ensoniq sq 80 manual
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ensoniq sq 80 manualTrademarks and Copyrights are property of their respective owners. Login Registration is disabled. We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok. Each voice can combine up to 3 of the 75 waveforms. These waveformsThere are also 5 sampled drum sets. Three LFOs are onboard for someComplete MIDIIts 61-note keyboard is full,Polyphonic aftertouch simplyPitch and mod wheels and plentyThe keyboard can be split or layered. TheAnd they can beThe SQ-80 isCarpenter. It does not power up. Service Manual. Dipl. Inform. Rainer Bnchty. November 10, 1999 This document is based on the original SQ80 Service Manual, which turned I was lucky getting a copy from somebody who sells So I decided to re-print this manual. All graphics (except the exploded I’ve made a few additions to the original text. To separate this I’ve. And remember; Whenever the text reads something like Ensoniq has dropped support for ESQ-1 A Replacing the Main Board 26. C Replacing the Keyboard 28. D Replacing the Power Supply 30. E Replacing the Transformer 31. G Replacing the Line Filter 33. H Replacing the Operating System EPROMs 34. I Replacing the Keyboard (KPC) EPROM 35. J Replacing the Disk Drive 37. K Adding a Ferrite Bead 38 Important things to know While the SQ80 is similar to the ESQ-1 in many ways, there are some major If you don’t read any other part of this The following information details these differences. The poly-pressure keyboard is a complex module which contains its own For this reason, when necessary, you will be swapping Display information to the Main Board is processed Also, what might appear to be a bad keyboard For more detailed debugging Be sure to Weights. The weights inside the white keys of some early units have tended to fall If that happens, simply glue the weight Cables.http://cq2sc.com/userfiles/dish-remote-manual-pdf.xml
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When reconnection the keyboard cable to the Main Board, make sure that If the cable is mis-pinned or backwards, fuses F3 and F4 will blow and Note that if either fuse blows, you Shields. If the keyboard you are replacing has a keyboard shield on the bottom Software. The keyboard has its own operating system EPROM (KPC) which is When you hold Units with serial numbers less than 500200 If this is Appendix I. The latest software versions are 1.80 for the main operating system While the SQ80 disk drive is similar to the one used in the DSK-1, its major Two different drives have been used in the Drive. Part No. Distinguishing. Feature Sony 63W-00D Important difference between the Sony and Panasonic drives. The Panasonic JU-364 and the Sony 63W-00D use different 34-pin ribbon It is therefore important to note the serial This will avoid you having to replace the cable as well. Ensoniq plans to replace the current SONY64W-OOD disk drive with a. This will be effected on. The new drive is distinguished by a red LED The 34-pin ribbon cable used with the JU-253 is the same one that is used with The wheel cover assembly has three sets of standoffs to mount the disk For more details on replacing the disk drive, see. Appendix J. Transporting a unit. Some of the units may be shipped with a protective plastic yellow sheet You must remove this sheet before powering on the unit. There is a printed label covering the disk drive on every new unit To reiterate; It is not, under any circumstances, recommended to Transport the unit only with either a plastic sheet in the drive or Please do not ship an SQ80 or replacement disk drive in a box These peanuts may cause severe damage to the disk drive, keyboard, or What diskett es to use. It is very important to use double-sided, double-density 3.5” micro-floppy Testing the disk drive. The best way to test the disk drive is by formatting a disk. When a disk The disk drive shield.http://ankamet.com/userfiles/dish-remote-manual-download.xml You will find that there is a metal plate located on the bottom of the disk When replacing the disk On later units, a ferrite bead was added to the wires from the transformer to This ferrite Main Boards. There are two versions of the main board used in the SQ80. When you You can distinguish the two boards by taking If the unit Shields. The main board shield and the keyboard shield are shown in figure. In some units, these shields are attached using tinnerman clips with the Don’t lose them. Ground wires. On some earlier units, a ground wire was attached to the ground square If a ground wire is present, you must feed Avoid stripping screws. Because the structural components (base, control Avoid over-tightening screws in the plastic case when execnting When replacing any of the self-tapping screws, it is possible to over-tighten the Gel, or RTV into the hole. Do not tighten the screws any further. When the Gronnd insert. Initially, all screw holes in the case used self-tapping screws. Later, a brass Be sure to use a machine screw when a Lid inserts. Brass inserts were also added to the lid holes to prevent stripping of Do not nse a self-tapping screw in a brass insert as this Chapter 2. Troubleshooting Guide. Flow chart note. When troubleshooting an SQ80 with a blank display as outlined in The following procedure can be used to With the power off disconnect Pins 19 and 17 are Power the SQ80 on. If the sign-on message appears, this indicates that the keyboard is at fault. If the message does not appear and the main board has been pre- In the event See the SQ80 Musician’s Manual for The SQ80 is essentially a computer with over 80K of memory. It is pos- This can result from loading data off of a bad disk or not clearing out the system If the memory does get scrambled, it For this reason, periodic backing Many SQ80 problems may be related to a faulty power supply, transformer After the SQ80 has warmed up Check Points.http://dev.pb-adcon.de/node/15212 The proper AC line voltage for each SQ80 should be printed on the top of the Figure 2.3 shows the connector terminal numbers and correct voltage values It is normal for line voltage to vary Figure 2.1; AC Line Voltage Check Points. AC line voltage measurements There should be no voltage across This configuration is denoted by If you suspect a problem with the power supply and the labels on the trans- Part Number screened here Figure 2.2; Power Supply Voltage Check Points. The following chart lists the voltage ranges for proper operation of each Terminals. Connector. Range. Unit. Digital Supply VAC rms. Analog Supply VAC rms. Display Filament VAC rms VAC rms. Display Offset Digital line btween terminals 12 and 13) it is possible that a defective compo- In this case you To do so, follow this Turn the unit off and remove the three connectors on the right side of the If these readings are normal when the In this mode, the display remains blank until you press the buttons on the The following chart Press. Display reads. Seq Down arrow. Continued on next page. Press. Cart B. Space. Internal. Bank 1 Bank 3. Bank 4. Up Arrow. Env 2 Compare Lfo 1 Lfo 2 Master Tracks Select Record Storage Edit Tracks Mix Tracks Mix Stop Midi Control Locate Play Osc 1 Osc 2 Osc 3 Env 1 Dca 1. Dca 2. Dca 3. Filter. Env 3. Env 4. Dca 4. Modes. Table 2.2; Self Test Mode. Display Assembly Before replacing anything, check all con- This interrupts communications between the.https://myvirtualgaming.com/images/compaq-6230-manual.pdf Close the lid and turn the If removing the four-wire connector from If certain buttons do not function properly during normal SQ80 operation, If the same buttons do func- The following procedure will ensure the thorough testing of the SQ80 and will To perform the following tests you will The SQ80 should be connected The SQ80 is heavily software dependent, and certain events can cause the Sometimes these units Since scrambled soft- Create a short sequence (see page Pailure to retain internal programs and sequences may require the addition If the unit already has a ferrite bead, Eailure to hear the metronome Turn the unit off. Verify that the sequence is retained. Failure to retain internal programs may require the addition of a ferrite If the unit already has a ferrite bead, failure While holding down the Record button, press the Compare button. Failure on this page indicates a problem with the corresponding part, Plug the foot switch into the Sustain Ft. Sw. jack and verify that notes Faulure indicates a main board problem or a poly-pressure keyboard prob- Failure indicates a main board problem or a poly-pressure keyboard prob- Failure usually indicates a main board problem. Check the cartridge cable Note; In some cases, a defective main board can garble the contents of If this happens, reload it from a known-good SQ80 SQ80 Musician’s Manual for details. Play) to verify the proper operation. The tempo should The tempo should decrease. Main board and keyboard problems, however, also affect the keypad func- There should Failure indicates a main board problem. Note; The tape interface on the SQ80 is very level-sensitive. We recom- Also, be sure to switch off If no level Failure usually indicates a main board problem. Unit, step 14) If the tape input on the main board is not functional, the message TAPE. NOT STARTED ON LEADER will always appear. If the tape loads for a while It is much more likely that See Tape Tips, Hardware Notes page Verify that Failure indicates a main board problem. Failure usually indicates a main board or volume slider problem. A con- Failure indicates a main board problem. The following procedure is not a normal part of the test, and should Warning; All sounds and sequences will be lost in the re-initialization All RAM is erased Note; When re-initializing, the forty factory sounds will automati- You should now be able to re-initialize the unit as described above. Units with serial numbers less than 500210 have a higher chance of having If the display is When changing the Figure 2.3; Underside of Control Panel Units with serial numbers less thatn 500270 may show the following prob- These symptoms most likely indicate a keyboard failure. The keyboard In some units there have been problems selecting certain program posi- If the customer Press Cart A, then hold down the proper bank button and press. Three button presses in any order are needed to tell the SQ80 what to This lets the tone ’’settle Lots of treble boost or cut will distort the pulse Generally, the correct input level will fall in between the levels which yield DETECTED - ALL INTERNAL PROGRAMS RESET message, the level is now Appendix A. Replacing the Main Board J3 instead of from the keyboard. Right Audio Out. SQ80 - Ground wires, ground inserts). Display Board Note that they are keyed. To prevent them from falling out when. Remove the cardboard insulator (if present) Reconnect the wire harnesses paying at- Replacing If a metal main Important things to know about the SQ80 - Main Boards and Shields). See figure I for location of screws. Raise the control panel and discon- Once the rear of the keyboard has Be sure that the If the ribbon cable is mis-pinned, fuses F3 and F4 will be blown. Make sure the disk drive ribbon cable is not caught underneath Important things to know about the SQ80 - Main Boards and Shields). Appendix D. Replacing the Power Supply Note that these connectors are keyed. Note that there are lock washers on each screw and a ground wire leading Carefully reconnect the three cables, Replacing the Transformer. Due to problems that may oocur with the plastic case, all units that need the Wheel Assembly. The Pitch and Mod Wheels are preplaced as an assembly along with the cable See figure I for location of Cut the wire ties that hold the Disconnect the harness from the main board, Carefully lift the Appendix J. Reattach the disk drive cables. Replacing the Line Filter Install the new line filter from the outside of the case. The foil shield Failure to connect the wires to their poer post can lead to a Replacing the Operating. System EPROMs. The SQ80 operation system can be updated by replacing the OS EPROMs. Each SQ80 has two operating system EPROMs located in the center of the The program and sequencer memory are erased Main Board. Remove the metal shields from the unit. Carefully remove the two EPROMs Master. Test the unit and then Replacing the Keyboard Remove the ten screws that REmove the keyboard from the case Carefully remove the EPROM Be sure the notch Test the unit to Replace the four seres that attach the metal main CLose the front Appendix J. Replacing See figure I for location of screws. Return the Carefully lift the wheel assembly out of the Disk Drive) Remove the two Adding a Ferrite Bead. A ferrite bead should be added to any unit that doesn’t retain its internal Figure K.l; Ferrite Bead Location. They include inharmonic loops (5), transient attacks (11), sustain loops (17), drum sets (5), and drum sounds (5). An optional memory cartridge adds 80 more user-programmable patch memories. Patches can also be saved to floppy disk. The SQ-80 uses CEM3379 analog filter chips. It was followed a year later by the Ensoniq VFX. It was basically an update to their first product, the Ensoniq ESQ-1.Synthesis-wise, the SQ-80 introduced the so-called 2nd Release, a low-cost solution to simulate reverb -like effects. In contrast to the ESQ-1, the SQ-80 not only offers MIDI in and out, but also MIDI thru jacks.Unlike the ESQ-1 and Mirage, the SQ-80's keyboard offers channel pressure and polyphonic pressure ( aftertouch ) as well as programmable hardness (velocity). Since the keyboard does not use mechanical sensors for detecting velocity and pressure, it is immune to contact problems (which ESQ-1 and Mirage suffered from) and pressure sensor wear-out (like conventional keyboards). Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. ( April 2010 ) ( Learn how and when to remove this template message ) Sound On Sound (July 1996). Among the available Waves are Transient Attacks, which are used for the initial Attack portion of the sound, and two types of Sustain Waves — Waveforms, which are single-cycle waves repeated over and over, and Inharmonic Loops, which are dynamic.You can help Wikipedia by expanding it. v t e By using this site, you agree to the Terms of Use and Privacy Policy. Like the OLD ONES Page 10 and 11: Similar to The Thing from John W. C Page 12 and 13: The Blank Bank is a utility bank fo Page 14 and 15: Percussion PART Five Instruments In Page 16 and 17: The MODWHEEL changes it to a TRIANG Page 18 and 19: 03. NOISE 04. LUCKYM This is the so Page 20 and 21: 05. FUSION Wah-Wah combined with Sy Page 22 and 23: 08. ORILEY A more complex arpeggiat Page 24 and 25: The MODWHEEL adds an LFO for subtle Page 26 and 27: The MODPEDAL raises one oscillator Page 28 and 29: 01000010 01010101 01011001 00100000 Page 30 and 31: 17. APOGEE A synthetic keyboard sou Page 32 and 33: 19. POLYMR 20. ANOMLY A rich synthe Page 34 and 35: 22. CRYPT This one gets all of its Page 36 and 37: For the ERBIUM patch, VELOCITY only Page 38 and 39: 27. XENON SYNCing the STEAM wave gi Page 40 and 41: PATCHES: BANK 1 32. PIANET IMPOSSIB Page 42 and 43: works very well with the SUSTAIN fo Page 44 and 45: put the velocity back to 12L, you w Page 46 and 47: 37. The Page 50 and 51: 40. CREEPY That characteristic reco Page 52 and 53: 43. HORROR This patch uses AM to ge Page 54 and 55: 45. STRMCH An imitation of a 1970s Page 56 and 57: It's split with a ride cymbal in th Page 58 and 59: 49. NATIVS A combination of percuss Page 60 and 61: The MODPEDAL morphs it into a compl Page 62 and 63: 52. SITAR Indian sitar players usua Page 64 and 65: adds a little brightness for each n Page 66 and 67: 57. YODEL This is a vocal patch tha Page 68 and 69: KEYBOARD gives inverse stereo separ Page 70 and 71: 61. IDFOOT 62. COSMIC If you hear t Page 72 and 73: 65. Z-AXIS A nether-sound effect ba Page 74 and 75: 69. FLATUS This one is Jumpin' Jack Page 76 and 77: 73. THEFOG If you start to get fogg Page 78 and 79: 78. ANODE An electrical short circu Page 84 and 85: 86. SBRASS PRESSURE raises the pitc Page 86 and 87: 89. MORFUS An interesting pad where Page 88 and 89: What’s the difference between a B show all Thank you, for helping us keep this platform clean. The editors will have a look at it as soon as possible. The first studio synthesizer designed “for live performance. In a world of synthesizers, sequencers, MIDI controllers and MIDI disk drives.It is all of those things and more, in one easy-to-use device. Here’s what you get: ' An eight-voice, polyphonic, poly-timbral synthesizer.Voice section employing state-of-the-art (l'rossWaveTM synthesis techniques; combine different attack and sustain segments to create a rich variety of complex.Program and Sequence formats which are upwardly compatible with the ENSONIQ ESQ-l. so sounds and sequences created for the ESQ-I can be played on the SQ-80. By combining all of this in a single integrated unit.You'll ?nd that you can take most of your other MlDl Instruments, run MIDI cables to them and then stow them away in a closet somewhere — most of the time.You can control everything right from the SQ-Sll’s front panel. Whether you plan to use the SQ-SO by itself or as the master controller in your MIDI set-up.A Word About the Manual We realize that many people don't particularly care for reading manuals. You bought the SQ-SO for its ability to make music, not for a graduate course in applied computer technology. Still, the fact remains that you have in your possession an extremely sophisticated computer device (disguised as a keyboard instrument) which is capable of performing an enormous number of tasks. It may be necessary, when all else fails, to look in the book to find out how to do something.The odds are that whatever yen need to know to get the most out of your SQ-SO is right here in the Musician’s Manual. Every effort has been made to present the material in a way that is neither too technical nor too pedestrian. Take some time to look through it.But enough of this serious stuff. Fire up your new SQ-SO and have some fun. The first studio synthesizer designed “for live performance. Fire up your new SQ-SO and have some fun. Readable in all lighting conditions Paste as plain text instead Display as a link instead Clear editor Upload or insert images from URL. The selection and quality of wave samples is just one more reason this is a great sounding synth. Any sounds that only use these waves will also sound about the same on an ESQ-1. All ESQ-1 sounds will work on an SQ-80. Again the SQ-80 is not hurt but the sound may not be that useful. The SQ-80 has a number of waves and inharmonic loops for the sustain, and a few additional waves for the initial attack part of the sound.If there is a link on that wave you can hear a few seconds of it in LO-FI 8 bit mono. Higher up is takes on a Clav-like character. However it is looped. KICK2 is the oneshot or attack version of this wave. Each contains the Fundamental and certain specific harmonics in EQUAL amounts. Note:See SQUARE and SAW waves, and the band limited waves that follow section after next. Taken from a infomercial sales pitch. The SQ-80 was billed as using Cross Wave Synthesis (CWS). CWS is just attaching a different attack to a different sustain. These attack waves are taken from just the start of sounds and do not normally repeat over and over. They automatically fade out. I usually use OSC3 for attacks that way OSC1 and 2 can do there AM modulation or SYNC things if you wish.Bright yet mellow. Well that is where this came from. Oh by the way. you guessed it - it's a click. Again try this with keyboard tracking eliminated (see CLICK). I really like this wave (can you tell). For the drum try tuning WAY down and play at the bottom end of the keyboard. For a looped version of this wave see KICK Try tuning it high and use it as an attack wave. Try this with METAL or CHIME as a sustain. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Szenvedek egy Peugeot Clarion autoradioval. Beszivargott a klima es meghalt a vegfoka. TDA-7385 van benne, de nekem meg csak TDA-7384, illetve 86 van keznel. A JAGER a TDA-7385-re 25QILP tokor ir, mig a TDA-7384-re 25 SILP-t. Valoszinu vak vagyok, ill.Betehetem helyette? A teljesitmenyen kivul mi a kulonbseg? Raadasul csak az autoba tudom majd ellenorizni. Tisztelettel:Oreg Tom Siva PPA-1200 hutes problema. Sziasztok! Adott egy Siva PPA-1200 vegfok. Jelenleg egy Sunon 12V 8cm 2,6W ventilator van benne, de nagyobb terhelesnel 4 ohmon borzasztoan melegszik. (allitolag tipushiba) Ezt szeretnem kivaltani valami nagyobb legszallitasu darabra. Nezelodtem a neten, de horror aron vannak ezek. Esetleg valakinek lenne olyan Ventije ami nekem megfelelo lenne. Johet akar bontott is csak tokeletesen mukodjon. AKG K66 fejhallgatoba 425AW 32 Ohm hangszoro Sziasztok!Szetszedtem, azt hittem, hogy a vezetek tort el, de miutan a hangszoro kapcsaira ramertem, kiderult, hogy bizony a vezeteknek semmi baja, viszont a hangszoro (425AW, 32 Ohm) szakadt. Tudnatok tippet adni, hogy ezt a hangszorot hol tudnam beszerezni. Pl. Somogyinal kaphato az ilyen. Koszonok minden valaszt elore is!Segitsegetek szeretnem kerni a fentiekben emlitett 5.1 es hangrendszer ugyeben.Hibajelenseg a kovetkezo lenne.Mukodes kozben a melyhangsugarzo hol szol holnem,tehat neha visszajon egy ideig de utana megszunik,pedig ha nem szol zene hallani halk zajt,tehat a mely aktivnak tunik csak nem szol rajta zene.Amit megneztem rajta egyenlore csak a kabelek voltak amik jok,szeretnek kerni a tapasztalataitokbol,es egy kapcsolasirajzot ha tudtok.Termeszetesen a tobbi hangsugarzokkal semmi gond.A segitseget mindenkinek elore koszonom. Udvozlettel:TibiYou can write in English language into the forum (not only in Hungarian). A.R.Timmermans, Belgium. All rights are reserved. BOOKLET VERSION Full free release here on this webpage (2013) Programming sounds is an ART. It's like composing a piece of music. The sound programmer has to compose a not yet released patch. EveryHaving this in mind, the P A R T sounds for the ESQ-1 are aENSONIC ESQ-1 or SQ-80, I promise a facelift to the ENSONICA good synthesizer should be a musical instrument that enablesThe double PART-soundset for the ESQ-1 includes various aspects of the ART of programming patches. All rules or tricks - ever published by TRANSONIC HACKER- have been included. Set A of 40 ESQ-1 sounds requires set B of 40 other patches to completePART-set 'touches' your unexplored personal world. The new soundpatches enhance the fully creative musictool that the ESQ-1 still incorporates. In the PART- patches for ESQ-1 you will be surprized by the greatJust verify for yourself. The new double PART - set for the ESQ-1 (SQ-80) is not aContrary, all ESQ-1-patches represent a dynamicThe patches however have been designed as WORKSHOPS,i.e. as a real CLINIC to open new musical perspectives. IF THE ESQ-1 USER INTENDS TO SCULPTURE SOUNDS, he needs the extended. PART-PATCH-MANUAL that has been developed as a integrate part of the. ART of programming ESQ-1-patches. The PART-set is accompanied by an extensive PATCH MANUAL. The PART-guide is meant as a wonderful tool to helpIt won't beDon't forget the existing architecture of the ESQ-1 (and SQ-80). There are 3 voice-generators, each based on one of the regular 32 (andThe FILTER-section determines the degree of colouring in the waveforms. Each parameter can be influenced by two modulators, creating variationThe ESQs and SQ80s of Ensoniq still have plenty of unexploredJohn Mc DANIEL has explored the harmonic spectra with amplitude. August, 1988, p. 9-11. Kirk SLINKARD has explained the amplitude modulation of ESQ-1 forYour patch is temporarily stored inTwo contemporary limitations may arise: First, the lack of sufficient multitimbral voices may be solved cheaplyQY10 (the MIDI-pocket, no bigger than a VHS tape), or other inexpensiveMIDI-data, to augment the original 8-note polyphony. The soundquality represents a secondary problem because the ESQ-1Use either the APHEX Enhancer, ROLAND EH-50, DBX296 Spectral EnhancerDifferent points of view may be integrated in your programming: You can start from a FAVOURITE soundpatch OR from any sound you meet in your soundbank OR you select intentionally a totally different patch as profile of the master-template. When starting from a DRUMpatch to initiate the digits from aPlease don't put in the values as a slave. Search for flexible inputs. Don't start from the top of the soundsheet. By changing the OSC-pageInstead of making a decision whether this sound is a really good one,Don't spend time or energy toMUSICAL mind is trying to sculpture SOUNDS, not to find compact wordsThe END-PATCH is, of course, the end of aCheck out whether you haveThe oscillators are turned off.This is a way toRember the general note: If you like to store and select out your inter-patches, use a computerThat's the good way of induction. Reading books on acoustics (about the embouchure of a wind instrument,The best way is to believe your ears. Make yourself distinctBelieve in induction. In the PART-soundset, the conclusions about scaling volume and pitchFor example: turn two of the 3DCAs off while focusing on theThis makes it easy to listen toSurprises guaranteed! III. H I D D E N W A V E F O R M S IN THE E S Q-1 Phantom Waveforms story goes about the 75th highest (hidden) waveformI have experimented with wrong loaded events in my ESQ-1: blankSome ' marked patches of the double PART-soundset use waveforms,Other '-sounds from the PART set are multi split-patches (forI recommand the ESQ-1 with O.S. version 3.4 or 3.5 to useA basic guide to alternate. Microtuning using Synthesizers) by Scott R.WILKINSON published inHowever, Wilkinson did'nt mention the strong. Yes, you don't even need a. VFX or SD synthesizer to make Quarter-tone music. I would like to explain new ways for various tuning scales byO.S. for the MIRAGE sampler or the tuning tables for the newer ENSONIQComments and tables of values of pitchHACKER. Read Microtonality and Just Intonation on the ESQ-1 inMaking alternate scales onIt is easy to change,You don't even have to make difficult calculations on paper orBack to Bach of KEYBOARD (August, 1992). She mentioned herStrange enough, Wendy Carlos wasIf you like fast access to different tuning scales without loosingWithout loading and losingTheoretically, you have instant accessIsn't this great? In the PART-set there are a few such patches integrated.When decreasing KBD2 of a oscillator in the OSC-page tot -63, the pitchThere are other increasing and decreasing levels for KBD-Read your ESQ-1There are a few combinations: only one modulator: KBD or KBD2 adding a second modulator: KBD and KBD KBD2 and KBD2 KBD and KBD2 4. It is possible to come out to the same tone scale using different ways.The basics for the following microtonal scales on ESQ-1 (SQ-80) relateExperiment by yourself different tuning scales. Make FUN in thisBuilding meaningfulSome of the new patches in the double set P ART are interesting baseStarting from patches with at least one free modulator in one OSC-pageRead the possibilities onTo achieve aDoubling KBD- or KBD2-modulation of a DCA can be very useful for patching the hidden waveforms (Chapter III).KBD2-modulation in the DCA-page of one, two or three oscillator(s). ItFor instance, you can get the bass in theRemember: Volume scaling has also to do with the modified tuning range ofKBD2-modulating the volume of some keyboard areas. This feature couldDepending on if there are gaps in the keymap of some hidden waves (forLook to patchesHe has written manyThen years agoo, he released fourTitle). Paul Timmermans has produced several avantgardeTimmermans loves to disjoint the limits of classic music (Microtonal. Music on ESQ-1) and to bring the rich sounding acoustical andPERCUSSION INSTRUMENTS, BELLS from all over the world and many.