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finepix s1 manual zoomIt has lots of shooting options and extras like a hot shoe, vari-angle LCD and EVF, raw capture, and manual controls. Mobile app could use some love. With the Fujifilm FinePix S1, it combines those camera types into the world's first weather-resistant megazoom. And it's weather-sealed. Fujifilm says it has seals on approximately 70 areas on the body. Don't expect to go diving with it, but it will handle standing in the rain and snow, as well as dusty environments, without a problem. I wouldn't go jamming this into a sand dune or anything, but considering there is no other 50x camera out there that can handle that, some protection is better than nothing. It also gives it a higher-end look and feel compared with plasticky megazooms like Nikon's P600. As you might imagine given the camera's telephoto reach and weather-resistant build, the S1 isn't particularly small or light. It's about the size of an entry-level dSLR with a kit lens attached. It's not overflowing with direct controls like a dSLR might be, though it does have just enough to do away with some menu diving every time you want to change a setting. Next to the high-res flip-out LCD and electronic viewfinder is a typical digital camera control pad with a programmable Function button. Just above the thumb rest is a command dial that can be used for changing shutter speed and aperture as well as manually focusing the lens, among other things. On top is the shooting mode dial, with exposure compensation and burst shot buttons. There is also a zoom-out button so you can quickly find your subject if it travels out of frame. There's a button to release the pop-up flash, too. A hot shoe is on top should you want to add one of Fujifilm's three external flash units available for the S1. You can also purchase a lens adapter for attaching 72mm lens filters. The camera overall handles really well thanks in part to its responsive zoom lens and fast autofocus system. Actually, the S1 on the whole has fast performance.http://hizirferforje.com/admin/fckeditor/editor/images/evga-8800-gt-manual.xml
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From off to first shot takes only 1.3 seconds and the lag between shots is 0.6 second. Turning on the flash bumps that time up to 1.3 seconds. Shutter lag -- the time from pressing the shutter release to capture without prefocusing -- is 0.12 second in bright lighting conditions and just 0.3 second in low light. That's with the lens at the 24mm position, though. Depending on your lighting, you may experience a little more autofocus lag when zoomed in. The S1 can burst shoot up to nine photos at 10 frames per second at full resolution. Focus and exposure are set with the first shot, so depending on what you're shooting all of your pictures might not be in focus. However, this is still a small-sensor compact camera and while the pictures are certainly very good, they might very well disappoint some users. As is the case with most cameras in its class, viewing the S1's shots at 100 percent onscreen will show quite a bit of noise and artifacts, and fine details even at its lowest ISOs aren't exactly clean and sharp. Let's round up Amazon's best gems. Let's round up some of its best gems. Let's round up the best gems. We delete comments that violate our policy, which we encourage you to read. Discussion threads can be closed at any time at our discretion. Looking and handling very much like a DSLR, the Fujifilm S1 can safely be used in wet weather or dusty conditions thanks to sealing on approximately 70 areas of the camera. The S1 boasts a 50x zoom lens which covers a 35mm equivalent focal range of 24-1200mm and features 3-stop lens-shift image stabilisation and manual zoom controls. In addition there's an ISO range of 100-12800, built-in wi-fi connectivity, continuous shooting at 10fps, interval shooting function, High Speed movie capture at 480fps, Focus Peak Highlight function, a customisable Function button, full manual controls and support for the RAW file format.http://favourtec.com/attachment/evga-790i-ultra-sli-motherboard-manual.xmlDesigned as a do-it-all, all-in-one solution for the enthusiast, the Fujifilm FinePix S1 is more than weighty and well built enough to withstand a few glancing knocks in the heat of the action. The moulded curves of the body and rubberized matt black finish deliver a purposeful look that is as aesthetically pleasing as it is practical, with nice chunky controls, an ergonomic control layout that allows both quick and easy access to functions, and a deep hand-grip with a well-thought-out indentation into which a middle finger slots comfortably. The S1 is the first weather-proof super-zoom camera in the world, with 70 points of weather sealing offering dust-resistance and water-resistance. This incredibly versatile lens offers a focal range starting at an ultra-wide 24mm and finishing at an ultra-telephoto 1200mm, which, as Fujifilm cannily point out, would take at least two super-zoom DSLR lenses to offer similar reach.Activated via the IS Mode menu option, you can set the system to Continuous, Shooting Only, either mode with the addition of digital stabilisation, or Off. Note that the camera will only automatically adjust the ISO speed when using the Auto shooting mode - in the other modes the ISO speed that you select will always be used, so only the mechanical sensor-shift part of the system is used. The large optically stabilised zoom lens dominates proceedings, with a push-on lens cap, retaining strap and petal-shaped lens hood provided in the box. Above the lens and extending out across the lens barrel, which boasts a textured surround allowing you to get a good firm grip, is a sloping ridge that conceals the pop-up flash (when not in use), which is activated via a dedicated button positioned on the right. Still viewing the S1 from the front, the stereo sound speakers are positioned just behind the pop-up flash.http://gbb.global/blog/dop-as38bstd-manual There's a familiar dual purpose AF-assist illuminator and self-timer lamp to the left of the lens, and located on the right are two clever controls that make zooming with the massive 50x lens more intuitive. Above the pop-up flash is another DSLR-like touch - a hotshoe for additional illumination via an optional external flashgun. Above the size zoom lever is a button which zooms back out slightly to allow you to see more of your subject, useful if you're trying to track a moving object that has left the frame. The Fujifilm FinePix S1 is quick to determine focus and exposure with a half press of the shutter button, only taking 0.16 seconds to lock onto the subject in ideal lighting conditions.Ranged around the dial, which turns with just the right amount of resistance for it to lock firmly into place at each setting, are the expected shooting options, such as full auto, program, shutter priority, aperture priority and manual modes, along with a customizable mode via which favoured shooting settings can be saved for rapid access, plus a scene position mode that's pre-optimised for common subjects. First up is the SR Auto mode, which is an 'auto everything' scene recognition mode.The first shooting mode is the Advanced Filter, which as the name suggests houses a range of artistic filters that can be applied to your photos as you take them. In the HDR advanced mode the Fujifilm FinePix S1 can combine three seperate images into one with greater dynamic range. The Natural Flash mode takes one shot with flash and one without at the same time, while the Zoom Bracketing mode takes three shots with a single press of the shutter button, at varying degrees of magnification (original, 1.4x and 2.0x). This lets you capture a 120, 180 or 360 degree panoramic image very easily without the use of a tripod. Exposure compensation is available before you start the sweep, with the exposure fixed once you depress the shutter button. After you are done with the sweeping, the camera does all the processing required, and presents you with a finished panoramic image. The final panorama is of relatively low resolution, and if you do the sweeping too slowly, or you let go of the shutter release button too early, the panorama will be truncated. If the exposure varies throughout the scene, then some areas will be over or under exposed, depending upon the exposure value that was chosen as the panorama was started. Finally, people and indeed anything that moves in the frame are recorded as several ghost outlines, which means that you can really only record static, empty scenes, something that Sony have solved in the latest iteration of their Sweep Panorama feature. The same dial is also used to change the aperture and shutter speed when using the more advanced shooting modes. In the Manual mode, you hold the Exposure Compensation button down with your forefinger and give the dial a flick with your thumb to change the aperture, not as intuitive as having two separate command dials but perhaps understandable given the S1's target audience. Otherwise the exposure compensation button works largely as you'd expect, with a visual slider graph on screen accompanied by a live histogram. Pressing this button brings up six options - Off, Continuous H, Continuous M, Continuous L, Best Frame Capture and AE bracketing. The Continuous H option shoots at 10fps for 9 frames at full resolution. Once the burst is completed, it takes just over four seconds for the camera to clear the buffer, during which you cannot take another picture. Forward of these two controls is the main shutter release button encircled by a responsive zoom lever. There's a handy distance scale along the bottom of the LCD screen with a white bar indicating the the focusing distance. The S1 also offers a Focus Peak Highlight function with High and Low settings, which displays a white line around the subject when it's in focus. This addition makes manual focusing on the S1 much more of a pleasure than a chore. The S1's LCD screen is a vari-angle model that can be flipped-out to the side and tilted through 270 degrees, giving you a lot of flexibility in composing your shots, and well-suited to shooting video. The EVF also has its own dioptric correction wheel to its immediate left, which is far less stiff and physically larger than found on competing models, meaning that for the myopic adjustment can be made in a fraction of a second. The viewfinder display is large, bright and clear, though the temptation to predominantly utilise the more flexible LCD below is almost overwhelming. The S1's full 50x zoom range be accessed in the Motion JPEG format movie mode, with the S1 offering full 1920x1080 pixel footage at up to 60 frames per second with constantly adjusting auto exposure and auto-focus with stereo sound. You can also manually focus during movie shooting. It can record video clips up to 29 minutes long for the 1920x1080 and 1280x720 pixel formats, with longer times available for VGA and SVGA modes. The dedicated Movie button on the rear makes it quick and easy to shoot a movie without missing the start of the action, and there's a mini-HDMI port for connection to a HDTV (cable not supplied). You can select one of the Film Simulation or Advanced Filter modes to give your footage a more creative look, and there's the option to take a still photo at any time during movie recording. There are three different speeds on offer - 480, 240 and 120fps, with the file size varying from 320x112 to 640x480 pixels. This slow-motion effect is initially very appealing and sure to impress your friends, but there are some drawbacks to be aware of. Sound isn't recorded at all, horizontal bands can appear as the lighting fluctuates, and the actual sizes of the recorded movies are pretty small. Ranged at north, south, east and west around this control are variously, the customisable Function button which can be set to one of 10 key options (also doubling up as a file deletion button when in playback mode), the various flash modes, the self timer options, and shifting focus from infinity to either macro or super macro. Install the FUJIFILM Camera Remote App and you can transfer your pictures immediately to a smartphone or tablet PC and then edit and share them as you wish, transfer stills and video onto the camera, and embed GPS information in your shots from your smartphone. You can also control the camera remotely, with the list of available functions including the shutter release for stills and movies and operating the zoom lens. The built-in wi-fi also provides a simple means to backup your photos to your home PC. There are metal eyelets on either side of the body for attaching the provided shoulder strap. Jan 6, 2014 The S1 features a 16MP CMOS sensor, and a bright 50x super zoom 24-1200mm F2.8-5.6 lens with ultra-fast zoom speed and 2x Intelligent Digital Zoom up to 100x. The high resolution and contrast Vari-Angle 3” LCD (920K dot) makes it easy to frame shots from any angle, and the 0.2” EVF (920K dot) is great for difficult shooting conditions.For the more enthusiast crowd it offers Raw support as well as a hot shoe. The camera performs well in most respects, most notably when focusing, and the lens is better-than-average. Unfortunately there are quite a few negatives: image quality is sub-par, video recording is fully automatic, and the electronic viewfinder is not great. Good for: Outdoorsy people and those who want to maximize image quality via Raw. Shedding some light on the sources of noise. Other features include Wi-Fi for easy sharing and remote shooting, a rotating LCD screen, full manual controls and RAW shooting.The Fujifilm FinePix S1 has a 16.4 megapixel CMOS sensor and a 50x optical zoom lens, which is a 35mm equivalent of 24-1200mm. The lens has a minimum focusing distance of just 1cm and has 3.0 stop optical image stabilisation to help take the sharpest shots possible. Continuous shooting records a maximum 9 full resolution images at 10 fps. The S1 is weather resistant and dustproof. As well as the 3.0 inch LCD screen there is a 0.2 inch electronic viewfinder which has a 920k dot resolution.There are also plenty of scene modes as well as full manual controls and RAW shooting. There are a number of creative shooting modes with advanced filters and interval shooting for time-lapse photography. The advanced filters include Toy Camera, Miniature, Pop Colour, Soft Focus, Cross Screen, Partial Colour, High Key, Low-Key, Dynamic Tone and Fish-Eye. The S1 can also shoot 360 panoramas and HDR images, with three shots combined at different exposures. The app also allows your smartphone to remotely control the camera. You can activate the shutter and adjust the zoom. You can use the optical zoom during recording and there is 5-axis image stabilisation to reduce shake. High-speed movies can also be recorded at 480 fps (240 x 180 pixels), 240 fps (320 x 240 pixels) and 120 fps (640 x 480 pixels). As you'd expect with a bridge camera, the Fujifilm FinePix S1 has the look of a DSLR camera. It has a good sized rubber handgrip and a large rubber patch on the rear for your thumb. The lens barrel has a band of rubber around it which also aids grip. Also on the lens barrel is a zoom lever and the zoom assist button which helps recompose your images by quickly zooming out and back in again. Just down from the mode dial is the button which switches between the LCD screen and EVF. There is also the wheel for adjusting the shutter speed and aperture when in the relevant mode. The pop-up flash also has a button to activate it. Buttons on the rear of the camera include movie record, playback, display and Wi-Fi. There is a d-pad for using the menu - the menu button is in the centre and the d-pad also gives access to the self-timer, flash, macro mode and function. The function button can be changed between a number of settings such as ISO, image quality, white balance and more. The menu system is clearly laid out and easy to use. When in this position the EVF is automatically switched on. The EVF is bright and also has an excellent 920k dot resolution. It also has a dioptre wheel for users with eyesight problems. Prior to connecting to the Wi-Fi you need to download the Fujifilm camera app, then switch the camera on and hit the Wi-Fi button. Then you connect to the Wi-Fi via your smartphone or tablet and go to the app. The app is easy to use, but if you go to remote control, then want to switch to image transfer you need to reconnect each time, which is rather frustrating. Battery life is rated at 350 shots according to CIPA test results, which is excellent for a bridge camera. We took a number of shots to test the camera's responsiveness, from switch on to first photo, shot to shot, focusing speed etc. We take a number of shots and then use the average to ensure accurate and consistent tests, making it easy to compare with other cameras. Additional sample photos and product shots are available in the Equipment Database, where you can add your own review, photos and product ratings. To improve saturation, you could opt to shoot with the Chrome filter. Portrait shots have good skin tones and are free of red-eye when using the flash. HDR images are combined by the camera with good results. Purple fringing is quite strong in contrasting areas of the image. The lens has a minimum focusing distance of just 1cm, allowing for a decent macro shot. At ISO 1600 images become a little soft and are softer still at ISO 3200. There is plenty of detail missing at ISO 6400 and ISO 12800, but image size is limited to 8 and 4 megapixels respectively. Video - Below is a video recorded in full 1080p HD. Quality is good and the focus does an excellent job when zooming in and out, although the noise of the zoom is picked up and is quite loud. The Fujifilm FinePix S1 is a feature packed bridge camera. The feature which will draw many potential buyers is the 50x optical zoom lens as well as Wi-Fi and the weather resistant body. It's an ideal camera for going out in any weather while travelling and then share your pictures to a smartphone or tablet, ready for uploading to the web. It's good that the S1 is geared towards sharing on the web because image quality is disappointing when viewing images at full size, so not ideal for great prints. It is a touch on the expensive side, but if you're happy with the image quality on offer here, the rest of the camera features more than make up and therefore is a camera we're happy to recommend. New to ePHOTOzine? Join Today! By using our service, you agree to our use of cookies. OK Learn more. If you like outdoors photography and want to be able to use your camera in extreme conditions, Fujifilm S1 will serve you well. Kodak Astro Zoom AZ651 with its 21.0MP sensor is leading in this class. Check the comparison of Fujifilm S1 vs Kodak Astro Zoom AZ651 or take a look at Highest resolution Bridge cameras list. Fujifilm S1's lens also has a Manual Focus Mode. For those of you who loves shooting selfies, self or group photos, Fujifilm S1 will make your life easier with its Selfie friendly screen. Another group of users who will take advantage of S1's LCD screen are Vloggers and any video creators who are working in a single-person setup. S1 has a built-in Electronic viewfinder, making it easier to shoot in direct sunlight and in other situations where it might be difficult to view the LCD monitor. The viewfinder has a resolution of 920kdots and coverage of 97. 97 coverage means that what you see in your viewfinder while shooting will slightly be different from the actual image. Considering that the average battery life of DSLR-Like type cameras is 353 shots, its battery life is about average in its class but it would still be wise to invest in some spare batteries for long photo trips. Check the comparison of Fujifilm S1 vs Fujifilm HS35EXR or take a look at Longest Battery Life Bridge cameras list. But if you are after the highest resolution videos available, see our list of Top Cameras with 4K (Ultra-HD) Video. S1 also a high speed mode where it captures videos at 480 fps for ultra slow motion videos. S1 has a built-in Stereo microphone and a Mono speaker. Fujifilm S1 doesn't have any connections for external microphones and headphones. If you need a DSLR-Like camera with external microphone connectivity, consider Panasonic Lumix DMC-FZ300 or Sony Cyber-shot DSC-RX10 in a similar price range. S1 has a built-in flash, and it also has a flash shoe to mount your external flashes too. Fujifilm S1 also features Face detection AF where it intelligently detects the faces in the frame and locks the focus automatically. If you are looking for a camera that is better suited to Portrait Photography, we recommend you to check our Top 10 Bridge Cameras for Portrait Photography list. If Sports is important for you, we recommend you to check our Top Bridge Cameras for Sports Photography list. If you are looking for a camera that is better suited to Daily Photography, we recommend you to check our Top 10 Bridge Cameras for Daily Photography list. If Landscape We strongly recommend you to check our Top Bridge Cameras for Landscape Photography list and consider these alternatives over theS1. Here is the eight most popular comparisons of Fujifilm S1 amongst Camera Decision readers. It would also be interesting to compare Fujifilm S1 with Cameras. Below we have listed 4 highest ranked cameras in Fujifilm S1's price range. This enables a focal range that’s the 35mm equivalent of a wide angle 24mm to 1200mm—excellent for shooting landscapes and group portraits, but also for capturing candid close-ups from afar. Since the lens specification is all encompassing, it doesn’t matter that you can’t swap it like you would on the DSLR camera.The FinePix S1 includes an eye-level viewfinder (of the electronic variety), plus a hot shoe for attaching accessories. Fujifilm also found room atop the viewfinder for a pop up flash that is manually activated by a button sitting just below it on the left.The screen can also be turned inwards to face the body for extra protection when transporting the camera.Fujifilm says that the FinePix S1 is the first weather- and dust-resistant chassis in its class, and the camera would perform excellently as a travel companion. The downsides are that the FinePix S1is fairly weighty at a DSLR-like 1.4 pounds without batteries, and the lens make the FinePix S1 a larger-than-average camera.Instead, the zoom is controlled either via a switch on the side of the lens barrel (where it falls beneath the thumb of the left hand) or via a familiar toggle lever encircling the shutter release on the top plate. The whisper-quiet optical zoom can be deployed during video recording.The dial also provides access to panorama mode, regular auto mode, a customizable setting, and scene recognition mode. An Advanced option on the same dial enables the application of creative filter effects, including the likes of toy camera, tilt-and-shift lens copying miniature mode, increased color saturation, low- and high-key lighting effects, fisheye, soft focus, and color isolating.Ultimately though, the FinePix S1 doesn’t make the most of the big glass bolted onto the front of the camera, so image quality falls short of DSLR quality. The camera can also shoot 1920 by 1080 pixel resolution movie clips at 60 fps with the benefit of stereo sound.With its weather- and dust-resistant outer coating and mini DSLR styling, the 50x zoom FinePix S1 certainly has to be one of the coolest looking and most pleasurable to handle bridge cameras out there.Read our affiliate link policy for more details. We give you the scoop on what's new, what's best and how to make the most out of the products you love. When you buy through links on our site, we may earn an affiliate commission. But what's much harder to find is a camera that can take images at the long end of that big zoom that are quite similar in quality to the ones taken from a wide angle view. That's why I was surprised by the Fujfilm S1—I could see detail from little hairs on a baby goose at the very end of the zoom length, not to mention the fact that I could actually focus fast enough to capture them. The S1 is certainly not without its flaws, but with the image quality at 50x, the brightest lens for this class and price point, a weather-sealed body and DSLR-like features like RAW and a hot shoe accessory slot, this super zoom is my favorite out of the handful that I've reviewed this year. Here's why. Body and Design Right out of the box, I could tell the S1 is fully weather sealed. The exterior doesn't have a cheap, plastic feel—it's sturdy and has a nice sort of texture. The S1 isn't designed to be submerged, but it certainly looks like it can handle a day on the beach or a rainy day shoot. The S1's size is comporable to others in the category—it's certainly not tiny, but hey, its pretty small considering the powerful lens and feature set. The lens to viewfinder measures about 4.5 inches. The S1 has a very user-friendly set of controls, with enough shortcuts for the most frequently used settings. There's a second option for adjusting zoom at the side of the lens. Next to that is a zoom out button—hold that, and the camera will highlight the area you were looking at before so you can adjust your composition. When you release the button, the zoom will go back to how it was before. Using a 50x zoom can make it hard to find the right spot to shoot what you are looking for, so it's a nice feature. The back of the S1 is dominated by an excellent tilting LCD screen. The screen uses a hinge-style design, so you can flip it 180 degrees (for selfies) and everything in between. The S1 also uses an electronic viewfinder, but switching in between the two is not automatic like on some models, a button does the trick, but it's not quite as nice as those that switch automatically. A control wheel sits right at the thumb, underneath that the S1 has a dedicated record button, menu and playback options and the wi-fi function. The menu arrows double as shortcuts for macro, flash and a user customizable option (I set it to ISO). Adjusting settings in full manual mode is quite simple. The control wheel adjusts aperture and shutter speed (the exposure compensation button will switch which one). I set the function button to ISO to have all the elements of the exposure triangle as a shortcut. I did find myself going into the menu a few times for white balance, focus mode and metering, but I didn't run into any issues navigating the camera's features. The Fujifilm S1 is comfortable and easy to use. I preferred the Sony HX400's control wheel around the lens and automatic switch from LCD to viewfinder, but the S1 has better shortcuts and navigation then the Nikon P600. And of course, it is the only super zoom to date with weather sealing and that in itself will makes it more enticing for outdoor shooters that don't stay home for a rainy day. The scene modes include all the basics like party, sport and night that are fun and easy to use. But perhaps even more entertaining is the S1's set of advanced options or digital filters. There's the common ones like toy camera and selective color, but there's also a few that are harder to find, including a fisheye that's fun to play with and high dynamic range for capturing more details in the shadows and highlights. All of these modes and filters are also available for shooting video. The panorama function has a dedicated spot on the mode dial. This feature has three options—120, 180 or 360 degrees, making it more customizable than most. The 360 degree panorama results in kind of goofy photos, but it's fun to use. But perhaps the best feature of the Fujfilm S1 performance-wise is speed. Shutter lag was minimal with images in manual focus taken at just.75 seconds apart (The Nikon P600 by comparison was at about 1.5 seconds). With autofocus on, images were still just 1 second apart (Nikon P600: 2.5 seconds, Sony HX400: 2.5) at the widest angle. And while autofocus tends to get much slower at the long end of a 50x zoom, the S1 was still at about 1 to 1.5 seconds between shots. The Fujfilm S1 has an excellent burst speed at 10 fps, but limits the shots to nine at a time at that speed. Processing those nine shots however only took six seconds before I could take another photo (Nikon P600: 30 seconds, Sony HX400: 12). If you take another set of burst shots as soon as the camera allows, you can't get nine frames at a time (I got about 4), but if you wait just ten seconds you can shoot at that maximum nine photo capacity again. Burst shooting is not available while shooting RAW files, but considering the S1 is one of very few super zooms that include RAW, it's certainly no deal breaker. At full zoom, the Fujifilm S1 continues to offer impressive performance. While a lot of cameras will have trouble with autofocus here (take a look at the photo of the bird in the P600 review), the autofocus is only marginally slower and I didn't end up with a bunch of out-of-focus images at full zoom.