canon sure shot 35mm manual
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canon sure shot 35mm manualNJ. This page may not be sold or distributed without theIt'll make you feel better, won't it? Use the above address for a check, M.O. or cash. NOTE: they only print in Black and White. I still accept donations to maintain this Camera Manual The system Just like 110 film, the So there may be film There are a few places to get this film Every camera company put out Due to the more Plus many photo processors. This series began as very simple but automatic Point and Shoots but evolved into sophisticated photographic equipment. There is no question they were entry level cameras aimed at the mass market but for millions of people they offered everything they wanted and more. It is heavily reinforce with cellophane tape but still readable except for a few lines caught in the folds of the paper. This sheet was added to describe the added features in the Caption. Publication C-II-180D (1990) However, to be clear, I have no right to the trademarks or printed material, brochures or manuals that originate with Canon Inc. It used a triangulation system with a near-infrared emitting diode (IRED). The active AF system had the IRED emit a near-infrared beam so its reflection was received by a pin photo diode. When the shutter button is pressed halfway, the IRED emits a near-infrared beam on the subject. The beam reflected by the subject was received by the pin photo diode. A triangulation was thereby created in the same way as with an optical coincidence rangefinder. The lens draw is adjusted automatically to match the subject distance for focusing. The near-infrared beam also enabled focusing under low-light conditions, making the camera a hit product. The name “Autoboy” became synonymous with AF compact cameras. Prefocus enabled. Within the image area are the AF frame, zone focusing marks for near, medium, and far distances, parallax correction marks, and battery check and camera-shake warning. 0.5x magnification, 85 coverage. Manual pop-up. Fill-flash enabled.http://www.arenaradiologia.com/public/imagese/creative-x-fi-titanium-fatal1ty-manual.xml
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Advances automatically with built-in motor when the shutter button is pressed. This page requires Javascript. Modify your browser's settings to allow Javascript to execute. See your browser's documentation for specific instructions. To install your download click on the name of the downloaded file.Access your account, or create a new account, click here to get started. Recommended Software File Name Date File Size Optional Software File Name Date File Size Recommended Manual(s) File Name Date File Size Optional Manual(s) File Name Date File Size The Limited International Warranty is only effective upon presentation of the warranty card and proof of purchase. Equipment covered by this Warranty will be repaired by Canon International Warranty Members located in the United States, Canada, Australia, the United Kingdom and New Zealand WITHOUT CHARGE. (List of Canon International Warranty Members included with the equipment. Equipment covered by this Warranty will be repaired by Canon International Warranty Members WITHOUT CHARGE, except for insurance, transportation and handling charges. (See list of Canon International Warranty Members included with the equipment.) When returning equipment for warranty service, the shipping charges must be prepaid and the equipment should be shipped in its original carton or box, or an equivalent, properly packed to withstand the hazards of shipment and be fully insured. A copy of this warranty card and proof of purchase should be enclosed, as well as a description of the problem, film samples, etc. This warranty only covers defective materials or workmanship encountered in normal use of the equipment, and does not apply in the following cases: Fred Thomas Drive, P.O. Box 33-336, Takapuna Auckland Canon UK Ltd. Brent Trading Centre. Japan Tokyu Mita Bldg, 3-12-15 Mita, Minatoku, Tokyo 108-8011 Tel: (81)-03-3455-9353 Scroll down to easily select items to add to your shopping cart for a faster, easier checkout.http://eletroluz-al.com/_IMG/img_internas/creative-x-fi-wireless-receiver-manual.xml Visit the Canon Online Store With three lens elements in three groups, chromatic aberration and distortion are effectively corrected to give crystal-clear images. Eye fatigue is not a problem even after prolonged use.It features a 3-way pan head for precise control and smooth movement. The 3-section tubular leg construction allows for exceptional stability indoors or out.The Deluxe Tripod 300 features a 3 way pan head for precise control while the 3 section tubular leg construction allows enhanced stability indoors and outdoors.It features a foam grip on the top leg section, a hand strap, flip lock leg sections, and rubber leg tip. Used: Very GoodBattery and film not included.Something we hope you'll especially enjoy: FBA items qualify for FREE Shipping and Amazon Prime. Learn more about the program. Please try again.Please try again.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.Use automatic settings for ease-of-use or switch to manual settings for more control in capturing special moments. Features: 3x zoom lens; 5 programmed shooting modes;This 35mm point and shoot boasts a 38-115mm 3x zoom lens with aspherical optics and a high-precision 3-point AiAF system for precise focusing. This Sure Shot also incorporates 5 custom functions; Real-time Release, Storage of Flash and shooting mode at power off, Auto film rewind, Center-point AF and Continuous shooting. Other features include a high-efficiency built-in Light Guide zoom flash providing equal lighting even in corners. Canon's Sure Shot Cameras make shooting all of life?s precious moments a sure thing. Basic Functions 3-Point Smart Autofocus Canon's Smart Autofocus keeps images sharp and precisely focused even when the subject is off-center by automatically measuring the scene at the three separate points across the frame. Self-Timer Just push the button and you have 10 seconds to get in the picture before the camera automatically releases the shutter. Red-Eye Reduction The Red-Eye Reduction works automatically to help assure natural looking eyes in your flash pictures. Light Guide Zoom Flash Canon's innovative Light Guide Zoom Flash eliminates hotspots and provides bright, overall illumination in low-light or backlight situations. A minilamp shines immediately before the main flash to provide Red-Eye Reduction. Creative Features Exposure Compensation Use this manual setting to avoid underexposure of dark subjects against a light background or overexposure of bright subjects against a dark scene. Real-Time Real Time Shutter Release is super fast so you can capture life's special moments without delay -- as soon as you see them. It's shooting at the speed of life. Shooting Modes Auto In Auto mode, the camera automatically chooses the precise shutter speed, aperture and focus settings. All you have to do is point and shoot. Action Action mode uses Canon's advanced autofocus technology to track moving subjects and keep them in continuous focus until you take the shot. Night Scene This mode automatically slows the shutter speed and fires the flash to give you nighttime shots with bright foregrounds and radiant backgrounds. Portrait By automatically zooming the lens to head and shoulders composition and softly blurring the background, Portrait mode makes taking perfect portraits easy. Close-up Close-up automatically adjusts the camera's focal length and minimum focusing distance so you can capture fine details in razor sharp focus.To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.https://walnutcreekdowntown.com/images/canon-super-g3-mf4350d-user-manual.pdf Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later. K. Garson 5.0 out of 5 stars The picture quality is great. For anyone wanting a film camera, you can't go wrong with this one.Would recommend to anyone.None of my Costa Rica vacation pictures turned out clear ( 5 rolls ). I have owned the some model before, so I know how to use it. I was sold a broken camera.However, I do like to take pictures. I primarily purchased this camera because of its zoom feature. I've owned Canon products in the past and have been satisfied with them, but I was wanting a camera that would allow me to zoom in on objects and people if I wanted. The Sure Shot 115u allows me to do that. The camera also includes all kinds of other features including a dating feature, timer, and optional flash. The camera has a whole on the bottom that allows one to place it on a tripod if one so desires. There are also many other features on the camera, but I haven't owned it long enough to figure out what they all are. However, in the time that I have owned it, I've found this camera to be quite useful and the rather inexpensive price I paid to own it a bargin.I liked it so much I replaced the old one with this current model - although the old one was still going. It's extremely user-friendly and near-impossible to take a bad picture with this great little camera. Forget the more expensive models - for the average tourist or family shutterbug, this is what you need. Great value for the price and it's also very forgiving. I slammed mine around a lot like the idiot I was but it's like a Timex - keeps on going. Highly recommend. Makes a great giftAll things considered, I would much rather shoot film than digital. I own a terrific little digi-cam (Canon S330), but I never fell in love with the format. I also use my 24mm and 50mm lens more than any other in my bag. That being said, I wanted to compliment my SLR system with a small 35mm camera to carry with me all the time. I considered a Lomo, but decided against it taking into consideration the reliability issues. Since I love my EOS Elan 7e and the S330 performs commendably, I choose a Canon Sure Shot 115u. I wasn't very impressed with the first few rolls, but I wasn't expecting much from a point and shoot. After about 10 or so rolls, I did some research (perhaps later than I should have). I learned that the key to a good point and shoot was the speed of the lens. Very few point and shoots have fast lenses, and a big whopping zoom only slows down the lens more. The lens on the 115u is an f5.6 at its fastest, with the zoom fully retracted. This makes camera shake an issue, flash photography a must, and a tripod a necessity indoors. More than this, the camera is just slow period. I find that all of the modes are more a distraction than a creative enhancement. If you think you need a zoom lens, you don't; move closer to your subject. If that doesn't help, the photograph probably wouldn't have been that good with the zoom lens anyway. The pictures were OK. If this was the only point and shoot I ever used, I probably would have been happy. Canon lenses are well designed and most of the photographs were crisp and clear. When everything was set right, it took a nice photograph. However, I wanted a camera to take a photograph on the fly. I think Canon engineered a camera that performs well within the limitations of a point and shoot with a zoom. However, with the research I did, I ended up purchasing another point and shoot that I am enamored with, the Olympus Stylus Epic (I reviewed that camera as well). If you think you need a zoom and are willing to sacrifice the ability to shoot from the hip, then go with this camera. It will serve you well. I still have mine even though it does not serve the purpose intended.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. This meant that the system was independent of ambient light levels and achieved a high degree of accuracy; however, it could be fooled by glass (which is not transparent to infrared radiation). The autofocus area was marked on the reverse-Galilean optical viewfinder, which also had projected framelines, zone focusing marks for near, medium and far (lit to indicate the approximate area the autofocus had selected), parallax correction marks, and battery-check and camera-shake warning LEDs. Viewfinder magnification was 0.5? and coverage was 85 of the full 135 frame area. The location of this, inside the filter ring of the lens, meant that the meter would function accurately even with filters fitted to the lens.The unit had a guide number of 14 (at ISO 100 in meters) and featured auto-exposure with the camera's light meter as well as supporting fill flash. Also on the front was a self-timer control.Some of the later models drew power from a single 2CR5 battery.Retrieved 2015-10-16. Retrieved 2006-09-10. By using this site, you agree to the Terms of Use and Privacy Policy. If you’d like to contribute towards this site’s growing hosting and cloud storage fees, here’s how. The del Sol was part of Canon’s highly successful Sure Shot series and is notable as being the very first completely solar powered camera. Using a large fold down tandem amorphous solar panel that covers nearly the entire front of the camera, the camera’s rechargeable lithium battery would charge when exposed to sunlight. The name “del Sol” is how it was branded in the US, but it was also called the Prima Sol and Autoboy SE in Europe and Japan. It’s signature feature is a large folding solar panel covering nearly the front of the camera, but behind it is a rather mundane, but capable point and shoot camera. I found it to be easy to use and it’s three element lens captured some really terrific images. I quite enjoyed using the little camera, but it’s solar panel is simply a gimmick. If you’re in a market for a capable little compact camera and like the idea of solar power, this is the camera for you, just don’t expect it to be something it’s not. In Japan, this camera was known as the Autoboy, and in the United States, sold as the Sure Shot. Canon’s reputation as a quality camera maker with good to great performance cemented their place as an industry leader, a reputation that they still enjoy today. Sure, they relied on their brand name to continue to sell new models, but if you were shopping for a quality compact camera in 1995, you had dozens to choose from that were all really good. Nikon, Minolta, Pentax, Olympus, and many other companies all had capable and easy to use fully automatic point and shoot cameras. In the US, it was known as the Sure Shot del Sol, in Europe as the Prima del Sol, and in Japan as the Autoboy SE.Upon further research, yes, the XR-S did have a solar panel on the side of the pentaprism, it only supplemented power to the metering circuit and did not power the entire camera like in the del Sol.If you browse through the new releases sections of photography magazines and websites today, you’ll see long laundry lists of gimmicky features such as smile detection, digital sepia and ambrotype filters, and various other Bluetooth or near-field communications protocols, none of have any impact on the photo making abilities of the camera. At it’s core lies a pretty capable little camera that is part of Canon’s excellent Sure Shot series. These cameras are not common, at least not in the US, and if you find one today, it is very unlikely that the battery will still hold a charge, but if you like camera curiosities, it doesn’t get much better than this! Common rechargeable batteries of the era were still made out of a material called Nickel-Cadium (NiCd for short). While NiCd batteries were plentiful, they had a slower discharge rate and a lower voltage that was unsuitable for the sensitive electronics inside of the camera. The one in this camera was made by Sony, but I assume there were probably other suppliers out there too. While the US14500 battery certainly was up to the task of handling the power supply demands of the camera, it was not designed to be user replaceable. You couldn’t simply run down to the hardware store and pick up another, but frankly, you really didn’t need to. At least that was the thought of Canon engineers when this camera was being designed. This is in contrast to the many wonderful mechanical cameras in the early to mid 20th century which were designed by precision craftsman to work for a lifetime. The usable lifespan of a lithium battery was between 5 to 10 years, so Canon probably figured that there would never come a day when someone would need to replace it. My guess is most were made in 1995 or a year or two after, meaning that nearly every single one of them by now should have a dead battery.Most of them had flat tops, but some have tabs soldered on them. I chose to go with ones with tabs as I am terrible at soldering and thought the tabs would make it easier. Remove all five visible screws and peel back the long thin strip of black rubber and the bottom plate comes off. The five screws are not all the same length and must go back into the same locations you removed them from. In the inset image below, the long screw is indicated with a RED arrow, the short screw with a YELLOW arrow, and three medium length screws indicated with BLUE arrows. These are indicated with RED arrows in the picture below. There is a third white screw, indicated with a BLUE arrow which does not need to come off. When you remove the two black screws, the black panel will swing up as it is attached to the film compartment door shaft. Open the rear film compartment and slide out the metal shaft holding the door in place. The shaft should easily slide out through the bottom. This screw is indicated by a GREEN arrow and holds the electrical contact for the battery to the camera. Remove this and the battery will come out. The bent metal contact that connects the battery to the camera is soldered to the end of the battery. You’ll need a soldering iron to de-solder it. Take care not to damage this bent piece of metal and do not lose it, as you’ll need it with the new battery! The original will not have black electric tape on it. In the second image, we see the original Sony branded battery with my generic replacement along with that bent metal contact from the original battery. Your battery may not look exactly like mine, but as long as its a US14500 3.7v lithium battery, it will work. Make sure you insert the battery back into the camera with the correct polarity! With the tape holding it together, it should always make contact. If you are better with a soldering iron than I am, it’s probably a good idea to give this a permanent connection, but I didn’t and it worked fine. In the images below, I used too much electrical tape and it made it difficult to put the new battery back into the tight compartment, so after taking these pictures, I had to take some of the tape off. If you struggle with the black cover over the battery, it is still possible you have too much tape around the battery, so you might need to trim it. I only picked up the lot because of something else (of which I can’t remember at the moment) I was more interested in. I figured that whatever battery was in there just needed to be replaced, and with my set of precision screwdrivers, I began the process of opening up the camera to replace the battery. You can read about that process above. This being a fully automatic point and shoot camera, there are no manual controls anywhere on the camera. Next to the socket is a small recessed button used to manually rewind the film before the end of the roll. Beneath these buttons is the door release for opening the film compartment. With this button pressed, you’ll get a 4-segment readout of how much of the battery charge is left. According to the manual, with a full charge, the camera can shoot five 24-exposure rolls of film with 50 flash. Use the flash more or less and this changes. As the battery discharges the segments will disappear and will eventually start to flash to indicate that charging is necessary. In direct sunlight, all 4 segments should illuminate, indicating the fastest charging possible. Canon says that a dead battery can be fully charged in direct sunlight in six and a half hours. With less than 4 segments, the battery will still charge, just slower. Although the camera’s user manual does not specify at which temperature this feature is activated, the Popular Mechanics article above says it happens at 80 degrees F which seems awfully low. Looking through the viewfinder, there is no information about exposure or focus distance detected. The only things you see are two central brackets indicating the auto focus area, and two parallax horizontal lines near the top of the image indicating where the top of the exposed image will be at close focus. The door of the camera has a peep window that allows you to read what kind of film is loaded in the camera, and four raised divots that act as feet to stabilize the camera when laying on it’s back while charging. Extend the leader to the tip of the arrow in the bottom left corner, close the door, and the camera does the rest. The cameras supports DX encoding at speeds from ISO 25-3200. The manual does not specify what the camera will set if you try to use non DX-encoded cassettes, but it probably sets it to 100 like most cameras did. There is no release button for the panel, it simply folds down with a gentle push of a finger. Upon folding the panel down, the lens will move forward a little into it’s taking position and the camera is ready to shoot. Although the lens retracts quickly, you should not slam the panel shut with too much force as it may make contact with the lens before it has a chance to fully retract. But what kinds of images is it capable of? Since I knew this camera was designed to work in the sun, I wanted a color film that I knew performed well in sunlight. Fuji 200 isn’t quite as vivid or distinct as Kodak Ektar or Portra, but it’s safe, and it’s predictable, just like Canon Sure Shot cameras were. It was Canon’s way of putting something out there that stood out from what everyone else was doing. By the mid 1990s, people had become more environmentally conscious than ever before and a solar powered camera likely helped win them some “green” points. No one purposely leaves their camera sitting out in the sun when not in use to make sure it has enough of a charge when you need it. For the causal user who might only take their camera out for special family events a couple of times of year, might find that when the time comes to use the camera, that it has no charge, and without a backup power source there’s nothing you can do until the sun comes back out to recharge it. According to Canon, 6.5 hours of direct sunlight or 16 hours of shade are required to fully recharge the battery. (Just please don’t put it in a microwave!) The solar panel is neat, but it solves a problem that no one ever asked to be solved. It worked quite well and gave me some really terrific shots, and I honestly don’t think that had it not had the solar panel, I would have ever picked it up, so I guess Canon’s attempt at doing something different back in 1995 is still proving to be a worthwhile endeavor. Quite new to me. What a great find. I can imagine you were doubly elated when, having gone to the trouble of finding and replacing the batteries, you found the solar panel was still working, too. And the images don’t look too bad, either. Other than this solar charging circuit, the XR-S is pretty unremarkable, on a par with the KR7. You, and several other readers alerted me to the XR-S, so I have edited the review to comment that the del Sol was the first completely solar powered camera. I think that could be the battery and this is the only complete guide that I’ve found. Thanks! But there are some mising images. I don’t know if you can reupload them or send them to me troutgh my email. I would be gorgeous if you can help me with this. Thanks again Mike, have a nice day. Btw, do you speak spanish? (just asking because of your name haha I speak spanish and if you do too maybe that way we could discuss it better). Have a good day! Cancel reply Back to Top If you would like to know about your rights, please review our Privacy Policy, otherwise, please click 'Accept' below. Accept Decline Privacy Policy. As a side note; this is the only camera so far I’ve reviewed that originally came with factory installed batteries, in both the camera (2CR5), and a couple of CR1220 for the remote, however, the main camera battery still had some power, but not enough to operate it properly. I guess Canon thought that describing the blinking as 4, or 16 times per second would be confusing. Additionally, the camera is fully automatic, with only a couple of flash control options, and unfortunately has no exposure adjustments whatsoever, so let’s hope the auto exposure system does a good job; and if not, the camera becomes a nice looking paper weight for your desk. Let’s find out now! Autoboy Zoom Super in Japan, and Prima Zoom F in Europe. Owner’s manual, a black vinyl carrying case and neck strap. Self timer with Remote control. Real image zoom viewfinder, 84 coverage, 0.41x magnification at 39mm, and 0.83 at 85mm. Has frame guidelines, autofocus mark, close-up correction marks, green autofocus indicator and red flash indicator lights on the side of the viewfinder; solid green means focus is locked, and you’re good to shoot, blinking green means it isn’t focused properly. Solid red means the flash is charged and ready. Defaults to ISO 100 when no code is detected. Click for larger images. The end of the zoom lens has a rubber coating around it, and it won’t take any filters. The flash zooms with the focal length, meaning it adjusts the dispersion angle accordingly; a unique feature on a point and shoot camera.Doing this ensures the camera doesn’t miss focus on foreground clutter and window glass. The viewfinder is clear and bright, but a bit small. The two small lights on the left side of the viewfinder window are; the top one is green for AF confirmation, and the bottom one is red for flash status and shake warning. The DX code reader is at the back of the cartridge compartment, but not visible in this shot. At the back of the lens you’ll see a rectangular flat black stray light shield. The film pressure plate is metal, and the film tensioner is spring steel. I see moltoprene (spongy light sealing material) around the film reminder window, but nowhere else. Although there are marks at 50mm, 70mm and 85mm, you can set the zoom at any length in between. The button below is for flash mode; on, off or slow sync. Both the shooting, and flash modes go back to default when the power is turned off. The two coin cell CR1220 batteries can be replaced on the remote by removing the cover. It’s really just for protecting the camera as there isn’t any way to carry it around your neck or belt. I guess the loop is for running the camera neck strap through and letting it hang so you don’t lose it while taking a snap. Kodak Gold 200 used for all shots. Click for larger images. I think 39mm; seems underexposed slightly. I see decent background blur, but maybe the focus hit the shoulder instead of the face. Very sharp in the central area, with minor softening along the sides. My copy was probably made close to the end of the run for the model, maybe in the early 1990s, and I was the first one to actually use it. I wish I had it back then for recording my travels and friends, but I was broke, and only had enough money for this one. The Sure Shot Zoom XL has a range of 39-85mm; so it barely hits what I consider wide angle coverage, and seems too restrictive today, but back then it was very common. Also, the camera handles well, and does have some heft to it, but it’s still much lighter, and has a smaller footprint than a SLR with zoom lens. The exposures overall were pretty accurate, but I think I’d like at least another stop of light for my taste when using print film. Canon claims the Sure Shot Zoom XL will “detect backlight situations, and adjust the exposure by 2 steps,” but my results suggested the feature didn’t work very well. I think the camera chooses to protect the highlights by default, maybe as a precaution for slide film that Canon thought would be used more often than print film; however, I haven’t tried any slide film yet to confirm my theory. A workaround for this is: tape over the DX code on the film canister of either ISO 200 or 400 speed print film, and the camera will default to ISO 100, so in this way you get exposure compensation; I may do that on my next roll. The idea is that you can frame your subject at a certain focal length or magnification, the camera will memorized it, and will automatically frame the subject at the same apparent size using a different zoom length as you change your shooting distance and angle from the subject. This type of gimmick was popular back then, but it’s a little confusing to set up, and not really worth it in my opinion, so I guess that’s why manufacturers drop it a few years later.