boss gt pro manual
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boss gt pro manualNo part of this publication may be reproduced in any form without the written The lightning flash with arrowhead symbol, within an CAUTION equilateral triangle, is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated “dangerous voltage”. Also, all cords and cables should be with your retailer, the nearest Roland Service placed so they are out of the reach of children. Center, or an authorized Roland distributor, as listed on the “Information”. If using some other make of connection cable, please note the following precautions. SPEAKER Button 4. Press to change the settings. 23. EXIT Button 10. Stereo Headphones Tuner etc. Guitar Amp Foot Switch EXP Pedal EXP Pedal (FS-6 etc.) (Roland EV-5 etc.) (Roland EV-5 etc.) External Effects Processor External Effects Processor OUTPUT INPUT INPUT OUTPUT MIDI IN MIDI OUT OUTPUT. MODE switch and POLARITY switch as shown below. When using the GT-PRO with different guitars, you can conveniently adjust the input levels for each patch with 2. These knobs The GT-PRO’s internal effects are switched on and off with let you make adjustments or changes to the selected patch’s button controls.You’ll probably want to take advantage of this feature by assigning names that suggest the sound you’ll obtain, or the song in which it’ll be used. On the GT-PRO, you can “swap” or exchange the positions This is convenient when you want to create a new patch from of two User patches. The following explains how this is done. COSM technology plays an indispensable role in simulating The sound being input to each effect is called the “direct. This is the built-in speaker of the amp you Effective with Dynamic selected for Chan- Original selected with “Type.” nel Mode. Models the sound of the Channel 2 RAW Warm Clean This gives a mellow, clean sound. R-FIER Raw. Connect original sound to add depth and breadth. This is an effect that produces a long sustain by evening out the volume level of the input signal.http://proia.bg/userfiles/boss-fbm-1-manual.xml
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Explanation Range Peak Type Adjusts the way in which the wah effect ap- see below Selects the type of tone modification. This adjusts the tone as a sub equalizer. A parametric type is adopted for the high-middle and low-middle range.This produces an effect like the sound of a rotary speaker.You can also play tar sound, then send the square waveform ( ) from the inter- individual notes on the guitar and let the GT-PRO judge nal sound generator.When it is set to “0,” no PWM effect is obtained.A parametric type equalizer is used continuously. This effect allows you to perform the melody for the upper and lower midrange. For more detailed information, refer to “Setting External. Delay Time (TAP) Used for tap input of the delay time. Here, you can individually determine which controller is to 6. Repeat Steps 4 and 5 as needed.EXP pedal: When using an external foot switch, or other controller that fig.06-0190. Controllers that can be selected as the source are shown Value Explanation. The GT-PRO features a function called Internal Pedal system. CTL PEDAL 1 This function assigns specified parameters to a virtual EXP. The patches are switched automatically When a patch is selected on the GT-PRO, a Program Change when the program numbers corresponding to the patches are message corresponding to the patch number is transmitted input along with the performance data at the points where simultaneously. Set The MIDI messages that the GT-PRO can transmit and them as needed, depending on the intended use. For more details, reefer to p. 77. MIDI EXP1 OUT (MIDI EXP 1 Pedal Out) fig.07-0100d. MIDI is an acronym for Musical Instrument Digital Interface,. Both “Now sending.” is displayed, and the data is the GT-PRO and FC-200 are set at the factory to MIDI transmitted to the FC-200. You can save the tone settings (patches) you point you need to turn off the power to the GT-PRO and install the driver. Set these functions according to how you want to use the unit. fig.09-0080d.http://chakad-co.com/userfiles/boss-fbm-1-fender-59-bassman-manual.xml Set this to On when using the GT-PRO as a standalone device, without connecting to a computer (no sound will be output if this is set to Off). Set this to Off if transmitting audio data internally through a com- 3. When you set the GT-PRO to the Advanced driver mode (p. This is not limited to touch wah, but provides tonal changes in real 5. This is called the “Global function.” With the Global function, you can temporarily change your settings to match those of your equipment and the operating. If this occurs, adjust jacks or those input via USB, to which the effects are applied. When the Tuner is turned on, sounds input to the GT-PRO The name of the note closest to the pitch of the string that are output directly as is (bypassed), and the tuner is was played appears in the display. Bypass Sounds input to the GT-PRO bypass the processing and are output directly as is. When the tuner is switched on while set to “Bypass,” you can adjust the volume of the direct sound by moving the EXP pedal (EXP pedal connected to the EXP PEDAL 1 jack or the FC-200’s EXP pedal (MIDI. If you should require this publication (such as when you intend to carry out byte-level programming), please contact the nearest Roland Service Center or authorized Roland distributor. Mode 1: OMNI ON, POLY. The GT-PRO Driver sends data from the application to the GT-PRO, and passes data from the GT-PRO to the application. In Special driver mode, audio signals are transferred between the GT-PRO and the computer at a bit depth of 24 bits and a sample rate of 44.1 kHz. You are now ready to install the driver. Before connecting the USB cable, switch the GT-PRO’s driver mode to “Advanced.” For instructions on switching the GT-PRO’s driver modes, refer to “Switching the Driver Mode” (p. 88). Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Log on to Windows using the same user account as the one used when the driver was installed.http://www.raumboerse-luzern.ch/mieten/bosch-logixx-tumble-dryer-user-manual Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting,. Continue the installation. If “File signature verification”. If you fail to make this setting, you may experience interruptions in the sound. To ensure that MIDI and audio processing occurs smoothly, use the following procedure to make settings.Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. File (driver) copying will begin. If the Windows CD-ROM is not inserted in the CD-ROM drive, a Insert Disk dialog box may appear. For System icon may be displayed details, refer to the owner’s manual for your software. Software settings Before you start up your software, use a USB cable to connect the GT-PRO to your computer.In Special driver mode, audio signals are transferred between the GT-PRO and the computer at a bit depth of 24 bits and a sample rate of 44.1 kHz. In the Driver (Mac OS X) folder of the CD-ROM, double-click GTPROUSBDriver.pkg. The display will indicate “Welcome to the BOSS GT-PRO USB Driver Installer”.If a GT-PRO is already connected to your Macintosh when you install the driver, a message like the following will appear when the Macintosh is started up. Perform the steps described below as appropriate for the message that is displayed. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Verify that the OMS MIDI Device Setup dialog box lists the GT-PRO.Make MIDI device settings on your sequencer software. For details on settings, refer to the manual that came with your software.https://jdlgroup.ca/images/boss-gt-pro-manual.pdf The About Quick Setup dialog box will appear. A setting window will appear. In the setting window, change the device name indicating the MIDI device connected to the GT-PRO as follows. If the sound of the alert comes from the GT-PRO when you do from your Macintosh (including so, it means that the GT-PRO is being recognized and that the driver has been installed properly. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Test signals will be output from the GT-PRO; left first, then right, as indicated in the screen. fig.12-450 In the Sound dialog box, click the Input tab. Perform the driver installation (p. 138) once again. To adjust the latency, change the Buffer Size in the driver settings dialog box. BOSS GT-PRO will not be displayed unless the classic view is selected. MIDI messages arriving at the MIDI IN connector cannot 3. In such cases, connect only the GT-PRO the driver must be installed. For installation and settings, to your computer. Mac OS 9 users 1. Disconnect the USB cable (by which the GT-PRO is connected) from your Macintosh. 2. From the system extensions folder, drag “USB GT-PRO Driver” into the trash to delete it. For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name: GT-PRO Type of Equipment: Guitar Effects Processor Responsible Party: Roland Corporation U.S. Address: 5100 S.Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700 Telephone. But when it comes to guitar tone, does the GT Pro put Boss in charge? However, the Boss product line has also included some serious guitar-based multi-effects processors. For a good number of years these products have been based upon Roland's COSM (Composite Object Sound Modelling) technology which, amongst other things, provides the required amp and cabinet modelling. As described later, this makes it possible to produce some huge guitar tones.http://lalitas-thaimassage-spa.de/wp-content/plugins/formcraft/file-upload/server/content/files/1626ef96664a08---bosch-ps50-2a-manual.pdf That said, the GT Pro also comes with a fairly hefty price tag — so is it a price worth paying? Both the front and back panels are fully stocked. The front-panel controls are split into a number of logical groups, on the far left being the input and output controls, including a guitar jack input (usefully duplicated on the rear panel, although the front-panel socket takes precedence) and a headphone output. Centre-left is dominated by the display, a large rotary knob for patch selection or parameter adjustment and a set of extremely 'amp-like' tone and presence controls. The mass of buttons to the right of the display deals with all the effects options and provides access to the unit's various system settings. On the rear panel, all the analogue connectivity operates at 24-bit, 44.1kHz. This includes the unbalanced main outputs and both unbalanced and balanced (XLR) 'Sub Out' outputs. In a live context, the main outputs might be used to feed a guitar amp (or pair of guitar amps), while the Sub Outs could provide a direct feed to a mixer. The final key feature of the rear panel is the USB connector.The effects options are split into 44 categories and up to 15 effects blocks can be used at any one time. These categories include overdrive, distortion, compression, limiting, chorus, delay, reverb and wah, with the more unusual defretter, guitar simulator, sitar simulator and wave synth amongst the many others. Combinations of these amp and effects models can be built into patches and, alongside the 200 preset patches, the unit can hold a further 200 user patches — enough for even the most demanding of tone tweakers. These devices include simple expression pedals such as the EV5 and switches such as the FS5U or FS6, but the top of the range is the FC200. This offers 13 footswitches and an expression pedal and, via the dedicated FC200 'mode' available in the GT Pro, would provide an excellent companion for the processor, both in the studio and on stage.alliedpers.com/userfiles/files/8753es-programming-manual.pdf This would enable the switching of patches, expression-pedal control with effects such as volume or wah and the ability to turn effects on and off on the fly.Given the processing power provided by the GT Pro, things can get a little more complex, as each patch can have both A and B channels (rather like many traditional guitar amplifiers) and different amp and speaker combinations can be selected for each channel. In the former, the two channels are separated to the left and right outputs, so in a studio setting you might have a Fender Twin model coming out of your left monitor and a Marshall stack model coming out of the right. As you can also specify a delay of up to 50ms between the two channels, this can create some very convincing 'double-tracked' guitar sounds. In dynamic mode, channels A and B are switched depending on picking intensity. With suitable sounds programmed in both channels, this can provide some very creative options for changing the guitar sound on the basis of how hard you play. Dynamic control can also be used with some GT Pro effect types, most obviously with the touch wah. In part, this is simply because of the many dedicated buttons on the front panel. However, guitarists can be a conservative lot when it comes to technology (although this probably doesn't apply to those that are regular SOS readers) and I could easily imagine potential purchasers being a little daunted during their initial encounter with the GT Pro. Inevitably, patch editing via a graphic interface on the computer is much more intuitive than via the GT Pro's own 16-character, two-line LCD. The GT Pro Editor also allows users to make easy adjustments to the effects signal chain by simply dragging and dropping the various effects blocks at the base of the window. The Librarian application does its job well enough, and the only thing that I would have liked to see is a closer link between the two applications.http://eduomania.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626ef975b6384---bosch-product-manuals.pdf During my tests the ASIO drivers certainly seemed to behave themselves well enough for both recording and playback duties via Cubase SX. The SX Performance meter barely flickered while my computer played back a mix containing a couple of VST instruments and half a dozen stereo audio tracks while simultaneously recording a new stereo track via the GT Pro. The only odd behaviour I noticed was that VST intrument plug-ins seemed to take quite long time to load initially. Otherwise, the drivers performed well. While I'm not sure I'd want to use the GT Pro as my main audio interface (just as I don't rely on my own Pod XT for these duties), it would do a respectable job if you didn't require a phantom-powered microphone input. One advantage of recording guitar parts via the GT Pro, however, is that it is possible to specify where in the signal chain the USB output is taken. While you might usually take an output with amp modelling and effects applied, you can also choose to record the unprocessed signal while still monitoring the processed one. The unprocessed signal could then be fed back to the GT Pro and 're-amped', allowing you to adjust the guitar sound to best fit the final mix without having to re-record the performance. This re-amped sound can then be recorded back to the computer. Mac: Mac OS 8.6 or later, Power PC G3 600MHz or faster, 512MB RAM recommended, 200MB hard disk space, on-board USB port. The presets tend to be dominated by some big-sounding tones, often layered with a good dose of effects. While I'm sure the intention is to impress when the unit is being demo'd in a shop, the sounds are undeniably good. If you need a single sound to fill a lot of space, these are just the job.http://bizwd.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626ef989c7f29---bosch-product-instruction-manuals.pdf One or two of the more off-the-wall processes are perhaps less effective upon close studio examination (the acoustic guitar simulation, for example) but would work well enough in a live context, while some of the others — including the wonderful slicer — provide plenty of creative possibilities. Finally, there's a USB port for direct connection to a computer. Photo: Mike Cameron A good number of the presets are aimed at various styles of rock, but there are some nice clean and special effects patches too. However, as with all units of this type, it's always worth digging beneath the effects and listening to the basic amp and speaker modelling. The GT Pro has nothing to hide here, as it is very capable of producing a wide range of basic guitar-amp sounds without the fairy dust provided by the effects. From glassy, clean tones through to absolutely saturated hi-gain, pretty much everything is provided, and mixing and matching between the various amp models and the different speaker-cabinet types produces even greater variety. There is a place for both of these approaches and I'm sure individual players, with their own playing styles and musical needs, would have their own preferences when auditioning the GT Pro alongside their current amp-modelling weapon of choice. All that said, I'd be more than happy to find a GT Pro in my own rack. From a technical and sonic perspective, this is a very professional piece of equipment. Pros Huge number of processing options in a relatively small space. Excellent range of effects. Ships with editing software. Cons A little pricey for some. Front-panel editing may be a little daunting for some at first. Everything You Wanted To Know About Studio Headphones. 1 month 3 weeks ago. Top 10 Boring Things That Are Really Important In The Studio 2 months 3 weeks ago.alisawedding.com/upload/users/files/8753es-network-analyzer-manual.pdf The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers. I read that the GT-Pro has a PRE LOOP feature, where you can connect effects like Overdrive, Distortion, etc. Basically effects that will come before the preamp - hence the PRE, I assume. Well, I have a question then. That should be correct, right. Another one. I can't seem to find any place to adjust settings of the PRE LOOP. The manual says nothing. Are there any, or? Anyone how know more about this. Thanks! Cheers! Kenni. I've pulled out my old GT-Pro and while reading through the manual I discovered something I wan't aware of. I read that the GT-Pro has a PRE LOOP feature, where you can connect effects like Overdrive, Distortion, etc. Basically effects that will come before the preamp - hence the PRE, I assume. Well, I have a question then. That should be correct, right. Another one. I can't seem to find any place to adjust settings of the PRE LOOP. The manual says nothing. Are there any, or? Anyone how know more about this.Thanks for that. Okay, I see - fixed at -10dB - got it. I've try and mess around with it some more, and see what happens By the way - the connections are correct, right. Connecting the pedal's input to the send on the PRE LOOP and the pedal's output to the return on the PRE LOOP? Thanks! You will need a GT-Pro USB driver installed from the Boss site. Subscribe to our free newsletter Request a new review On paper, hyper-attractive. Extensive routing possibilities including with other external effects. UTILIZATION very easy to use. Comes with a dedicated software more. SOUND QUALITY THE-TEST-AS-TUE: go inside your guitar signal bypasses ALL EFFECTS. And then you will understand why my bill and I sold it immediately after purchase. OVERALL OPINION The've sold shortly after purchase (3 weeks) for its poor sound quality. Too bad, because theoretically it should have been a fabulous machine (now largely supplanted by Fractal Audio). The price??? NEW bought in 200? almost ARGUS current price?! So if you see one thrown in a dumpster, leave it there! 10 of 33 people found this review helpful Did you find this review helpful? yes no. Tutorial in IMMEDIATE fun, progressive deepening of settings and configurations in the fun. Note that I did not install the configuration software on the computer, I prefer to do everything by hand on Pramper itself because I use it through a sound card dedicates computer music (not direct usb plug). UTILIZATION Equally, I like things simple on the surface. SOUND QUALITY used with. Fender Stratocaster.OVERALL OPINION Since one month, fully satisfied and as I esprais.UTILIZATION Simple configuration: BOSS Publisher excellent PC, but I try to do without because by repeating or concert I have no PC. From a GT3 to GT pro programming is really simple, it's the BOSS. Editing sounds not so simple when you have not used the multi-purpose. Manuel recovered on the net. SOUND QUALITY The effects are very well made, there are even too much, and I want to use a yendance at all, which is impossible.Whether the distos are clear or is perfect for my use. BOSS is the one like it or not OVERALL OPINION I use it for a year. At the time of purchase, I hesitated between GT8 and GT pro. I have selected from its connector and PC Editor. BREST of difficult to try another multi, I enjoy training in Paris for a tour of the mag and I have tried the ZOOM G9 2t (at all), WG 6, WG 8, LINE 6 (I do not like them against their distortion by clean sounds are very good) POD 2 - XT Pro - Pro X3 and DIGITECH RP 20 valve (very good but too difficult to program). The value is more than perfect view of the number of effect and preamp. I would do this chosen without hesitation. 5 of 6 people found this review helpful Did you find this review helpful? yes no I also use the simulator if acoustic guitar and it really giant. OVERALL OPINION I use it for some months he found a place in my home made rack without worry. The value for money and correct (especially since I got a 350 euro nine.The configuration is not too complicated and I'm doing well. The edition of such patches with the doc. The manual is complete. SOUND QUALITY - The effects are quite effective and the rendering is really not bad. We recognize overruns Boss, they have the characters and the expressiveness may be a little lack of depth but a demand for labor. Some factory presets let DSIR while others stand out (it's really con we can not erase them to do the best. But you get over 2000 euros. And then the Rocktron is complicated paramtrer SUPRA. Good-qualitprix. -If I had more I would have taken better tunes of course. But I am gnral trs happy because I really feel like my Line 6 dbarasser missing a lot of things. Frankly this is a good compromise GT Pro and that's an economic solution that combines ergonomics, quality sound and multiple audio configurations. It's really a good product. The couple getting married trs well. My big saturations have expanded and also more precision. 5 of 5 people found this review helpful Did you find this review helpful? yes no. This rack is simply a jewelry both in terms of sound it offers its use. The amp simulation is an ism that is RVer Both output power and offers proffondeur sounds, I will not say no more. It's been a month now that I hack it and I quickly found trs sound, whatever the type. I tested by connecting the output of a Stereo sound MAIN OUTPUT and OUTPUT SUB output on my amp JCM800 LEAD is simply great, the effect of proffondeur and clarity of sound houfff, I never heard m'tais play as well!! The qualisation of these outings RULES indpendement and it's powerful. I was amused that I reproduce the sound on my amp on a scratching sound, go take a small 5 minutes Settings, and in the ass. Looking for a JCM800 used? ! I continue my tests and I will give you more dtails ultrieurement. Hsitez if you buy it, tell you that for what it does, its price is low. Possibility dalterner dampli between the two channels, use simultanment components or change the pan in real time. Dynamic mode for switching based on the input signal level. Dusina 200 patches, 200 user memory, 44 catgories deffets, 15 blocks deffets simultanment available. Setting Free the string deffets. SOLO switch section dampli COSM to boost solos. AMP CONTROL to select channels else on your guitar amp. UTILIZATION Simple configuration (like a GX700 ), edition sounds simple is the manual trs clear.SOUND QUALITY I use a washburn dime JCM2OOO and an amp. I love everything! trs effective multi trsraliste by for the simulation.I play mostly mtal PFFFFFFFFFF trs trs is the big sound for any style, a hendrix slipknot everything goes. I just regret not having to buy more tt. 4 of 4 people found this review helpful Did you find this review helpful? yes no By using our services, you agree to our use of cookies. Find out more. Discover everything Scribd has to offer, including books and audiobooks from major publishers. Start Free Trial Cancel anytime. Report this Document Download Now save Save Boss Gt Pro Manual For Later 48 views 0 0 upvotes 0 0 downvotes Boss Gt Pro Manual Uploaded by kreatos Description: Manual BOSS GT Pro Guitar Procesor Spanish-Espanol Full description save Save Boss Gt Pro Manual For Later 0 0 upvotes, Mark this document as useful 0 0 downvotes, Mark this document as not useful Embed Share Print Download Now Jump to Page You are on page 1 of 162 Search inside document Browse Books Site Directory Site Language: English Change Language English Change Language. Search results for: (found: ) ask for a document File Date Descr Size Popular Mfg Model: Found in chassis2model: Found in repair tips. V Specification. Codes Are Set.. Diagnostic Trouble Code (MDTC) tool, or it can be a dash. Pleasurecraft's. (D) Components supplied by the Ford Motor Co.Rights Reserved.. Please call, email, or visit us online for technical support,. Service Manual. Post-PRO 88W system operates on two crystal-controlled, switch-selectable. Wiring and install should only be performed by qualified personnel. 22. Learn how we and our ad partner Google, collect and use data. Ask your question here. Provide a clear and comprehensive description of the issue and your question. The more detail you provide for your issue and question, the easier it will be for other Boss GT-100 owners to properly answer your question. Ask a question About the Boss GT-100 This manual comes under the category Not categorized and has been rated by 1 people with an average of a 6.4. This manual is available in the following languages: English. Do you have a question about the Boss GT-100 or do you need help. Ask your question here Boss GT-100 specifications Brand ManualSearcher.com ensures that you will find the manual you are looking for in no time. Our database contains more than 1 million PDF manuals from more than 10,000 brands. Every day we add the latest manuals so that you will always find the product you are looking for. It's very simple: just type the brand name and the type of product in the search bar and you can instantly view the manual of your choice online for free. ManualSearcher. com If you continue to use this site we will assume that you are happy with it. Read more Ok. In addition, It's like having a separate solo channel for every COSM amp model!200 effects presets plus 200 user locations Looking for BOSS's best effects. You'll find them here. As the top of GT line, the GT-Pro provides44 effects categories, with 200 preset- and 200 user-patch locations. Choose from compressors, overdrives, delays, reverbs, choruses, EQs, wahs, and dozens of other BOSS-quality effects - there's even a sitar and acoustic guitar emulator onboard. The GT-Pro also impresses with its ultra-flexible effects routing.Internally, the 15 effects blocks can be configured in any order you desire; externally, a trio of effects loops plus an array of assignable outputs enables the most flexible signal-routing configurations. Used as a rackmount guitar preamp, the GT-Pro crushes the competition with its advanced internal effects and routing flexibility.Incredibly clean signal path and professional audio connectionsDrive your tone in luxury through the GT-Pro's top-grade circuitry and balanced outputs. Thanks to its improved signal-to-noise ratio, the GT-Pro offers an incredibly pure signal path.Use the built-in ground-lift switch to keep your signal clean, no matter the stage or studio environment. In addition, the GT-Pro provides USB-Audio functionality.BOSS GT-Pro Rackmount Effects Processor Features:BOSS' most powerful rack mount guitar processorDual COSM amp se. BOSS TONE CENTRAL is a library service offering additional contents for BOSS products. By simply launching the dedicated BOSS TONE STUDIO application and connecting to the internet, you can download any of the free contents from our growing collection.