elmo 230s-xl manual
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elmo 230s-xl manualSomething went wrong. Looks like this page is missing. If you still need help, visit our help pages. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. The site may not work properly if you don't update your browser. If you do not update your browser, we suggest you visit old reddit. Press J to jump to the feed.I've used it a little and it's working like a charm. It is using 6AA batteries in the handled currently. Reading the manual I find it can use a battery pack that uses 6 UM-2 C sized batteries that plugs into a 9v barrel pin port. I can't find the original battery pack anywhere and I have no clue about the wattage as it doesn't say it in the manual. Looking this battery pack up I've come across rechargable AA batteries titled for the camera. Or use a battery back that that plugs into a 9v barrel pin port, but I'm cautious as I don't want to fry it because it can't handle the wattage. Does anyone have information on this battery pack or the wattage for the Elmo camera. Thanks! 0 comments share save hide report 100 Upvoted Log in or sign up to leave a comment log in sign up Sort by best no comments yet Be the first to share what you think. All rights reserved Back to top. All files below were scanned from original manuals,Includes 3-page addendum also. Last page would make a nice poster. (thanks to J.L. Seguin for the donation!). Last two pages could be posters. (thanks to J.L. Seguin for the donation!) Shows how to wire cable to connect EBM to Nagra, Stellavox, Uher and Perfectone. Good exploded views of camera components, wiring diagrams. Also has some pages for the SB, SBM, M and RX4 models. Finally, get all the facts straight on this. Press release. Great examples of 1940s graphic design. Skiing! Aerial Shots (sort of). Worth it just for the racy ad on the back cover!. Full parts lists, lots of exploded views of camera components and mechanisms.http://mobiligennari.com/userfiles/dell-inspiron-17-notebook-manual.xml
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Accompanies the Repair Manual, includes instructions on how to adjust components. Super8 and 35mm products. From the 70s I think. The complete article is available on Google Books now, which is pretty amazing to me. Full color 1974 brochure with tech specs and feature list. The photos were taken by me, of the prototype unit I purchased from the creator. For a better experience, we recommend using another browser. Learn more Facebook Email or phone Password Forgotten account. Sign Up See more of Eastman's Camera Museum of Asia- Philippines on Facebook Log In or Create New Account See more of Eastman's Camera Museum of Asia- Philippines on Facebook Log In Forgotten account.Mic input and some sort of hot shoe. Powered by six 1.5 volt AA cells in the handle which power the exposure meter, film motor and zoom motor. Dates are from super8wiki.com which also indicates frame rate of 18 frames per second and a shutter degree of 220. According www.super8data.com it takes sound and silent super 8 cartridge film including the Kodak Supermatic 60-m cassette. The camera has reflex through the lens viewing and focusing. The focus ring has clicks or stops at 1.5', 2.5', 5' and infinity. The travel of the focus ring is short - perhaps 60 degree. There is no microprism or split screen to aid focusing. The clicks appear to be to allow you to use a zone focusing. Additionally, the focus can be locked at 5 feet. Something went wrong.Learn more - opens in a new window or tab This amount is subject to change until you make payment. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount is subject to change until you make payment. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable.http://trip-sale.ru/userfiles/dell-inspiron-1721-service-manual.xml For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab Learn more - opens in a new window or tab Learn more - opens in a new window or tab Learn more - opens in a new window or tab Learn more - opens in a new window or tab Learn more - opens in a new window or tab The item may have some signs of cosmetic wear, but is fully This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. If you don't follow our item condition policy for returns, you may not receive a full refund. Refunds by law: In Australia, consumers have a legal right to obtain a refund from a business if the goods purchased are faulty, not fit for purpose or don't match the seller's description. More information at returns. Contact the seller - opens in a new window or tab and request postage to your location. Please enter a valid postcode. Please enter a number less than or equal to 1. All Rights Reserved. Saying no will not stop you from seeing Etsy ads, but it may make them less relevant or more repetitive.Please update to the latest version. Both registration and sign in support using Google and Facebook accounts. Escape will close this window.Etsy may send you communications; you may change your preferences in your account settings.Learn more We recently supplied this month film equipment for a special exhibition on David Bowie (link below) Up for sale is a very rare and sought after Retro and very cool! 1980s Elmo Macro focus free super 8 film cine camera. All you need for taking moving pictures focus free. It is equipment with the worlds best quality zoom f: 1.2 \ F: 10.5-26.5 mm macro lens that money can buy. Another incredible compact camera with a 1.2 aperture,which comes in very handy in low-light situations.Extremely reliable, it has a macro lens and an interval timer.http://www.jfvtransports.com/home/content/boss-fv-500h-manual-0 Also takes kodak supermatic 60-m cassette giving you a continuous running time of 20 minutes. This camera has been fully tested with all functions with Super 8 film and the results we got back from the lab where absolutely stunning thanks to it's Japanese engineering and excellent optical lens. This will take the following film which we can supply and is ready available at all good photographic shops. At your next music festival or holiday with friends and family just like Kate Moss does in her spare time. Or become the next budding Tarantino or Spielberg. Then project it back when it comes back from developing and share memories with friends and family in a unique way on a big screen in the comfort of your back garden. Also can be used as a film or TV prop. With your light, compact Elmo movie camera, you can easily take perfectly silent movies virtually anywhere without special lighting. Your camera takes the picture automatically and controls exposure either manually or automatically. Lens is in excellent mint condition. This would be an ideal starer kit for a film student, Includes film speeds at 18 frames per second. Specifications marketed in 1980 sound and silent super 8 cartridge kodak supermatic 60-m cassette (1) lens: Elmo Zoom f: 1.2 \ F: 10.5-26.5 mm zooming ratio: 2.5x focusing: manual and focus free system rangefinder: split image macro focusing: yes zooming: auto and manual filter size. Testimonials from satisfied Retro-V-ision customers. Excellent Projector. Good as new - Many Thanks Guys.! ? The machine is magnificent, the transocianic shipping superb. Top Notch Item and Excellent Seller. Fast Shipment,Great Packaging. He deserves 20 stars!!! Thank you!!!!! Very pleased with superb quality 8 mm sound projector. Trustworthy seller. Very highly recommended. Over the moon Thank you, super fast delivery, received it in no time. Cheers ? Item in excellent condition as described; arrived in double quick time.I am very happy with this purchase.http://grahambettsmotors.com/images/93-ford-crown-victoria-owners-manual.pdfWe suggest contacting the seller directly to respectfully share your concerns. Please Log in to subscribe.Register to confirm your address. In many cases we do not know the origin of these goods. When we know the origin of the product, we describe it in the auction listing. Please view all pictures.A valid payment source is required to place a bid on any auction item. The payment source will be automatically processed for payment if you are the successful winner of the item. The website, the services and any goods or services purchased or obtained through the website, the services or any transactions entered into through the website or services are provided on an “as is” and “as available” basis. PropertyRoom disclaims, on its own behalf and, when acting as an agent, on behalf of its principal, all warranties of any kind, whether express or implied, and specifically disclaims any implied warranties of title, merchantability, fitness for a particular purpose and non-infringement. No advice, opinions or information, whether oral or written, obtained from PropertyRoom or through the website or services shall create any warranty. Some jurisdictions do not allow the exclusion of certain warranties, so the some of the foregoing exclusions may not apply to you. This warranty gives you specific legal rights and you may also have other legal rights which vary from jurisdiction to jurisdiction. What is Dimensional Weight? ) International shipping is not available. Applicable sales tax may apply. From time to time, and at its sole discretion, PropertyRoom.com may change the prevailing fee structure for shipping and handling. To learn more about proxy bids,Sign-in to ask a question.The website, the services and any goods or services purchased or obtained through the website, the services or any transactions entered into through the website or services are provided on an “as is” and “as available” basis. This warranty gives you specific legal rights and you may also have other legal rights which vary from jurisdiction to jurisdiction. Disclaimer: Sedo maintains no relationship with third party advertisers. Reference to any specific service or trade mark is not controlled by Sedo nor does it constitute or imply its association, endorsement or recommendation. Argus was an American camera manufacturer that started in 1936 as a subsidiary of International Radio Corporation. It made several decent cameras, including the Argus C3, one of the best selling cameras of all time with a production run of nearly 30 years. Argus cameras were made in Ann Arbor, Michigan. Argus was acquired in 1959 by Sylvania and sold off in 1969 by which time it no longer produced cameras. ( Wikipedia - Argus Camera Company. Some cameras, made by other manufacturers, continued to be sold under the Argus name, however. This camera is an example. It was made in Japan by Cosina. Cosina is a Japanese company that started in 1959 making lenses and later cameras. It started under the name Nikoh and then in 1973 changed its name to Cosina. Cosina has made some cameras under its own name. It is well known, however, for selling its cameras under other brand names. For example, in the 1970s it made several Vivitar single lens reflex cameras such as the Vivitar XC-3. It also has made some camera models for well known companies like Canon, Nikon, Yashica, Olympus, and Konica. ( Wikipedia - Cosina.) According to the Super 8 Database this camera was made in 1973-1974 just when the Cosina name was beginning to be used. Pretty amazing the trivia you can find on the Internet, isn't it. It has a non-interchangeable f8-40mm, f1.8 lens. It has single lens reflex viewing and focusing. Focusing is manual. You can zoom manually or electronically. It has speeds of 18 fps (normal), 32 fps (slow motion) and single frame. Exposure metering is through the lens and is automatic or manual. It takes four 1.5 volt AA batteries. Mine appears to be in excellent cosmetic and working condition.E6-83,444, 15 Watts, 100 feet film capacity, made in USA by Bach Auricon, Inc., Hollywood 38, California. Auricon made early 16mm sound movie cameras that were used frequently in documentaries and in early television. Auricon is described at the foreign language site cinepresa da collezione ( Rough Translation from Yahoo ). Date is from the above site and CINEMATOGRAPHICA. A photo is at the following Asian language site, cine vis 8-16. The October 2003 Popular Photography online magazine has a great advertisement for the Model CM-72A. It looks to be in good condition but is untested. It did not come with a lens. Images: Large, Interior, Label. The 1954 date is from an included manual giving a publication date of October 1954. The camera serial number is D6-31641. I have not tried to use it although it looks to be in good condition. The lens is free of scratches but may have some internal haze on the edges. There is a viewfinder attached to the lens. The frame of this viewfinder adjusts as you zoom in or out. It looks like it also has some sort of focusing scale. I don't know if this actually indicates the focus, however. Apparently at the time the distance to the subject was often actually measured with a measuring tape. The lens focusing ring was then turned to that distance. The camera has a turret for three lenses although it would be difficult to add other lenses with this large zoom lens. The zoom lens also tends to negate the need for multiple lenses on the turret.The Early Days of News Gathering and Reporting describes news gathering and the use of Auricon cameras in the 1950s and 1960s. Sound-on-film news gathering cameras were eventually taken over by professional video cameras. The Auricon cameras were prized because they were relatively portable and recorded sound directly on the film. As designed the Auricon CM-72A could only take 100 feet of film. As indicated in an ad at www.city-net.com that only provided 2 minutes and 45 seconds of filming. Many Auricon CM-72A cameras were modified to accept larger film magazines. For example, the Wikipedia article on Auricon shows a modified Auricon CM-72A with a 400 foot capacity Mitchell magazine. That camera also has a zoom lens. The camera is connected to the Auricon Sound-on-Film Recording Amplifier. Some Auricon cameras were also used to photograph television monitors since that was the only way to record a live television program until videotape was invented in 1956. The process was called Kinescope. ( Wikipedia - Kinescope.) Bach Auricon would replace the shutters in these cameras to synchronize with the scanning rate of the television. The camera is hooked up to the output jack of the amplifier. The microphone goes into an input jack in the amplifier. You can also put a dual phono-turntable into the other input jack of the amplifier. The sound pictures are made on regular 16mm film except the film has spockets only on one side. The sound track is recorded on the non-perforated edge of this single-perforated film. Changing exposure therefore depended entirely on the aperture. I assume the sound projector changes this light signal back into sound. The equipment was not very portable in today's terms. The camera is not designed to be shoulder mounted. You really need it on a tripod. Further, the camera needs to be hooked up to the amplifier and battery pack. YouTube has an interesting video of Walter Bach of Berndt-Bach, Inc., the makers of Auricon, giving a demonstration of the larger model Auricon Pro 1200. The Auricon Cinevoice also has excellent information. The first part of the Packing Department film appears to be a woman doing something with an industrial piece of equipment. There are also two unprocessed Kodak Plus-X Reversal film rolls. One looks like it has not been used. The other might have been exposed but not processed. The ASA (ISO) rating for both is just 50 for daylight and 40 for tungsten. Curiously, all of these films have sprocket holes on both sides. Perhaps these particular films are silent. I may try the films out on that projector. The films likely are industrial films for the business perhaps demonstrating particular processes for employees. I don't know how to check the meter. The cross-hairs in the viewfinder are not straight. It came with a case and looked to be in somewhat better condition. You lift up the post between the two lenses and rotate it to change lenses. There are two viewing lenses which also rotate and match their respective taking lenses. There is a tripod socket in the bottom. The strap screws into this. Speeds of 16, 24, 32, 48 and 64. Lenses are removable from their screw mounts. It also came with an Elgeet 6.5mm f2.5 wide angle lens. That lens appears to be a fixed focus. Mechanical wind. Several filters and holders are included along with a nice Perrin (California) leather case and a very well made Norwood Director Selenium incident meter that seems to work. Everything is made in the USA. The camera winds and runs wells. The lenses are clear. The cosmetic condition of everything is good except for the rim dent on the one lens and a dent in the semi-sphere of meter. It is also described at with the same 1947 date. There is an ad on eBay for the successor Model 172A dated 1954.The shutter release button is just below these knobs. The viewfinder in front has two little frames which can be placed in front of the viewfinder to frame the scene for more telephoto lenses. Speeds of 16, 32, 48, and 64. Spring loaded motor. On the right side (while holding it to photograph a scene) of the camera are the winding knob, film speed setting and feet of film used. Has a removable strap, not shown, which screws into the tripod socket. With strap removed there is a base so that the camera can sit on a flat surface. The best date seems to be about 1947 to 1950 based on ads from the time. A charming blog entitled One Foot in Front of the Other describes the author's father purchasing a Sportster in 1947 to take pictures of a new baby. The camera was used up until about 1964 when the author, apparently the last of four children, was two years old. My guess is the majority of movie cameras and video cameras were purchased for the same reason - to take moving pictures of kids growing up. That's why I got my first video camera and why my dad got the Kodak Cine Zoom camera below. While mine looks similar to those in the 1947 and 1950 ads, the Sportster name appears to have been used from the 1930s to 1950s. Also, the ads refer to the Filmo Sportster. Mine does not refer to Filmo. If you have any additional information, please e-mail me. It is in very good cosmetic and working condition. It winds and runs well. The design or model numbers appear to be in chronological order. If that holds true for the 8mm projectors also, 151 would fall between the 16mm model 142 produced from 1939 to 1941 and the 16mm model 156 produced from 1942 to 1945. This supports the 1943 date. In good cosmetic condition and working condition to the extent light comes on and motor runs. I have not tried it with film. Comes with wooden case with leather like covering. Includes oil bottle and oil can. A photo from that site shows a large separate speaker. I only have a smaller speaker that fits into the case. I must have the monitor speaker but not the stage speaker. I have just tried it for a few seconds. It even comes with its own little oil can. Paul's 16mm Film Collecting Pages indicates that 16mm film was introduced in 1923 for amateurs and was used mainly for educational, training and industrial films, and in television for distributing programs for broadcast. The advent of video tape put an end to most of these uses. Motion picture films in theaters are generally 35mm films while most amateurs by the 1950s used 8mm film. I remember fondly watching excellent 16mm films in science and social studies in school in the 1960s and 1970s. 16mm film provided good resolution projected onto a screen. Indeed, until the recent advent of video projectors, students in the 1980s and 1990s had to watch movies on small television screens instead of movie screens. My only recollection of television in school was watching either the lift off or return of a Gemini rocket in the 1960s. VCRs were yet to arrive. It dates back further, however. Www.movie-camera.it has a similar 1939 camera and List of 3500 Vintage Cameras lists the Filmo 134 TA as being from 1951. (Mine does not use the Filmo name.) The two light meter manuals which came with my camera have date codes of 1950 and 1951. There were several 134 camera models depending on whether they came with one or multiple lenses. Super Comat.5 inch f1.9, and a Wollensak Raptar 1.5 inch Cine Telephoto. All of them have UV filters and caps. Viewing with the 134-TA is through a non-reflex viewfinder. It is correct for all three lenses. As you rotate the turret to the lens you are using, the correct objective for the viewfinder also goes into position. In addition, the 134-TA has a reflex through the lens viewer for critical focusing. The view through mine, even after cleaning, is quite dim. All items appear to be in good cosmetic and working condition.The model 414P had power as well as manual zoom. The model 414PD had both the power zoom and the dual electric eye. They also came in either roll film models or magazine load models. They do not have the model numbers on the camera. My serial numbers: Model 414- AF2131, Model 414P- AP15678, Model 414PD- AS22773. The power zoom controls on the 414P and 414PD are the two buttons on the top. The single electric eye model had one Selenium cell which measured overall scene illumination. If a model has magazine load, it says so directly under the Zoomatic label. The film in all models is advanced by a spring motor. The large lever on the side is used to wind the spring motor. The spring motor also apparently powers the power zoom. There are no batteries. The cameras have a built in Type A filter that allows use of indoor color film outdoors. The viewing was not through the lens reflex. The viewing window was coupled with the zoom lens however. In other words, you would see the zooming in or zooming out. This was more sophisticated that some other cameras of the era, such as the Kodak Cine Zoom Camera below, which simply had wide, normal and telephoto frames on the viewing window. Film speed was from ASA (ISO) 10 to 40, very slow by today's standards. The cameras used 8mm film. This was apparently 16mm film folded in two. One side would be used. The spool was then flipped over. You would then film with the other side. The film would be cut and joined when processed. Page 32 of the 1961 Sears Camera Catalog featured the Model 414 (although they do not mention the model number) and page 33 of the 1961 Sears Camera Catalog featured the Model 414P (although they again do not mention the model number). The 28 seconds of film includes the precise moment when the fatal bullet struck the president. It winds and runs fine. It had partially exposed film still in it. This looks to be the same model as the Zapruder camera except mine is magazine load and his is not. The Quest for Cameras, Film and Process.) Not exactly auto focus yet. Good cosmetic condition. Batteries leaked (4 AAA) and I cannot get the camera to work. In good operating and cosmetic condition. Motor runs, power zoom works, focuses, and red low light indicator works. Single lens reflex viewing and focusing. Appears to have through the lens automatic exposure. Uses 4 AA batteries in the handle. Diopter adjustment for eyepiece. Screw cable shutter release socket on shutter button. According to the same article, 18 frames per second and single frame. The same or very similar model number is in the 1977-78 Sears Camera Catalog. The catalog does not state the model number but it appears to be 2123 or perhaps 2125 in the photo. The camera in the catalog has slight differences including a 8.5 to 24mm zoom lens, an additional contrast control button, remote control jack and gold instead of silver and teal lettering.According to www.bolexcollector.com the P1 model was made from 1961 to 1964. Mine has a serial number located at the tripod socket of 904127 making it from the first year of production in 1961. However it continued the same compact body as the B8, C8 and D8 cameras. Subsequent models P2 and P3 shared the same body. The manual is at: apecity.com. You take the exposure reading and set the aperture before you start filming. Once you start filming the exposure meter no longer works. You wind by winding the winding key back and forth until it stops. This gives you about 7 feet of film or about 31 seconds at 18 frames a second. A full roll of film only gives you about 3 minutes of filming. The original battery for the meter was a Mallory RM 450 mercury battery which is no longer available. A PR675 Wein Cell with spacer can be used instead as described at bolexrepair.com which also does repairs this and certain other 8mm Bolex cameras. My camera is in excellent cosmetic condition. The camera winds and runs although it sounds a bit strange at times. I'm sure it could use a cleaning, lube and adjustment after likely sitting for 50 years. (See www.bolexrepair.com. It comes with the very cool leather case.I assume it likely was purchased originally as an update to the P1. It maintains a key wind motor, but has two batteries at the base to power the zoom. The zoom can also be moved manually. Both the camera and the KERN Vario-Switar 8-36mm, f1.9, zoom lens were made in Switzerland. The camera winds and runs. It takes three mercury batteries - two for the power zoom and one for the exposure meter. Forum.filmshooting.com has a discussion on alternatives today. Mine is in excellent cosmetic condition. It also winds and runs fine. The glass is free of mold or scratches. I don't know if the meter or power zoom work because I can't figure out how to get the battery cap off. Simply twisting it with a coin is not allowing it to come off. It comes with the original Styrofoam packing but no box. There was also a case which may belong to this camera although the Yashica Super 800 I also bought was in that case. Mine is serial no. 4 434 598 (behind single foot on bottom) making it from 1966. That site points out that when Bolex introduced the Bolex 18-05L Super 8 projector, it did not have a Super 8 camera. It would not be until 1967 when that they introduced the Bolex 150 Super 8 camera. There was another similar projector without the cover. I'm guessing it was a Bolex 18-5 regular 8 projector. Had I known that, I might have gotten it also although I have several regular 8 projectors. Many later projectors could take either regular 8 or super 8 film. Bolex.collector has a neat ad for the introduction of the Bolex 18-5L Super. The instruction manual is at hypnagogicmindset. Mine is in good cosmetic condition. It has a little rust on the outside. I haven't run it since I don't have the cord. This one was sold much later, however, since it came with a warranty card indicating it was purchased from College Camera in San Diego on 8-21-72. Serial no. 342935. Came with the box, case and manual. Speeds of 18 fps and slow motion of approximately 40 fps. Reflex viewing and focusing. F-stops viewable in viewfinder. Exposure meter operating on two 1.3 volt mercury batteries. Motor for film is run by three 1.5 volt AA batteries in the top battery compartment. Motor for the power zoom is run by one 1.5 volt AA battery in the handle. The power zoom feature and handle is the major change from the prior Zoom 518 Super 8 model marketed December 1964 according to Canon Camera Museum. My Auto Zoom 518 has a sound feature which is not mentioned at the Canon site and is not included in the manual except on a separate loose page which explains the process. The box also refers to the sound feature only with a separate sticker stuck on the box. Close examination of the camera in the main manual indeed reveals that it does not have the remote and sound input jacks that my camera has and which are shown on the separate loose page. These jacks are also not mentioned at the Canon site. Recording of sound involved use of a separate sound tape recorder which I do not have. The late purchase date of this camera may be an indication it was a later variation of the original Auto Zoom 518 Super 8. It wouldn't be until August 1976 that Canon came out with their first true sound camera, the Canon 514 XL-S below. The camera belonged to the seller's father. The seller recalled that the sound feature was big deal back then and his dad would spend a lot of time getting the sound right.