the job. If you have never used one before, you might want to have an experienced buddy along with you as you set it up for the first time. The supplied speed ring is nicely numbered to assist as a guide in the rod insertion process. The first ones are simple to install, but it gets more difficult to fit in the last few rods as the soft box takes its intended shape. I'm instinctively afraid of breaking the rod or bending it into a shape that it is not supposed to be bent into. I've never found a solution to ameliorating this issue. Additionally, once the soft box was put together we found it challenging to mount the speed ring to the mono-light and, due to the weight of the unit, was difficult to align and turn the speed ring into place. These tasks can be awkward at times so this was not surprising to me, but once the task is completed you are really good to go. In a studio, you might never need to break it down. When using it with the mono-light we found that the light was completely sufficient for full body photos and retained a nice, even light quality. While there was no internal baffle, a diffuser panel is supplied and attached quickly to the soft box via snap down fasteners.All in all, if a large soft box is what your shooting needs, then you can't go wrong with the Glow Soft Box.Nope! Different stands offer different levels of stability, height and ease of use. Okay, here is another time when I was 'Wrong Again'.You do want to avoid extending any section on any light stand too far. Like Nike Abadilla, I always back sections down an inch or so for added stability. Always be careful about over tightening these things. With other stands I have had students break them for just this reason. With other stands, raising or lowering a stand with a load already mounted can be a task requiring strength, balance and in some cases, quick reflexes. That this stand's sections are air cushioned allows the loosening of a section to raise or lower it without the entire section quickly dropping down or having to muscle it back up. This one simple feature makes working with it a smooth and easy process and makes working with heavier loads quite a bit easier. I am quite pleased with the offerings from Flashpoint.Apple, the Apple logo, Final. Cut Pro, Macintosh and Power Mac are either registered trademarks or trademarks of Apple. Other. This can be quite an expensive endeavor, and a financial hurdle that every serious photographer must leap at some point. It also doesn't help that there exists a plethora of lighting options with price gaps that rival the Grand Canyon. Those who don't necessarily need the power of 1000 watt seconds or have the money up front to drop on an entire kit will need to find more wallet-friendly options, like the Flashpoint Budget Studio Monolights. I received one 160W and one 300W model to test in order to see if I could obtain results that rivaled my more expensive pro lights. At a fraction of the price, will the Flashpoint Budget Studio lights prevail. Let's find out. The exposure control dial is flanked by LED indicators, which keep track of what exposure level is set, and also give it more refined aesthetics. Obviously, the 160W offers a little more fine-tuning, but the 300W makes it easier to set exact exposure levels. Both the modeling lamps and flash tubes are user replaceable, but the flash tube in the 300W is larger and a different model than that of the 160W. Both flashes are sturdily built with aluminum housings and both feature air vents. One thing missing from both lights though is a protective cap in order to shield the flash tubes and modeling lamps during transport. Why these are not standard pieces in the box is beyond me. A notched angle adjuster can be ratcheted down to set the light upward or downward across a nearly 180-degree range. Lastly, the Budget Studio Monolight flashes have umbrella clamps with a smaller hand-operated pinch bolt in order to keep it fastened in place. To me, the guide numbers were not as important, as I used the flashes for product shoots and tested them with a few portraits. For most tight shoots, the 160W provided plenty of illumination, especially when coupled with a decent reflector. I didn't even have to use the 300W on the food shoot. The model lamps are adjustable and dim or brighten with flash exposure adjustment. As a two light setup, the 160W and 300W make a good team. First off, they come with sync cords right out of the box. This is fine for most applications, until you need to add more flashes. However, there is a way to get around this limitation. I was able to manually connect the sync cable to the 300W unit and rely on the 160W's built-in photo slave, which fired the flash when it detected another flash firing. To go entirely cord-free, I used the Phottix Odin transmitter attached to my Canon EOS 5D Mark III, and connected an Odin transceiver to the 300W Budget Studio Monologht. This eliminated the need to be attached to the light itself via analog means, and fired both flashes at once, thanks to the slave trigger on the 160W. While the price of the Radio Remote is quite attractive, the user reviews seem to be a bit of a mixed bag. Either way, the Budget Studio Monolights can be fired several ways, which is a good thing. This way, I was able to get a feel for what it would take for a working photographer to start out with this lighting setup. I had to use a set of stands that I had lying around, as well as two white umbrellas. In addition, I needed a method of transport, so I used a Tamrac roller photo bag. As mentioned previously, I brought along the Phottix Odin kit to trigger the lights. So realistically, a set of stands, umbrellas, and carry bag will be needed to do the job. Buying the Budget Studio Monolight kits will take care of the umbrellas and stands, so really all you'd need would be a bag.While the housings of the lights are made of rugged aluminum, the clamp brackets are plastic and simply bolted to the bottom of the flash bodies. While this probably won't ever be an immediate problem, I can envision issues over time after transporting and setting up the units numerous times. As a point of comparison, my Elinchroms are far more rugged in the clamping department, and I don't see them ever failing. The Flashpoints are a bit more awkward to ratchet down on the light stand and umbrella, but I never had an issue with the flash or umbrella moving or slipping. The modelling lamps were consistent as well, gradually dimming and brightening when I adjusted the exposure levels on the flash units. In addition, I never experienced a misfire. The recycling times on both flashes are fairly respectable, and they recharge in around two seconds - certainly fast enough to compliment the pace of the shoots that I've done with them. Beeps can be enabled or disabled, and in my time with these flashes I opted to leave them on. It's not an obtrusive beep, more of a 'chirp', and not obtrusive. I used the one 160W flash and placed it about 7-10 feet away from the drinks and entrees. For the most part, flash power was set to half. A reflector complimented the 160W Budget Studio Monolight nicely. At the end of the shoot, I was convinced that I could use the Budget Studio Monolights for paying gigs. I then shot some self-portraits using a modified two-light setup with the 300W up high and angled down and the 160W low and angled up. Obviously, I'd want to add some highlight illumination and perhaps some color, but for the photographer just starting out in a home studio, the Budget Studio Monolights will suit you just fine. Again, I never experienced any problems throughout any of my shoots. While the individual flashes themselves will not provide a solution right out of the box, my advice would be to opt for the Budget Studio Monolight kits.If Adorama is to improve these lights in any way, they need to add protective covers in the box. Otherwise, you'll have to rig your own setup out of peanut can lids or duct tape. Regarding the reliability of the lights, I experienced no issues on either the 160W or 300W. I would definitely recommend these lights to those who are just starting out and are on a tight budget. Is there a specific usage for the 160w monolight or the trend is shifting towards higher wattage Like 0 Oct 13, 2015 permalink Mr McClicky How well do you think they would work on exterior daylight shoots (portraits etc). Thanks for the very interesting article. Rafe Like 0 Oct 21, 2014 permalink dkadc Do the modeling lights stay on while the strobe is recharging. I have seen several cheap lights that turn off the modeling lamp while recharging and its very irritating. Sorry if this was mentioned in the article and I missed it. Like 1 Jun 15, 2014 permalink DonM999 Any durability test should at least include a few 3 foot falls to a hard floor. Lighting equipment never gets the same respect as cameras and lenses. Like 0 Jun 9, 2014 permalink Donald B i use the godox brand for my dance school shoots, take over 1500 portraits in 2 days and they have been faultless to date with plenty of light at f8 for groups to 20.I hope Adorama will carry a broader range of Godox' lineup, in addition to their current Streak Light (rebranded Witstro). Like 1 Jun 6, 2014 permalink luigibozi Fraction of prices. Well, waiting for the beekeepers explaining how Alien Zeus himself was fed with. Like 0 Jun 6, 2014 permalink Klaus dk Frequently questions about creating a small, low budget, home studio for portraits are asked on the forums, so the idea of testing entry level strobes is really good. Usually, strobes are recommended for portrait photography because they provide power, speed and low heat dissipation, things that are irrelevant for product photography. It is generally accepted that continuous lights are cheaper and better for product photography because the photographer can immediately see the results of every little change in the lighting. Why then, would DPR choose a reviewer, who shoots products and does not care for portraits, for this review. The resulting review suffers from this, since two severe shortcomings of these strobes in portrait photography are not mentioned: the unability to mount modifiers other than those with a shaft, and the very narrow power variability of the strobes. A 300 Ws strobe used as a main will necessitate a narrow aperture and give no room for using DoF creatively. Like 3 Jun 6, 2014 permalink Mike Perlman I do shoot portraits, and I don't mind shooting them, but it's not my forte. That being said, this is a review focusing on beginner strobes with limited capabilities. I wanted to see if they could hack it from a very basic perspective, and they did the job nicely. Also, I mentioned the power ranges of the strobes. And I use strobes for product photography, as do many other photographers. They give me the best results, and at the end of the day, that's all that matters. Like 1 Jun 6, 2014 permalink Klaus dk Mike, Since I have strobes, I also now and then use them for product photography, but a low budget solution for product photography would most probably be based on CFLs, LEDs or incadescents. As for portrait photography, you failed to mention the consequences of the limited selection of modifiers and of the limited power range (DoF control). You cannot expect beginners to anticipate such problems, so in a review targeting entry level photographers, mentioning them is even more relevant. That makes inexpensive strobes still the best solution for Americans.Like 4 Jun 6, 2014 permalink electrophoto Klaus, Personally I like portrait photography, but at times I DO understand the funny sentiment by Mr. Perlman. And Strobes see as much use in portrait photography as they do in general studio type photography. I use strobes for product photography regularly. Basically strobes can be used ANYWHERE where the photographer wants more control over the lighting. So I disagree that the review would have been better off with a reviewer who likes portrait photography. That aside, I prefer a reviewer who's got some humor in his writing than some bone dry technical write up. Like 1 Jun 6, 2014 permalink Klaus dk Electrophoto, I also found the reasoning behind preferring product photography funny, and I too value humour and good writing skills. It is sad but true, however, that the success of humour depends on both language and frame of reference, so it has to be treated carefully. Like 1 Apr 15, 2016 permalink photosincali these look great for the price. Like 1 Jun 6, 2014 permalink Jim Salvas There are a couple of important things missing from this review. For instance, a 75W modeling lamp sounds useless for portrait work. Was it? How do you -- or can you -- attach a softbox or any light modifier other than the umbrella. Like 0 Jun 5, 2014 permalink Dimitris Servis These are very basic flashes. Output and colour are uncontrollable. If you need to add modifiers, you need to purchase a collar with bolts that attaches at the front and then you can mount modifiers. Usually the bolts will break the plastic anyway. However for the price, people seem to use these for slaves to light backgrounds and the like. Like 3 Jun 5, 2014 permalink MarshallG I don't think the price point shows that lighting is undervalued. The article and comments make it pretty clear that these are beginner lights only, for learning and starting out. But they lack the construction quality to survive regular use for very long. The first thing you learn about cheap light stands and umbrellas outdoors is that it takes very little wind to knock them over. The second thing you learn is that cheap lighting equipment bends or breaks after just one fall. The thing is. Even this system isn't cheap. Like 2 Jun 5, 2014 permalink b craw Your unpaid assistant, e.g. nephew, holds a sheet of rice paper in front of the flash head. But anyway, on tight budget might be something from ebay will make more sense. Like manual Yongnuo flashes with build in wireless triggers and easy power adjustment. Like 0 Jun 5, 2014 permalink Klaus dk MarshallG: the speedring only fits flashpoint monolights of type II and DG, it will not fit these.