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final fantasy legend ii manualSo, feel free to do that. But I can't promise when they will be posted until we get some volunteer editors.My e-mail is probably the best way to reach me quickly.It's been years since I last contacted Sleepy. If the email address doesn't work then I don't know how you would contact him.Now that the site is running properly again we will just have to wait to see if any of the editors return.Dearien viewing download.php most ever online: 679 (Members: 0, Guests: 679) on 01 Oct 20: 06:43 Members: 39512 Newest member: stanleyvu2 For more information on our stance on this topic and reasoning behind it, please check our FAQs page. If you are the copyright holder of anything listed herein and still want your documentation removed after reading the FAQ page, please send feedback and it will be removed. Don't have an account. Sign up for free! The most common causes of this issue are:Using GameFAQs regularly with these browsers can cause temporary and even permanent IP blocks due to these additional requests. This triggers our anti-spambot measures, which are designed to stop automated systems from flooding the site with traffic. Continued use of these apps may cause your IP to be blocked indefinitely. There is no official GameFAQs app, and we do not support nor have any contact with the makers of these unofficial apps. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. Continued abuse of our services will cause your IP address to be blocked indefinitely.FAQ Bookmarks - Access and manage the bookmarks you have added to different guides. Bounty - Write a guide for a Most Wanted game, get cash. Game Companies - A list of all the companies that have developed and published games. Game Credits - A list of all the people and groups credited for all the games we know of. Most Wanted - The Top 100 popular games without full Guides on GameFAQs. My Games - Build your game collection, track and rate games.http://www.degrossier.nl/uploads/eurosec-pr5208-manual.xml

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Rankings - A list of games ranked by rating, difficulty, and length as chosen by our users. Top 100 - The Top 100 most popular games on GameFAQs today. What's New - New games, guides, reviews, and more. All rights reserved. He’s not your typical Hideo Kojima or David Cage, though — no film-obsessed designer whose predilections revolve around the synthesis of two forms of media. Kawazu’s quirks, his specific flavors of madness, reside purely on the mechanical side of things. He stands apart as an auteur because of his obsession with the game element of video games. Sure, other people make video games based on tabletop brands and concepts, but Kawazu takes a different approach.Unlimited Saga was the defiant last attempt of an old-guard designer to exert his singular perspective on the medium even as he was being pushed out of development and into management. The work of a man determined to burn the currency of a decade and a half of seniority within the company he helped build on his own personal expression. It makes little sense, and makes even less effort to explicate its workings to the player. It’s bewildering. Befuddling. And yet, beneath the opacity of it all, you can see certain mechanisms at work — consistent rules and reliably chaotic operations. Unlimited Saga makes a twisted sort of sense, if you understand its foundation. Not only for the long-running SaGa series, but also for portable role-playing games in general. Before Legend, handhelds had never seen such a deep, complex video game.At the top of the tower, the Creator — you know, God — waits to meet the intrepid heroes who can climb to its pinnacle. Along the way, though, the party discovers a twisted and contradictory universe: Though Paradise is said to be at the peak of the tower, the first realm you discover beyond the realm of Continent at the tower’s base appears to be Paradise: Its residents gush about how they have no need to work or labor, because they live in a care free land.http://kco.su/userfiles/eurosec-instruction-manual.xml And yet immediately above this seeming perfection is a pitch-black realm where the residents are forever flagellated by immortal demons. Far beyond that, you discover the World of Ruins, which swipes Etrian Odyssey’s big plot twist nearly two decades early: The ruins are those of Tokyo, and you go scavenging for old computer parts in “Akiba Town.” This mixture wasn’t exactly unheard of among JRPGs; by the time SaGa launched in Japan in 1989, Atlus and Namco’s Megami Tensei had already made its debut, bringing magic and demon-summoning into modern-day Tokyo. But if Megami Tensei was modern-day cyberpunk, Final Fantasy Legend was more far-future post-apocalyptic, throwing together a motley array of influences into a stew of monsters, psychic warriors, and punk-haired soldiers wielding swords and bazookas with equal aplomb.Whatever kind of characters you decided to go with, each had its own unique set of mechanics that would alternate empower and embitter you. They can equip anything you want, be it armor or weapons or just consumable items to use in battle. They can use the best gear, and you can mold them to suit your purposes. But all the great weapons they could take into combat will break down over time — yeah, even punches and kicks, for some reason. The more devastating the gear, the more quickly it degrades, culminating in the amazing Glass Sword that shatters after a single crushing blow. To make them stronger, you go to the local market and buy consumable potions that confer permanent stat boosts. It’s the original pay-to-win situation, with the vast majority of your party budget going toward turning your human character (or if you’re feeling like a big spender, characters) into an absolute beast of battle. It’s expensive and inconvenient thanks to the soft caps on level boosts, but it allows precise control of your character growth. Do you generalize across the three adaptable stats (strength, hit points, agility).http://ninethreefox.com/?q=node/16800 Or do you double down on one trait to the expense of all else? While they start out wading into the fray with a sword or dagger in hand, eventually they’ll start to find handguns, then grenades, then laser swords. And a chainsaw, for some reason. While their stats are even more fixed than those of humans, monsters grow according to a fixed formula whose inner workings are utterly opaque to the player. It works thus: When you defeat a (non-humanoid) monster, you may have the opportunity to eat the meat it leaves behind. When a monster eats meat, the fun begins. When a monster devours a fallen enemy, it immediately mutates into some other breed of creature. Precisely what kind of creature results, however, may be the single most complex inner working of The Final Fantasy Legend. Each kind of monster falls into a different category, and within each category the monster types are ranked by level tiers. Consuming the meat of a specific type of enemy doesn’t simply turn you into that creature; instead, the resulting form your party member takes depends on your own monster’s current category and level as well as the specifics of the species you’ve devoured. You could mutate into a far more powerful form, or you could drop back down through the monster ranks. It’s not fair to say that the process is entirely unpredictable, because there are extensive charts and FAQs that lay down the very consistent rules that monster transformations observe. But it’s not wrong to say the process is inscrutable, even with charts in hand. Monsters can’t carry or use items, and they can’t equip any gear. If you stumble upon a powerful monster form, awesome. But you have to take great care when feeding a monster, because there’s always a chance you could rank down or end up stuck with some creature that’s only good for 10 attacks before needing to rest at an inn. Where monsters have fixed stats and skills, and humans are exactly as useful as the investments you make into their abilities, mutants can vary wildly from battle to battle. The first four of a mutant’s eight inventory slots are dedicated to innate skills — not magic spells, exactly, but rather psychic powers that generally work the same as spells (mutants were, incidentally, called espers in Japan). They’re a total lottery, and they have a chance of changing after each and every battle. Besides obvious spell-like capabilities such as Flame and toxic Gas, mutants can also develop passive esper powers such as a resistance of vulnerability to elements, the ability to grant the party a higher likelihood of first-strike attacks, and more.And unlike their spells, a mutant’s stat growth can be affected by your choice of actions in combat. Use spells and a mutant will become more a powerful mage as their mana stat skyrockets. Use a weapon based around agility and their agility stat will grow, making them more effective at wielding that weapon. Take damage in battle and their HP and defensive stats will improve. The mutability of FFII’s underpinnings make it by far the least beloved game in the series, and it seems either Kawazu or Square management realized his ideas about nurture-vs.-nature in RPG design didn’t fit with the mainstream, accessible ambitions the company had for its flagship RPG series. So Kawazu hopped over to Game Boy and created The Final Fantasy Legend instead. You start with a single party member and add more at the local guild office, and can retire your heroes and roll new characters at any time. You can build a party consisting entirely of any one race, or any combination of races. You can choose the gender of your humans and mutants, too. Since their inventory slots five through eight never develop innate powers, you can load them down with items to determine their specialization. Want to make them more durable. They can use the same armor as humans. Want them to become heavy-hitters. Give them human weapons and watch their proficiency with the relevant stat rise along with their damage output. Prefer them in a support role. Give them consumables to use in combat. Or you can buy magic tomes that have set numbers of uses and ensure your mutants can always use those powerful group-attack skills or healing spells. Recognizing the intricacy of the game and the needs of portable play, the Legend team threw out the idea that players should only be able to save in inns or towns; Legend lets you record your progress anywhere, so long as you’re outside of combat or a dialogue sequence. So if you’re worried about your monster becoming useless or your mutant losing their best skills, you can save frequently and reload as needed. It operates on a combination of hands-off respect for player agency and enough randomization to keep you on your toes. It’s a remarkably complex take on the RPG, which makes its status as the world’s first portable RPG all the more surprising. It would quickly be followed by the much more traditional The Sword of Hope, but you have to respect Kawazu and his team for not making their creation toothless just because they were traveling in unexplored territory. If anything, I suspect they found the frontier nature of Game Boy enabling. Who could say what could and couldn’t be done with their game. What precedent was there.And there, at least, The Final Fantasy Legend plays it straight. Underneath it all, Legend’s battles play much like those of contemporary Dragon Quests: Turn-based, first-person view, with groups of like enemy types represented through a single sprite. Standard role-playing mechanics apply, with totally typical status effects like blindness and poison showing up, single- and group-based attacks available, and stats determining turn order and attack efficacy. It anchors its unconventional ideas to time-tested industry standards, making it less some bizarre reinvention of the RPG and more of a variation on a theme. Certainly it stands out thanks to its place in history, but the game remains surprisingly playable 25 years later as a result of its innate normalcy. Who knows — there are probably some kids out there for whom Legend served as an entry point to the RPG genre, and they still wonder why other takes on the format seem so mundane by comparison. And, of course, Unlimited Saga. Along the way, the conventions of the franchise were refined. Things like Life Points, which allowed for permanent character death, returned from time to time. Races continued to play a role, with the addition of the Mech race in later titles. Mutability and experiential growth took an even bigger part, with characters potentially learning skills on the fly (including attack combos) based on their combat actions. Legend even saw a remake in Japan on WonderSwan; that version remained faithful to the original, but offered a little more transparency (like giving players a better idea of what their meat choices would cause their monster allies to morph into). It is its own creature, and it has been since the beginning. You don’t have to love The Final Fantasy Legend, but you have to respect it. It’s physically impossible! Or maybe this world is 4D. Maybe it is physically possible, just not in human comprehension. The only system I had growing up was a Game Boy, but I knew friends with home consoles. I was always jealous hearing them hearing them talking about RPGs and wanted to try one for myself. Either I borrowed it from a bus trip for band or from a relative. I think my first party of Mutants and Monsters, because if you could play as that why would you roll a boring human? I knew enough about RPGs to know about leveling, so I was confused why my mutants just got random stat upgrades. To say nothing about the first time a spell got overwritten on me. Eventually I started over with a party of all monsters since while the meat was random I could choose when to eat it or not. Plus there was something appealing about going on an RPG adventure with a dinosaur as your leader (even if he ended up turning into a fly later). Even if I didn’t know how to make a decent party, I at least knew how to fight and make my way through the game. That kept the game from being frustrating. I imagine if I did I would have eventually learned how the game’s system out and made real progress. I hope SquareEnix releases this on the 3DS so I can give the game a fair shot. My hours upon hours with this game would have burnt out a less robust machine. I found that both this game and the original NES Final Fantasy lent themselves to the creation of involved player created melodrama to fill in the long hours of grinding. Love triangles, slow burning rivalries, inter species bigotry giving way to hard earned respect. I miss this game. I chose Legend, and had some regret when I found out that Adventure was more like Zelda.I was born in the mid 80s, so when I was old enough to beg for games, this game was not on store shelves any more.I’ve got a lot of great memories with this game. This was one of the first GB games I ever got. FFL was not my first RPG, as I had played Dragon Warrior and Final Fantasy (on the NES) and a bunch of games on my C64, but it was so weird that I just grew obsessed with it. I remember not making any progress at all for the longest time, and then suddenly getting a monster that had an attack that was similar to the chainsaw weapon. It would randomly kill an enemy in a single attack. After that, I played the game obsessively until I finished it. I remember bringing my GB over a friend’s house during a sleepover, waking up early, and finishing the game. It blew my mind back then that you had to basically fight God, and I remember the first time I finished the game, I used that chainsaw-like monster ability a few times on the boss, and surprisingly it worked. One thing that has really stuck with me about this game is how each level of the tower had some interesting scenario. The best one was the post apocalyptic level, where you had a random chance of being attacked by this super monster that all the inhabitants were afraid of. Even as a kid I remember thinking that this was a really clever way to work within the engine to establish a completely different atmosphere from other areas in the game. Another thing I remember to this day is much of the soundtrack. I could not believe the music that was coming out of my Gameboy when I played this. With headphones on, the game sounded phenomenal. To this day, I remember all the major music (title screen, battle, overworld, town), plus the music that plays when you get to the top of the tower and talk with the last boss. The general consensus is that FFL2 is much better, but I prefer the scenario of FFL. Such a great game, and the Wonderswan remake is even better. It is surprising that Akitoshi Kawazu managed to produce a game that understood so well what the Game Boy was capable of not as just a piece of silicon but as a physical object, a portable console used by people every day. The other games that came out in 1989 in Japan from third-party developers look woefully maladjusted in comparison. But I didn’t play The Final Fantasy Legend as a 4 year-old kid in 1990 when it came out in North America. I played it in 1998, as an 8 year-old when it was reprinted by SunSoft following the Final Fantasy VII craze that swept the world. Four games that featured the title of the hottest game in the world in 1998, Final Fantasy VII. There wasn’t a better time to republish those four games. That’s how I came into contact with them. I first saw them in a store and convinced my mother to buy me one of those games. I was just so excited to see Final Fantasy, which I had played on SNES and heard so much about. Now suddenly there were not just one but four Final Fantasy games on Game Boy that seemingly came out of nowhere. Being the completionist that I was, I bought the first game in the series to start from scratch. I still vividly remember the expectations that overcame me as I looked at the box, excited to play it when I got home. I had not brought my Game Boy with me to the store, so I got to reading the manual. Remember that I am not an anglophone and had very limited abilities in English at that time. I could somewhat understand what was written but I didn’t get everything. It didn’t stop me from trying though. It emboldened me! That long car ride back home reading the manual is a big reason why I cannot divorce The Final Fantasy Legend from its manual. Other Game Boy games where I pored over the manual (for example, Dragon Warrior III or Pokemon ) have not left me with such a deep impression. The manuals are not bringing you a different outlook on the game and you can reasonably expect someone who never reads the manual to get the same thing out of the game. They’re not essential. The game tries to tell a simple, straightforward and passionately weird story while the manual tries to sell you on this operatic, Wagnerian opera that The Final Fantasy Legend is not. This clash awoken a feeling of despair as I finally started playing; I felt like the characters of this game were delusional about the world they were actually living in. I imagined these valorous medieval stereotypes stuck in a sanitarium. It has been strongly influenced by the series since it was produced by Akitoshi Kawazu, who worked on Final Fantasy I and II but it’s only a Final Fantasy title outside of Japan. It used the title SaGa in Japan. Most of what I know of how Kawazu created the first game of the SaGa series comes from the Retronauts podcast. What is that? Basically, you use a sword, your character gets better at using a sword. You get hit, your defence points increase. It’s straightforward but it led to overtly specialized characters who could not do more than one thing reliably in Final Fantasy II. According to Kawazu himself (who talked about this with Jeremy Parish in an interview), nobody else but him understood his progression system at SquareSoft so he was the only one championing it. He moved on to SaGa on Game Boy and brought his activity-based ideas with him while Final Fantasy went back to the first game’s level-based progression for its third game on NES. So you end up with him and Koichi Ishii, who was mostly responsible for the scenario, being the two important figures of The Final Fantasy Legend. Koichi Ishii would later be the main producer of Final Fantasy Adventure and is thus the Mana series creator. You want to climb it. It gets weird. It was made by a very peculiar developer, but we didn’t know that back then. Back then all we had was brand recognition and the game in front of us. I don’t think this original experience I had with The Final Fantasy Legend can ever be replicated. It was 1998 and walkthroughs were not really a big thing yet. I was stuck trying to figure it out by myself, with my limited knowledge of English. I look back very fondly on this experience. The three races of the game are its bread and butter. Let’s look at each. First you have humans, who come in male and female variety which are basically empty vessels. You pour equipment in their eight inventory slots and spend improvement items on them. Let me be extra clear: Humans do not improve unless you spend money giving them consumable items that improve their stats. You have HP, Strength, and Agility items. For humans, money is ultimately their experience points. It’s a maddening system because you have to lose a lot of time just buying and using the same items over and over again to improve your characters. Their whole progression system feels unfinished. The more they use spells, the better their magic stats. They’re the spell casters, so four of their eight inventory slots are reserved for spells that appear at random. So they tend to have less armour, fewer weapons, relying more on magic. The big thing with the mutants in the first Legend game is that their improvements are way too random. They do indeed improve based on what they do, but it is simply too haphazard to feel like the game is reacting to what you are doing with your characters. Character stats don’t look like they progress in a relatable fashion, but the worst offenders are the four inventory slots reserved for random spells. Spells appear or disappear after battles, seemingly at random. You seem to have an equal chance of seeing a powerful spell you like replaced by a useless spell, or even worse a spell being replaced by a weakness to a certain element. Those four slots give you the impression you have no control over mutants; that they can go from too powerful to useless in the span of one battle. Even with those problems, they end up being the most useful race. This means you need their help to win, and thus need to beg that the randomness of the game doesn’t screw you over. They are exactly the same creatures as the one you fight against in battle but on your side. Often the last enemy you will defeat will leave behind their meat. Yes, I know. Anyway, you feed that meat to your monsters and they change into other monsters. They appear to change at random but there’s a method to the madness, it’s just convoluted. Can you spot the resemblance with a certain monster game here. Monsters that evolve, that you have a chance of catching yourself if you’re lucky enough at the end of the battle. It even has a staple of Pokemon: what appears to be random elements not being random at all, like the EVs and IVs of Pokemon. I’ve never seen anyone who worked on Pokemon mention The Final Fantasy Legend as an influence but I would be shocked if it did not have a certain impact. So you go to each castle and do what they ask you to do. Regicide, a love story between a one-eyed monster and a human king, an evil monarch, you know the drill. Actually you don’t, everything is crazy and hard to suss out. That fancy sword you bought has fifty uses and after that it simply disappears. Most of everything in the game is a consumable. You begrudgingly accept the reality of this fate, thank the stars at least armour does not have limited uses and then equip your characters. You then realize that characters don’t have specific slots for specific pieces of armour. You just equip them wherever in one of eight general slots the Humans have and four for the Mutants. This means that you have to choose if you want to have a helmet or an extra potion, especially with mutants who have limited inventory space. With these restrictions, the weird way you do certain things and the menus that cycle tiles when you invoke them you can feel the assembly code behind the game barely holding together. You don’t see your characters, instead you are presented with a first-person view of the enemies in front of you. Contrary to Dragon Quest, you can only physically attack one enemy of each type, having to kill the first one to get to the second. You also only see one enemy of each type on the screen. To me this always meant that enemies were all facing you in front of one another. It makes sense once you think about it. They’re conga lines of samurai and werewolves. Group attacks such as spells work the same, allowing you to hit all of the conga line in one go. You input all the commands of your characters before the turn unfolds just like Dragon Quest too. No Active-Time Battling to be found here. You head back to town to heal them at the inn. It doesn’t work. Then you go back to the manual and read about the limited lives of the characters. Each character has three hearts. When you revive them they lose one and if they use all three your characters are permanently dead, forcing you to start new characters from scratch. So if any character dies more than three times you lose all that progress. This game is not screwing around. It’s hard, grindy, and unforgiving. At least you can save anywhere. There are absolutely no save spots on the game, you just save whenever you want from the menu. It’s a small thing, but it papers over so many of the game’s problems. If you’re tired of the game’s general crumminess, just quickly save and come back to it later. It will be waiting for you, exactly where you last left off. It seems exciting. That tower has been teasing you for the whole game up to this point. You get inside the tower and, of course, it’s not as exciting as you hoped. One interesting thing you visit once inside the tower, outside of the four full-fledged worlds of the game, are the smaller one-room worlds you can optionally visit. They are indeed weird, as is starting to become normal for this game. One floor you encounter a small room full of palm trees and characters saying they live in paradise. On the very next floor you literally go to hell. Fire, brimstone, demons, people saying they are suffering for the Creator. What the hell is happening with this game? Good luck, because the game is very ornery about how it informs you of what to do next. There’s no world building, no setup to anything. You talk to someone and they tell you AIRSEED IS HIDDEN ON AN ISLAND. You want to ask them why, you want to ask them what Airseed is used for. Since this is an old RPG everyone only has one line of dialogue. So the only way to get more information is to have multiple characters to talk to. So you talk to another character.While you explore everything, you will get very familiar with the monsters of the game.The goblins who should thematically look puny because they are the first enemy of the game instead look like the most menacing enemy of the whole bunch. Magicians look like real-life sawing women in half magicians. All the insects have a cronenbergian-je-ne-sais-quoi about them. Thankfully, human-looking enemies don’t drop meat for you to feed your monsters; a smidge of restraint in a game with so little. You are usually underpowered on your first time through the game due to the seeming randomness of everything and have a very frustrating time with battles. When you suffer enough of the game’s bullshit you can get familiar with its systems. It is then very easy to get overpowered and thus have nothing to do but press A over and over again without any cause for concern. There’s no middle ground. It’s either too hard or too easy. I don’t really want to go into too much detail. If you have the patience to endure the game’s harsh systems, give it a try. I could only play through the game again in short 15-minute play sessions. The game is infuriating and nonfun to modern sensibilities. You need to put a lot of your expectations aside but if you listen to what the game has to say, you will feel melancholy, sadness, bereavement. It threads on the sad part of the emotional spectrum and you’ll start feeling that those tiny little 8-bit characters have gotten a bum deal in life. Stuck in weird degenerate situations not understanding their whole life is the plaything of an idiot with a top hat. There are moments that are shockingly emotional, where a tertiary character would die or a situation would be resolved and a track full of melancholy would start playing and keep playing until you left that specific world and went back to the tower. It was heartbreaking and it was on Game Boy. It’s truly unique. You defeat him, continue on the path up the tower and fall into a hidden pitfall.