boss guitar driver gl-100 manual
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boss guitar driver gl-100 manualThe manual can be downloaded below.GL-100 Guitar DriverThe GL-100 is a 1 unit rack-sized preamplifier. It was released in the late 80s and it is a precursor for today's modelling amps. The GL-100 is analog and doesn't use any COSM modelling. Instead it has two separate channels. The second channel has 4 settings, where two are distorted modes and a 3 band equalizer. Using a latched foot swicth like the FS-5L or the front panel, it is possible to switch between the two channels. There are balanced and unbalanced (jack) stereo and mono outputs. Pictures are of actual product and what you will get. There are some scratches from being racked, but the face looks pretty clean and all knobs are original and straight.Terms:I accept Paypal and only if you are a confirmed Paypal user and can only ship to your confirmed I will ship as fast as possible and within 3 business days of your payment. I ship only to the United States. I sell only to the United States. Product will be insured and will be packed securely to arrive safely. Feel free to email any questions. All sales final. Thank you for looking. Original package, with the manual, included. Please contact them to ask about shipping. Very complete features, with 2 Works amazingly good for the bass guitar as well. Items must be returned in original, as-shipped condition with all original packaging.Please check the fields highlighted in red.Currency. Learn more I mean it easily feels like it's able to kick out nice Boss HM2 distortion just like the one I got awhile back but with none of the amp hum (yes in the pedal) that it would generate and yet able to do a lot more variety and more control. I've been googling a bit and can't get any bearing on when the GL-100 was released. It looks pretty 80's maybe early 90's based on the style of the unit, but that's not really specific. Am I crazy for thinking this thing sounds this good. I just can't get over how great the distortion is with the hum I was getting from the HM2.http://2014.muces.es/admin/fck/boss-gt-10b-manual-portugues.xml
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Thanks, CalebBut I was rather inexperienced at the time.Looks like it was released in the 80s BossArea - Boss GL-100 Guitar Driver It's an very cool solid state analog guitar preamp - a very different flavour to the typical tubey sounding preamps. Ideal for clean 80's stuff. For many years it smoked all the digital models - and it still has a lot to offer.The copyright date of the manual is usually pretty close to when the product was introduced.Thanks for some validation on that.Memorials, RIPs and Obituaries Grove Park, Maidenhead, Berkshire SL6 3LW.Hosted by Nimbus Hosting. I like the boss distortions, couldnt score the OD-20.iin fact got screwed on one by a sniper at 4seconds. Hit distortion on the Boss, and WOW. Im finding my own but i dont mind hearing others sounds. It's about as expensive as a DS-1 but with loads more options. Did you gewt the rack ears too (I'm looking for them ) Id offer em if i wasnt rackmounting it.Im thinking i could just make one no. I figure ill wait to see what other rackmount gear i get. I have the behringer midi controller, itd be nice to convert everything to work off of that It had been sitting in a shop in Brunswick, ME for over a year.These things are a steal for their current price. It needs some cleaning of the pots, kinda beat up but still works fine. It uses a latching footswitch for channel selection, to whoever asked. I kinda like it, especially for the price. If not, no big deal I guess.Though it can function like a pedal in most respects, I tend to think of it as a 9-channel preamp. Though it can function like a pedal in most respects, I tend to think of it as a 9-channel preamp. However, it's EXTREMELY level sensitive, and it gets a crackly distortion on top of whatever else it's doing, and the level without the crackle is too low. Does anyone know what this might be? Mine came without ears and I did some online shopping and found this set of ears for sale.I've used it on more recordings then I can count.http://www.connect-senior.ch/uploades/userfiles/boss-gt-10b-manuale-italiano.xml I did use it for awhile in my live rig, but it does better driving a power amp then running it into a guitar amp, but its still not bad that way. It does have channel switching but not bypass mode. If you want to use it in place of a pedal using an effect loop switch so you can bypass it completely may be an option. Its got speaker emulation that removes the harshness you normally get from a preamp signal when you record direct. Its also got High and low impedance outputs, a buffered out (for a tuner or another amp) and a stereo effects loop. Even stereo chorus takes on a whole new sound. You can plug in mono too if you're going to use a single amp, but it really opens up when you're running stereo. If you have a basic amp with no channel switching this unit can provide that. You can get some Boston type driven guitar if you use the high gain settings and play with the mids but overall its drive tones are a bit 80ish. Since its got an effects loop you can run other gain boxes in the loop and get more variety. I used it with a Yamaha GEP 50 (a rack unit nearly identical to the SPX90) in the loop for a long time because it had great reverbs, echo and chorus. I also ran other gain pedals in the loop for more variety. I haven't used mine for a couple of years, mainly because I got bored with the sounds and wanted to use something else for awhile. I've been using other rack units like an ART SGX 2000 and other modern multi effects units lately for recording but I'll likely break the boss out again at some point. I had an Alesis midiverb in the effects loop They have one show in Arizona in November which is about 1170 miles away. There has to be something unique there to catch my ear and remember who did it. I may know some of their songs from having heard them on the radio but I honestly couldn't list one of their songs off the top of my head. Never quite got on with it. Never quite got on with it. I then played with a guy in a band who had one and wasn't impressed.http://superbia.lgbt/flotaganis/1649123544 I don't think he know how to use it very well, but still it lacked Gravitas. We did allot of recordings together over a 5 year period. Many of the effects were pretty good but he still couldn't match the driven tones I'd get using simple stomp boxes. I should sell a bunch of them off myself. I love my GL-100. I used it as my pseudo Mesa module. On top of my Red Knob Twin running through an ART Multiverb EXT. Playing my only electric, my 1980 ES Artist. And a shameless plug to my music. Here's my problem I would love some expert advice on. Sometimes when I plug into the GL-100, I get no output. Full gain input would seem to overpower the problem and I would return to normal levels for a while. I then switched to the rear input which seemed to solve the input problem completely until today. I would love to solve this input problem. Is it just the input jacks or is it something else. I'm not shy on taking things apart and am handy with a soldering iron. Any help would be greatly appreciated. May not be the input jack either, it could be an output cord or whatever you have connected in a loop. Cheap plugs are riveted together, a couple of tings and the rivet loosens up and then you have a loose ground. Sometimes the cord gets oxidized too. Take a piece of steel wool and clean the connector ends so they make a good contact plugged in. If its intermittent there's likely a cracked solder joint. The unit would need to be opened and the solder joints re-soldered. Don't attempt to clean the connectors. They are made of plastic and the cleaner may damage the plastic forcing you to replace them. If anything you can put some cleaner on the plug then insert it while its still damp and rotate it to only clean the contacts. Bad things can happen. First, if its a bad solder joint it may temporarily mask the problem. The cracked solder may make a contact and seem like its better till it oxidizes again. The cleaner can cause the jack to disintegrate.http://essentialchef.com/images/boss-guitar-driver-gl-100-manual.pdf I wiped out a used patch bay once trying to clean the plastic jacks. They all started cracking into small pieces within a month or two due to the solvent in the cleaner. Leaving fluid on the board can eat away at the protective coating they put on boards to resist dirt and moisture. Electrical solder contacts on components once exposed to the air can wind up oxidizing badly over time and short the board out. Alcohol does this to solder for some reason. As a tech I leaned from my mistakes because I was the guy who had to fix the problems I created. If you get alcohol on a board you have to dry it then treat the board with a petroleum based cleaner. It seals the plastic coating and prevents oxidation. Alcohol removes it and accelerates oxidation. The plastic jacks are cheap garbage and once the stainless steel connections inside get flattened out there's no fix for them. Plastic jacks get damaged easily when you yank on a cord. Using the rear input is your best option. (if you're positive you haven't got a bad cord. Have you opened it up? Each push and pull of a cord or knob was stressing the pins directly mounted to the PCB. I tried a few different cords and none made a difference. I'm pretty certain it is on the GL-100. I'll open it up and take a look today. Really appreciate you getting back so quickly. I'll let you know what I find and how it goes. Have you opened it up? No bad caps and everything solid as a rock. I hadn't used it in about 12 years and you know how that goes with gear. I was wondering if there was something I was missing and an easy way to diagnose. I just took some WD and a q-tip and cleaned the contacts on both inputs. A little dusty but not rusty or caked with anything. And not loose in any way. I thought of bending the contacts to make a more solid connection but I left it alone and both front and rear inputs are working fine for the time being. I ran my U-20 through it with Organ1. Man with some distortion it sounds awesome.http://limpiasol.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626f060d1e6a5---bosch-rexroth-indradrive-m-manual.pdf I need to replace the backlit LCD in the ART Multiverb also. Opened that up and it will be easy to get to. Luckily the part is available. Thanks for the help. Really appreciated. No bad caps and everything solid as a rock. Really appreciated. I have one pre with a balky tone stack so I shimmed it with cardboard, That does the trick although in this case the shorted sound is louder and more present. Go figure. The solvents can damage plastic too. In a pinch use some rubbing alcohol or naphtha (lighter fluid) on a Q tip, or douse the end of a jack and work it in and out a few times. It should get rid of any dirt building. Paste as plain text instead Display as a link instead Clear editor Upload or insert images from URL. Gammel vintage sak som ble levert uten rack orer, men pa denne har jeg tapet pa en variant som folger med. Godt brukt med fungerer fint mtp alder osv. Kjoper betaler frakt. GL-100 Guitar Driver. The GL-100 is a 1 unit rack-sized preamplifier. There's also a separate switch at the back to turn off the speaker simulation if the unit is connected to a power amplifier with speakers.The manual contains a couple of pages with 18 sample settings ranging from Jazz to Heavy Metal.Schibsted er ansvarlig for dine data pa denne siden. Les mer Schibsted er ansvarlig for dine data pa denne siden. Les mer Vennligst sla pa JavaScript i nettleseren og prov igjen. Description: It works perfectly. Two rubber feet are a substitute. The rack mounting parts are missing. Payment: Please pay by Paypal only. Shipping: DHL Registered from Japan. Ship to verified address in eBay. International Free Shipping with tracking number. If you would like to know a postage quote, please let us know your country and zip code. Customs duty: Not included (Import duties, taxes and charges) Notice: International buyers must check with your country's customs office to determine about import customs duty. You are the light of the world.http://www.65doctor.com/upload/admin/files/concertmate-500-user-manual.pdf Just two months after the launch of their flagship Katana MkII amp range, BOSS has unveiled something even more intriguing - the Waza-Air wireless guitar amp headphones. First introduced in 2016, these versatile guitar amps have been universally-praised for their convincing valve sounds, high-quality built-in effects and incredible affordability. It’s no surprise they’re best-sellers not only for us, but worldwide! Alongside the core amp range, BOSS introduced the petite, battery-powered Katana Mini a couple of years ago and unveiled the Katana Air shortly thereafter. The latter was particularly noteworthy, as it was hailed as the world’s first truly wireless guitar amplifier. BOSS Waza-Air Headphones for Guitarists! Skip to 11:25 to hear what these headphones sound like. Rob's Reaction - 5:05. Wireless Headphone Demo - 11:25. The Captains Reaction - 13:30. Danish Pete's Reaction - 25:09. BOSS introduces the Waza-Air wireless guitar amplification system, a revolutionary new wearable Over-Ear guitar sound system with a Natural Amp-In-Room tone! Designed with guitarists in mind, BOSS has fused their premium amp range, effects and wireless technology to create a dynamic 3D sound. Watch The Captain, Rob, and Pete give their first impressions on this next-generation guitar amp. Let us know what you think in the comments below, Is this the first virtual reality guitar amp. Get the Andertons backing tracks here -. Interested in other Andertons YouTube channels. Andertons Drummers YouTube Channel. Andertons Shopping Website. Make sure to subscribe to Andertons TV for more great videos like this: Essentially, BOSS’ Waza-Air wireless guitar headphones provide users with their very own personal amplifier system. But there’s far more to them than that. We’re going to fully explain the impressive functionality of this potentially game-changing product. Is it a contender for the best piece of guitar gear of 2019. We think it could be.http://plusbateria.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626f061d7eb6b---bosch-rexroth-indradrive-manual.pdf In fact, most would probably say that, at some stage, they’ve used their amp’s headphone output or perhaps a software-based amp simulator as a means of practising quietly. And even professional musicians recording in studios and playing onstage use headphones or in-ear monitors to hear themselves in a band mix. They typically sound flat, anaemic and are incapable of replicating the sound or ambience of an amp being played in a space.Much further, in fact. Restoring the resonance, presence and “moving air” sensation that’s often lost when using conventional cans, BOSS Waza-Air headphones offer an immersive sound to ensure an inspiring experience. And with their over-ear design and large, custom-designed 50mm drivers; they’ll cancel-out most background noise so you’ll feel truly in the zone. Using an integrated gyro sensor to detect your head movements as you play, this technology then drives sophisticated 3D algorithms, providing a spatial realism akin to playing through an amp in a room. This means the character of the amp sound changes and even moves left or right depending on the position of your head. It’s like VR for your ears. This is accessible via the accompanying (and free) BOSS Tone Studio mobile app, which connects to the Waza-Air headphones with Bluetooth.Not only does it alter the amp placement and acoustic characteristics of virtual spaces like we explained, but it also allows you to experiment with an entire palette of different amps sounds and effects. BOSS Waza-Air headphones are designed with all types of musicians in mind. This includes lush modulation, reverb and delay effects that sound mesmerising with Waza-Air’s unique spatial experience. And of course, these effects can be easily customised to your specific tonal tastes with various virtual controls. These patches can be switched either with the app or via the two buttons on the right headphone ear, with the thumb-wheel letting you adjust volume.sweetestspaparty.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626f062c328e6---bosch-rotak-320-lawnmower-manual.pdf While the Waza-Air headphones are able to store six onboard presets, you can save far more on the app and even download ready-to-play presets created by other users. Built-in Bluetooth not only allows you to connect seamlessly with BOSS Tone Studio, but it enables you to also stream music through the headphones from your phone, tablet or computer. So if you want to jam along with your favourite songs or backing tracks, you can do so easily and comfortably; just like the guy in the photo above.With the included BOSS WL-T wireless transmitter, you can plug this small device into your guitar’s output for completely cable-free operation, enjoying up to 5 hours of continuous playing time. Additional thoughtful touches include auto standby and wake functions, which conserve battery life between playing sessions. Fortunately, BOSS has designed them to be very ergonomic, so that they don’t feel fatiguing during extended playing sessions. The conforming earpads gently cushion your ears and ensure optimal driver performance, with the wide headband not putting excessive pressure around your skull. They also have a contemporary two-way design that allows you to fold the headphones down, making it super-easy to store the BOSS Waza-Air headphones in a gigbag or a guitar case. Click here to view all of our Learn articles. For more information on the other topics mentioned in this guide, check out our related articles: Blackstar Silverline Amps Fusing premium amp and effect tones with breakthrough BOSS spatial technology, the revolutionary Waza-Air takes the guitar experience where it’s never gone before. This personal amplifier system brings stunning realism to playing with headphones, using a gyro sensor and moving 3D space to deliver natural “amp-in-room” tone that’s rich, resonant, and infinitely inspiring. All audio connectivity with Waza-Air is 100-percent wireless for a hassle-free experience.5percent-design-action.com/upload/users/files/concertmate-200-manual.pdf Also you can wirelessly edit, organize, and download tones with the BOSS Tone Studio app. Visit boss.info for product information: Having studied Music and Music Technology, his interests lie equally in both performance and production. Favouring Fender instruments and Marshall amps, Elliot is also a pedal fanatic with a large collection of effects. Don't understand how to buy? 1. Enter your messageMonitor Out from output. check did. mode, equalizer part.SEND,RETURN,Balance Out etc., no check item. exist therefore junk treatment.Questions to the Seller Top Search for spare parts by catalogue. Angebote Hilfe Verkaufen Beobachtungsliste Beobachtungsliste einblenden Laden. Es ist ein Problem aufgetreten.Mehr zum Thema - Wird in einem neuen Fenster oder Reiter geoffnet Angaben ohne Gewahr. Der Betrag kann sich bis zum Zahlungstermin andern. Weitere Informationen finden Sie in den Nutzungsbedingungen fur das Programm zum weltweiten Versand - wird in neuem Fenster oder Tab geoffnet Angaben ohne Gewahr. Fur Kaufer mit Wohnsitz in einem EU-Mitgliedsstaat au?er Gro?britannien ist die Importsteuer nicht erstattungsfahig. Weitere Informationen finden Sie in den Nutzungsbedingungen fur das Programm zum weltweiten Versand - wird in neuem Fenster oder Tab geoffnet Mehr zum Thema - wird in neuem Fenster oder Tab geoffnet Mehr zum Thema - wird in neuem Fenster oder Tab geoffnet Mehr zum Thema - wird in neuem Fenster oder Tab geoffnet Mehr zum Thema - wird in neuem Fenster oder Tab geoffnet Mehr zum Thema - wird in neuem Fenster oder Tab geoffnet Ein Artikel mit Abnutzungsspuren, aber in gutem Zustand und vollkommen funktionsfahig. Bei dem Artikel handelt es sich unter Umstanden um ein Vorfuhrmodell oder um einen Artikel, der an den Verkaufer nach Gebrauch zuruckgegeben wurde. Weitere Einzelheiten, z. B. genaue Beschreibung etwaiger Fehler oder Mangel im Angebot des Verkaufers. It is an original service manual in very good condition, complete and very detailed. With specs, block diagram, exploded views, parts list, circuit diagrams, schematics and more ” Kontaktieren Sie den Verkaufer - wird in neuem Fenster oder Tab geoffnet und fragen Sie den Versand an Ihren Standort an. Bitte geben Sie eine gultige Postleitzahl ein. Kitts und Nevis, St. Lucia, Montserrat, Martinique, Nicaragua, Panama, El Salvador, Turks- und Caicosinseln, Trinidad und Tobago, St.Bitte geben Sie eine Nummer ein, die kleiner oder gleich 1 ist. Alle Rechte vorbehalten. Something went wrong. Cancel Thanks, we'll look into this. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. It can be a tough challenge to decide and to find pedals that suits your rig and purpose. The wrong pedal for your amp and guitar, can do more harm than good and cause a lot of frustration. Do I want boost, overdrive, distortion or fuzz. Will I be using two or more gain pedals at the same time? Transparent and mids scooped and on the other side of the spectrum, compressed and mids boosted. These pedals can sound horrible on an uncompressed, mids scooped Twin or smaller bedroom amps, but creamy and smooth on a compressed and mids boosted Marshall. The idea was to capture the tone of those huge tube stacks in all their glory in a small box. The design with new technoligy, was also more relieable than the previous silicon and germanium transistors. Read more about how to choose the right pedal for your amp here. This can either be to produce a volume or gain boost for solos or, like David does, to blend the character of two pedals, for more saturation and sustain. David often does this with either a Muff and Powerbooster or Tube Driver. Try placing the overdrive pedal in front of the Muff but be careful with the total amount of gain and volume. Some Big Muffs, like the Sovtek models and clones, are often best alone. As can distortion pedals like the Rat and similar, like the Buffalo Evolution, TopTone G2 etc. The perfect blend will produce a great tone. Too much, and everything sounds like crap. Trust your ears and know your gear. Smaller, typical bedroom setups are often better matched with overdrives with more midrange and compression. Be aware though that this pedal demands a loud tube amp and can sound a bit flat and fizzy on lower wattage and volume. The 18V has more headroom compared to the 9V, although both delivers a wide range of tones from clean boost to near fuzz.It sounds huge, with tons of headroom and a massive low end. You can easily crank it up for smooth almost fuzz-like tones and the powerful 2-band EQ makes it easy to tailor the tones to match your amp and guitar. Of all the Powerbooster clones out there, I find this to be the most authentic sounding, with much of the same character and mojo as the original. See my full review of the Bananaboost here. It has a huge headroom but can easily be set up for some nice overdrive and fuzz tones. It’s slightly darker and the top end noticeably smoother, making this an excellent choice for smaller amps and bedroom setups. See my full review of the Power Booster here.It has a distinct vintage flavour and of all the clones out there, perhaps the smoothest fuzz tone of them all. It is also slightly more compressed than most models, which can be tricky on already compressed amps but on the right amp, you’ll get a very smooth and well balanced character. See my full review of the Overdriver here. Of all the clones listed here, this one has the most headroom, with an almost twangy character. The pedal is packed with modern features, including a germanium gain stage and pre-gain. Use it as a stand alone overdrive pedal or as a clean booster to add life and character to your amp and pedals. See my full review of the Overdriveboost here. The Fire Bootle is an incredibly dynamic pedal that can make your guitar and amp sound like a million bucks and bring out nuances in your tone and playing that you thought never were there. If you’re looking for a booster for your Muff, then look elsewhere. If you want a powerful tool that will probaly change your conception of tone then this is it. See my full review of the Fire Bottle here. Add a mids boost and your guitar will cut through the mix like a sharp knife. The Shine Boost offer both. A crystal clean volume boost and, by the flick of the switch, volume boost and mids boost similar to the EP booster. This pedal is an awesome tool for adding life to your amp and for boosting fuzz and Big Muffs, that often has a scooped character.Use it as a transparent volume booster or, add a bit of dirt for tube-like compression and grit much like the EP preamp. The Mini Driver can either be used to boost other pedals, drive your tube amp or as a stand alone mild overdrive. Excellent alternative to the Colorsound Powerboost or for simply adding a bit of life and sparkle to your tones. The tube makes a huge difference compared to most other overdrives, adding a unique warmth, compression and dynamics. Like the Powerboost, this one demands a loud tube amp. Not a lot of headroom, although lower gain settings allows a nice, crunchy clean boost. The current 2006 model also has a bit more top and gain, compared to older models, such as the Chandler. Using different tubes, like a 12AU7, can change the gain structure dramatically and add lots more headroom and warmth.The Tube Driver can often sound a tad fizzy in the top end and flabby in the lows but the TD-X sounds perfectly balanced and the top end in particular, sound smooth and nicely rounded off for an overall warmer and more dynamic character. Like the Tube Driver, the TD-X has a nice headroom and plenty of gain, when you crank it up. To me, the TD-X sounds much smoother and perhaps more linear when you set it up for distortion tones, which makes it more versatile for most setups. See my full review of the Buffalo FX TD-X here.Like the Tube Driver, the Crayon can deliver anything from clean boost to tube-like overdrive and distortion and its two EQ controls allow you to shape the tone to any amp. The Crayon can also be tweaked for more vintage tones similar to the Colorsound Powerboost that David Gilmour used during the mid 70s. The circuits are identical.The active tone controls makes the Tube Driver very bright and aggressive, but roll them all the way down, like Eric does, and increase the gain for aTube Screamer-ish overdrive with lots of compression and midrange. It has a transparent, bright tone with lots of tube-like compression and warmth and a gain character ranging from clean boost to distortion. What I like about this pedal is that the more you increase the gain and tone, the more compressed it gets, which means that it will never get thin and fizzy. An excellent alternative to the similar sounding Tube Driver, especially for bedroom setups. I strongly recommend the Robert Keeley modified version for a smoother and warmer tone.Nothing really beats these two in terms of smooth, creamy overdrive and endless sustain. Of all the different Ibanez and Maxon models, the TS9 and OD808 are the best sounding. Check out some of the many clones available as well, like the MJM Phantom Overdrive and Way Huge Green Rhino for a bit more lower end and gain, as well as a few more features. At least not with the typical Gilmour settings. The Carrera address that and offer the same tube amp tones and character, with more mid range and compression. This pedal is extremely responsive and dynamic and ideal for bedroom setups and scooped amps. See my full review of the Carrera here.Both are more or less based on the elusive Dumble amp, which had an enormous amount of mid range. The Tree of Life blends both pedals perfectly together, creating a versatile mix of low end, mid range, headroom and gain. You can easily use this pedal for beefing up a dull clean tone, boosting other pedals or as a dedicated overdrive or distortion. The high amount of mid range makes it fit almost any amp and bedroom setup. See my full review of the Vick Audio Tree of Life here.Not an obvious Gilmour pedal perhaps but the Dover Drive easily covers all of David’s recent overdrive tones, from Division Bell to present. It’s impossible to dial in useless or harsh tones with this one. It’s just creamy sweetness all the way and personally, this is my new go-to overdrive for recording sessions. See my full review of the Dover Drive here.Like the original, the Soul Food provides a wide range of tones, from fat, transparent cleans to creamy overdrive saturated with warm mid range. It can sound a bit boxy and dull on its own but it cuts nicely through a dense band mix and pairing with a cranked amp will produce the sweetest sustain. An excellent choice for any amp and bedroom setups in particular. The pedal has lots more gain and lower end though, which makes it work just as good as a distortion with a RAT-ish tone. A toggle switch allows you to add a bit more top end and presence, taking the pedal towards a Tube Driver.The Glove offer the same huge tones, with a distinct tube-like character, fat lows and a smooth mid range that will match any amp.Highly recommended for bedroom setups and mids scooped Fender and Vox amps in particular. See my full review of the SviSound OverZoid here.The Deco replicates the compression, saturation and overdrive you would get from plugging your guitar into those old tape machines. Either as a stand alone overdrive or as a booster, the Deco provides super smooth tones from clean to moderate overdrive, nicely compressed and with enoygh low end. Like those old tape machines, the Deco also offer amazing sounding flanger, chorus and delay.