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boss hm 2 manualBy submitting a comment, you are declaring that you agree with these rules: Although the administrator will attempt to moderate comments, it is impossible for every comment to have been moderated at any given time. You acknowledge that all comments express the views and opinions of the original author and not those of the administrator. You agree not to post any material which is knowingly false, obscene, hateful, threatening, harassing or invasive of a person's privacy. The administrator has the right to edit, move or remove any comment for any reason and without notice. Failure to comply with these rules may result in being banned from further commenting. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Translate this page: Relevant INSTRUMENT forum topics: BOSS MT-2 METAL ZONE Sziasztok! Megepitettem a cimbeli gitartorzitot, de nem jon ki belole az a hang, ami a YouTube-os demovideokon hallatszik. Ossze szeretnem hasonlitani egy gyarival. Van esetleg valakinek?You can write in English language into the forum (not only in Hungarian). It has an interesting design with both asymmetric soft-clipping diodes, hard clipping diodes and a Ge diode pair in series with the signal for crossover distortion and simple noise gate. A wide variety of tone color creation is made possible with the 2 color mix controls.http://estudiowebcolombia.com/userfiles/boss-gt-8-pedal-manual.xml
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Follow this Product Overview A legend in the annals of Boss pedals, the HM-2 Heavy Metal is, obviously enough, a pedal intended for those who play heavy metal music. For a lot of players in the heavy realm, the appeal of the HM-2 has a lot to do with the insane amount of boost and tone-shaping this pedal provides. Its unique character has spawned several imitators and landed the HM-2 a place in the signal chain as a who's who of extreme metal players. Video Gallery Product Specs Brand Boss Model HM-2 Heavy Metal (Black Label) Finish Black Year 1983 - 1988 Made In Japan Show More Similar Products From the Price Guide Sell Yours Please check the fields highlighted in red.Currency. Often, small film companies independently make these kinds of films but occasionally it’s the big Hollywood studios that make a movie which stays in the cultural landscape, even if the initial box office numbers may suggest otherwise. BOSS engineers studied the waveforms of Marshall amps on an oscilloscope and developed the HM-2 to replicate the characteristic midrange grind. It came out like a more compressed version of the Marshall amp sound. Nevertheless, on its release to market in 1983 it sold quite well to legions of guitarists in the “spandex and big hair” era. The groundbreaking parametric EQ on the MT-2 was a major technological leap that enabled the Metal Zone to generate a much wider variety of tones than the HM-2 could. Within 7 months of the Metal Zone’s release, production of the HM-2 ceased forever. It’s a subtle effect that has in the past, fooled some guitarists into thinking it is a “bypass” effect. To others though, the EH-2 is a studio or performance tool like no other. It filters off the high frequencies of your guitar tone, and amplifies them (while also generating harmonic overtones). The amount of amplification depends on how hard you play the guitar, i.e. the harder you play, the more the treble frequencies (and overtones) are amplified.http://gleamrecruits.com/userfiles/boss-gt-8-guitar-effects-processor-manual.xml In a final neat trick, when you mix these tones in with the original signal (via the MIX knob), you can either select between mixing in a regular polarity signal or a polarity-inverted one.Along with a unique pastel lavender paint job, there’s not a single knob to be found anywhere on the DC-2 chassis. In fact, its entire complement of user controls are 4 push buttons which allows the user to select one of the DC-2’s 4 preset sounds. That’s right, presets on a stompbox! At its heart, the Dimension D contained two independent BBD-driven analog chorus units. These dual choruses were preset to VERY subtle depth rates, but the intermodulation between the independent chorus lines and the clever stereo processing meant that the unit created an incredible feeling of depth or added “dimension”, hence the name. The large 2U rackmount SDD-320 was an instant hit upon its 1979 release and became a recording studio staple, becoming a significant constituent of the stereo “sparkly” sound that was familiar on 1980’s pop radio hits. The DC-2 Dimension though, was an entirely new flavour that delivered unprecedented levels of spaciousness and texture to guitar tones with its highly refined, ambient sound. Presumably, in a boardroom decision to incorporate economies of scale, the BOSS designers were tasked to create an effect that used the same circuit that the NF-1 Noise Gate pedal used. From this brief came the idea to completely reverse the operation of a noise gate (which allows the note attack, then clamps down on the tail) and create a unit that muted the attack and swelled the volume of the note tail. However, the knobs on a Les Paul are positioned much more awkwardly to achieve this same effect. The concept of the SG-1 Slow Gear was to recreate this swell effect, completely automatically. Development dragged on much longer than expected, until eventually a suitable result was reached, and the resulting pedal was christened “Slow Gear”.http://www.raumboerse-luzern.ch/mieten/bosch-maxx-freedom-performance-washing-machine-manual The user demand wasn’t there and production of the pedal ceased within 3 years of its introduction. When the BOSS division of Roland first emerged in 1976, they repurposed the chorus effect from Roland’s famous JC-120 amplifier and made it available in a (gigantic) AC powered foot pedal, named the CE-1 Chorus Ensemble. Though the CE-1 had a slow start, it soon became a huge hit thanks to use by Herbie Hancock and Andy Summers of The Police amongst others and was largely responsible for getting the BOSS brand off the ground. This was no small task and the BOSS engineers took two years to be able to achieve this engineering feat, but the result was worth it. In October 1979, the CE-2 Chorus pedal was released and still stands today as perhaps the most famous chorus pedal ever and a benchmark by which all other chorus pedals are judged. The CE-2 Chorus adds all the depth and sparkle that are BOSS Chorus hallmarks, but also adds a fat, thick midrange boost when engaged that turned out to be a famous and sought after characteristic of the CE-2’s tone. For many players however, (including some of the biggest names in the guitar world), the CE-2 continues to be their go-to chorus pedal and one of the most loved BOSS pedals of all time. The first 3 pedals to roll off the line were the PH-1 Phaser, the OD-1 Overdrive and the SP-1 Spectrum. Although some users found great use in its ability to sound like a cocked wah-wah or its ability to allow an instrument to pierce through a dense mix, most musicians were somewhat perplexed by the SP-1. Sales were slow and the SP-1 was discontinued from production in 1981. Keyboard and electric piano players however, did hold it in high esteem during its initial run. No self-respecting BOSS junkie can claim their pedal collection is complete without an SP-1 Spectrum on hand. This fact has driven second hand prices into the stratosphere, as rabid collectors enter into bidding wars over this most elusive of pedals.https://walnutcreekdowntown.com/images/boss-hm-2-manual.pdf Indeed, it hadn’t been an easy feat. The custom IC chip (the same as found in the legendary SDE-3000 rack delay) could only just fit within the compact chassis, and the engineering team had an immense struggle trying to fit in all the rest of the supporting circuitry. The fact that they managed to do so was an engineering marvel, and after the public had picked their jaws up from the floor, they started buying the DD-2 in huge numbers, despite its substantial price tag. BOSS passed on these savings to the customer by dropping the price of the DD-2, however as the RAM prices kept falling further, an interesting decision was made. Although it has seen a couple of design revisions over the years due to component availability, today’s DD-3 pedal is still essentially the same design as the DD-2 pedal that first blew minds back in 1983. Collectors of course, still clamour to get their hands on a DD-2 for the sake of history, and indeed it is the pedal’s place in history that defines the DD-2 as a cult classic. Tremolo was seen as an antiquated 1960’s effect and the PN-2 didn’t find much favour.The Beginner’s Guide From the easy to use bug-style WL-20 all the. VST, AU and AAX. We took our time to find a pristine conditions Japanese version of the pedal (ours is dated 1984) and we modeled it as close as possible. BOSS, HM-2 and Roland are registered trademarks of Roland Corporation U.S. Learn how your comment data is processed. Okay, thanks. Also, the HM-2 can be effectively used even with a single pickup guitar of low output level, because of its high gain. If the sticker is removed or tampered with, the item will not be considered in the same condition as sold, and no returns will be made. If you are having trouble with the item after receiving and testing it, please contact Seller right away. Also, if the serial number or original console warranty stickers are modified or removed, the item will not be considered the same item as listed.voolabs.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626f0b25ae025---bosch-s510-manual.pdf There is some very light wear and small paint chipping on the item from use and handling but overall the item is in tested very good, working condition. The box has some light wear and price stickers attached, and the manual has a tear and is folded on the bottom area (shown on photos). Please view photos in this listing for best details of the condition, which are actual photos of the item being sold and not stock footage. Seller does not usually ship on the Weekends. Please message Seller to add postal services such as Insurance, Signature Confirmation, etc. (May include additional costs). There may be an extra shipping charge for shipping to Alaska, Hawaii, Puerto Rico, and anywhere else outside the first 50 states. All terms and shipping costs will be determined by Ebay. There is some very light wear and small paint chipping on the item from use and handling but overall the item is in tested very good, working condition. Please view photos in this listing for best details of the condition, which are actual photos of the item being sold and not stock footage., Model: HM-2, Modified Item: No, Custom Bundle: No, MPN: HM-2, Brand: Boss Super high amount of views. 0 sold, 1 available. More Super high amount of views. 0 sold, 1 available. You are the light of the world. Learn more - opens in a new window or tab This amount is subject to change until you make payment. For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab This amount is subject to change until you make payment. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab Delivery times may vary, especially during peak periods and will depend on when your payment clears - opens in a new window or tab.www.concrete-mix-plant.com/d/files/colorband-pix-m-manual.pdf Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab See the seller's listing for full details. Contact the seller - opens in a new window or tab and request a postage method to your location. Please enter a valid postcode. Please enter a number less than or equal to 3. Sellers may be required to accept returns for items that are not as described. Learn more about your rights as a buyer. - opens in a new window or tab You're covered by the eBay Money Back Guarantee if you receive an item that is not as described in the listing. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Well, not exactly, but it did offer legions of young metal-heads the thickest, most obscene distortion tones around-perfect for that '80s metal sound -all in a convenient little stomp box that looked pretty evil. Grrrrr. Which do you prefer. An effect not always well known, sometimes even forgotten or underrated. So let’s start ! By the way, the HM-3 is a Germanium Hyperfuzz, meaning a rounder and warmer sound. With the COSM technology (Composite Object Sound Modeling), the sound of the BOSS HM-2 was brought back in a digital version. Today, this unit is discontinued. This is used to set low frequencies around 100 Hz. To the right, you boost them. To the left, you cut them off. This is used to set high frequencies around 1 kHz. In the middle, there is no action. When you turn it on the right, the distorsion will be more deep with a lot of sustain. For those who want to know more about GILMOUR’s use of the HM-2, please follow these link, this one or this one. They ask 2 friends who play in MORBID for help: the drummer L.G. PETROV, who will be on vocals, and one of the guitarist Ulf “Uffe” CEDERLUND.https://verkoop-je-wagen.be/wp-content/plugins/formcraft/file-upload/server/content/files/1626f0b3185dd5---bosch-s510-user-manual.pdf NIHILIST is now complete and the band can start writing and recording their first demo: “ Premature Autopsy ” released in March 1988. Enter Johnny HEDLUND, a friend of the band, as a bassist, with “Leffe” taking the rhythm guitar. The band, now known as ATHEIST, can be seen as the initial creator of the “Swedish Sound”. Leif engaged by mistake the distorsion pedal creating THE sound through his amp (an old Hagstrom). The rest was just all about settings. Then he showed me his gear. Many thanks to him again ! He made it its trademark, since so many bands passed through his studio to obtain this thick, heavy and mythic sound. Nicke didn’t feel like playing with Johnny, which lead to NIHILIST’s split. That will lead to 2 bands being formed, ENTOMBED and UNLEASHED ( It may also be one of the reasons why UNLEASHED never used the HM-2). If one band was signed by EARACHE the other one was signed by CENTURY MEDIA. This webpage lists all the band which recorded at the Sunlight over the years (you can click the underlined names to get details about their discography, line-up, credits and album arts). Therefore, a lot of band will follow the trend, without necessarily recording at the Sunlight.Eventhough GRAVE is listed, the band never used HM-2. Nothing really complicated here ! Level is more soft in DISMEMBER’s guitar sound). Seeing him some years later in DISFEAR for the “ Misanthropic Generation ” support tour, he was using the same gear. The take was made with microphones chosen and placed by Jens BOGREN. He also gave the information about “ Resurrection Through Carnage ”: the BOSS in a DIGITECH GNX2 preamp with the “MARSHALL” preset, through the speaker emulation. Then he chose a plug-in which copies the frequencies (such as the Voxengo CurveEQ) taking the ENTOMBED’s intro of “Drowned” and applied them to the take. All the infos are located here. The BEHRINGER HM-300 will fit in perfectly.The same occurs with the Wurm Distorsion by KMA Audio Machines.https://www.melodypods.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626f0b4bcc810---bosch-rtt-100-user-manual.pdf If the name is a tribute, so is the sound. When less is more ! Direct link You can hear them in these videos: The infos are inside the booklet of the 2002 release, but for the exact settings, you will have to experiment (It’s mainly possible to think that the BOSS HM-2was used to boost the MT-2 gain in the clean channel). And as does G.C Green from GODFLESH, you can heavily use it on a bass too. It’s also and above all a unique and characteristic, copied, declined, worked again and adapted sound signature for the listener who will obtain a certain atmosphear, from the putrid cellar to groovy Death’n’roll via Grindcore. But it’s especially the insurance to get a sound who will be heavy, fat, viscous and acid. Circuits are analogue, and the pedal has 2 modes, Standard and Custom). It would only mete out justice and especially amply deserved,,, Thanks to Geoffroy Lagrange for this article ! Article en francais disponible ici. En savoir plus sur comment les donnees de vos commentaires sont utilisees. Die Haftung auf Schadenersatz wegen Korperverletzungen sowie bei grober Fahrlassigkeit oder Vorsatz bleibt unberuhrt. Keine Rucknahme. Super high amount of views. 0 sold, 1 available. More Super high amount of views. 0 sold, 1 available. You are the light of the world. Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. See All Buying Options Add to Wish List Disabling it will result in some disabled or missing features. You can still see all customer reviews for the product. That was the first pedal I ever owned back in 2000 or so. It sounded unusably awful to me even then, when I could barely play a lick, and it really is terrible for most uses.www.comycevalencia.com/galeria/files/colorant-manual-savana.pdf At the time I just wanted a more normal reasonable distortion tone, so I sold the pedal, which I've always kind of regretted (especially after I started getting into more death metal stuff in the late 2000's). Now the HM-2 has gotten rare and expensive, mostly because it was used by a lot of the Swedish death metal bands in the 90's and 2000's. This Behringer really does seem to be pretty much the same thing though. It's really cheap, but you should still only buy it if it's what you really want. Don't get it if you're looking for a normal, versatile distortion pedal or something that sounds good in any conventional sense. That's a lie. The sound here is like something in between a distortion and a fuzz, with a really distinctive, crusty midrange that reminds me a bit of a half-cocked wah pedal. Imagine you were to stumble on a huge, writhing ball of snakes breeding in a swamp somewhere. Imagine the thick swamp stink, the slurping and slapping of the snakes intertwining and slithering ind an out of the water, the filthy droplets gleaming brown on the scales. Now imagine waking up one night and finding that same thing in your bed with you. Then somehow translate that into a sound and stick it in your earhole. That's kind of what this pedal is. It's pretty sweet. Reviewed in the United States on October 12, 2018 This pedal operates as designed, but I have to say that the casing is fairly cheap. I Have had plastic pedals in the past, but they didn't feel like they were going to break when I touched them. I don't get that sense from this one. I am also accustomed to getting a power supply cord with my pedals instead of having to go buy one separately, and hope that I got the right connector and voltage. Please try again later. MoosemanK 5.0 out of 5 stars AFAIK it's a very close clone of the infamous Boss HM-2 pedal from the 1980s. That was the first pedal I ever owned back in 2000 or so. It's pretty sweet.Please try again later. Please try again later. Durwood Sauls 5.0 out of 5 stars It’s cheaper and easier to find than an HM-2 and does the same thing. Don’t bother playing with the knobs though, it is not a nuanced, multifaceted pedal. Crank the Distortion, the Lows, and the Highs, scoop the Mids, and grind to your hearts content. Five stars because this thing may be cheap, pink, and plastic, but it does exactly what I needed it to do. Nails the classic sound of bands like Entombed, Dismember, etc.Please try again later. Please try again later. Anthony 4.0 out of 5 stars The controls are hilariously awful. The level knob barely brings the volume up to unity gain, but at least it reaches unity gain. The bass knob controls frequencies much lower than any other bass knob I've encountered in a pedal or amp--I mean the lowest, most boomy frequencies. I honestly don't know what the mid knob does. I can't tell if it's changing the frequency or the gain of the mids, but in any case, at its max, it's obnoxiously searing. Finally, the distortion knob essentially has two settings: 0 (medium overdrive), and anywhere from 1-10 (high gain), which sounds pretty much the same throughout. Seriously, somewhere around 0.5 it abruptly changes from overdrive to high gain with absolutely nothing in between. I'm probably in a unique position because I used to play death metal, but more recently have gotten into the Dead and Jerry Garcia, who used the original Boss version of this pedal for high gain leads in the late 80's. I was looking for the latter, and, to be honest, I got it. It does that tone very well. But really, any high gain pedal or amp would capture Jerry's high gain tone just fine, and there are way more versatile pedals out there. And yet, I don't dislike the Behringer. It was cheap enough that I don't have any regrets, and I may even find a use for it.Please try again later. Please try again later. tak 5.0 out of 5 stars Please try again later. Please try again later. TomC8481 5.0 out of 5 stars Just crank everything and you're good to go. This competes with the old Boss HM-2 pedal that isn't made anymore, and I suppose if you can find one of those that's cool but you can likely get six or seven of these brand new for the same price as a used HM-2. I boost this pedal with a tube overdrive pedal and it sounds just like Entombed, At The Gates, Dismember, etc. If that's the sound you're going for then this is exactly what you need for it.Please try again later. Please try again later. Mrozzy134fest 5.0 out of 5 stars Please try again later. Please try again later. Mike 4.0 out of 5 stars BE CAREFUL with these Behringer stomp boxes. I took the bottom plate off looking for the battery and it was literally half the weight of the whole pedal. The battery is underneath the pedal part, and you have to press in on both sides like some DigiTech pedals. I found that to be a poor design choice given the fragility of the item. Overall, this thing is worth the money. If you want that Swedish chainsaw tone, buy one of these and you won't regret it. Buy two of them because why not have a backup for that price. I think this is a great sounding pedal, but I wouldn't bring it on the road without a backup just in case it breaks. This thing won't take a lot of abuse so be careful with it.Please try again later. Please try again later. Matt Parent 5.0 out of 5 stars You WILL get the buzzsaw HM2 sound for a fraction of the price. Does it do anything else. No, but that's not what its for. Does it look cool? Not in my opinion, but that's not what its for. Is it well built? Well, considering how cheap it is, I would say so. It definitely doesn't feel like its a quarter of the price of comparable pedals. It is SUPER NOISY, but my understanding is that the original was pretty noisy as well, so its probably pretty comparable.Please try again later. Please try again later. Derek Olson 5.0 out of 5 stars I can't believe its so cheap. Yes, it is plastic and feels cheap. But it works. Sounds like the Boss HM-2 I hear people say the only setting is with all the knobs turned up all the way. That sound is there, just like on the Boss pedal. But there are many other sounds to be had. I turned the gain down a lot and found many sounds I liked. And not just for heavy metal, any kind of rock or shoegaze. This is such a steal at this price, just try it out.Please try again later. Please try again later. J. McGill 5.0 out of 5 stars Please try again later. Please try again later. Med vara cookies vill vi erbjuda dig den renaste shoppingupplevelsen med allt som medfoljer. Detta inkluderar till exempel lampliga erbjudanden och att komma ihag preferenser. Du kan se och hantera ytterligare detaljer och alternativ har.Alltid med customiserat extra varde for musiker. Stang Service Kontakt Hjalp Av dessa 54 kunder har inte skrivit nagra texter eller givit synpunkter pa ett annat sprak. 4 45 Kunder 45 kunder har betygsatt denna produkt med 4-stjarna. Av dessa 45 kunder har inte skrivit nagra texter eller givit synpunkter pa ett annat sprak. 3 19 Kunder 19 kunder har betygsatt denna produkt med 3-stjarna. Av dessa 17 kunder har inte skrivit nagra texter eller givit synpunkter pa ett annat sprak. 2 3 Kunder 3 kunder har betygsatt denna produkt med 2-stjarna. Vanligen skriv en notis och garna din e-postadress i textfaltet. Skicka rapport Totalt funktioner ljud hantverkskvalitet drift 23.02.2017 I have been using this pedal to get a sound much like the famous Boss HM2 and it does a pretty good job. Its a good pedal if you want to try using that sound and dont want to spend 2k at a pedal. If you already know that its the HM2 sound you are looking for maybe you should go for another pedal sounding like it since the construction on this isnt the most solid since its made of plastic. Im careful stepping at mine and now about 2 years later its still going strong. Its well worth its price tho. Skicka rapport Las alla 86 recensioner Betygsatt produkt Information om leveransen Fraktkostnad till Sverige ar 15 euro. Gratis frakt pa bestallningar med ett varuvarde over 199 euro. Var god klicka har for internationella fraktkostnader och leveranstider. It’s a pretty weird thing, and that’s partly why I’d like to take a closer look at it here. During my analysis of this pedal, I’ve discovered its dirty secret. You can open up the back and twiddle some little pots and switches, so it actually has more controls than they put on the front panel. Since that front panel has seven controls already, this is a pretty flexible pedal. The PDS-1550’s Channel A has the same distortion stage, followed by the same gyrator-based tone shaping. It adds a few things, but all the bits of the HM-2’s distinctive sound are there. So if you want a chainsaw metal sound, but don’t have a HM-2 collectors budget, maybe you can still find a PDS-1550 cheaper.One is a Tubescreamer-style overdrive circuit, and the other is a high gain metal distortion with a double tracking delay effect as well. Both of these drive circuits go to the output via a parametric EQ stage. This is slightly a shame, since if you set the EQ up for good tone on one drive sound, you’re unlikely to want exactly the same settings for the other drive sound, but that’s what you get. The guts of the pedal are on two pages, and the third page deals with the input and output jacks, power socket, and two stomp switches. Channel B is the Overdrive channel and is much simpler. Both channels are output through the parametric EQ and then an output buffer. I’m going to gloss over that for now. R2 is a bit smaller than we might like to see, but 470K input impedance isn’t bad by the standards of its day. The value of C1 gives a roll-off below 10Hz, so we’re not losing any bass anywhere.We jump to page two of the schematic, and it gets a whole page to itself, whereas Channel B has to share with the power circuitry and all the switching logic. Without knowing the exact timeline, I’m guessing Digitech were “inspired” by Boss rather than the other way around, but both are inspired by earlier pedals. We’ll come to that in a moment. This makes it clear how similar these two stages really are. The frequency response shaping components are chosen such that the whole of the guitar’s spectrum is allowed to pass. There’s no heavy shaping of the signal before we clip it here. So how do these changes play out? That makes this end of the pot almost pointless. We’ll see whether the other end does anything when we get to it. Basically the first transistor stage provides 24dB of boost regardless of pot setting. That’s a gain of x15.8, enough to amplify a 300mV input so that the transistor’s output is at 5Vpp. If you’d designed this from scratch, you’d avoid this kind of problem. What’s amazing is that Boss released it in the condition they did. It’s a rare slip-up from the usually extremely reliable Boss engineers. Having seen already how similar it is to the first stage, we’re not expecting hugely different results, so the frequency response should come as no surprise: We’ve now got 45dB of gain, x178. It’s no wonder it’s a chainsaw. And we’re only on stage 2. The gain varies from 2.5 to 5.7 (8dB to 15dB), so this has a lot less gain than previous stages. These are used as a simple noise gate, since they’re in series with the signal path and they only conduct once the voltage reaches a certain level, so they act as a noise gate threshold. They’ll also introduce a certain amount of unwanted crossover distortion, but since this is a distortion stage anyway, we probably won’t notice.