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boss gt 10 manual pdfAdditionally, in order to feel assured that you The manual should be saved and kept on hand as a conve- No part of this publication may be reproduced in any form without the Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual. By connecting any other expression pedals, you risk causing Text or numerals enclosed Indicate buttons. Utilizing COSM technology that transcends the realm of mere modeling, these effects achieve sounds with an even more natural performance feel and richer expressiveness than previous designs. The Use these buttons to switch effects on or off, or to change display screen on the left side shows the bank number.For detailed descriptions of operations, refer to the explanations in chapter 1 and after. Getting Ready Connect the Guitar and Amp 1. Connect the guitar and the guitar amp. Before turning on the power, confirm the following. This enables use as one of the GT-10’s effects. Guitar Amp Guitar External Effects INPUT. About the Bank and Number Display Choosing a Patch in the Current Bank The display on the left side shows the bank, and the display on the right side shows the Choose the patch you want to use by bank and patch number. Working with Effects Using the Pedals The EXP Pedal and the CTL 1 and 2 pedals can be set to use in switching effects on or off for individual patches, use as a volume pedal, and other such operations. Access the System Menu Choose the menu item. The setting screen for the selected screen.Quit the settings. (Go back to the previous screen.) Example 1 Example 2 Each press this button switches between Knob View and List View. Only the major parameters are shown in Knob View, you can adjust the parameters quickly. Let’s try creating sounds using EZ Tone. By connecting any other expression pedals, you risk CTL 3,4 jack, set the MODE switch and POLARITY switch as shown below.http://equator-maritime.com/userfiles/boss-dr-sampler-sp-202-manual.xml
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Once the connections have been completed, turn on power to your various devices in the order specified. Also, for each parameter, you can change the corresponding assignment at the SYS KNOB ASSIGN screen (p. Move the cursor to OUTPUT.A combination (or set) of effects together with a group of parameter settings is called a “patch.” The GT-10 can store 400 different patches in memory, organized by bank and number as shown below. fig.02-010 Preset Bank 50 Preset Bank 01. The bank and number appear in the GT-10’s display as shown in the following figure. fig.02-040d Bank Number Bank fig.02-050. The EZ TONE EDIT screen appears. P1 knob: Adjusts the distortion (DRIVE). P2 knob: Adjusts the delay time. You can more precisely create the sounds you want by editing each of these parameters individually.Select FX CHAIN. The FX CHAIN screen appears. The icon displayed on the FX CHAIN screen indicates the status as described below. Select the patch you want to include in a category. Select NAME. The PATCH NAME screen appears. Select a category. The SYSTEM MENU screen appears. SYSTEM Select CATEGORY NAME. The CATEGORY NAME screen appears. Select the name of the category you want to edit. You’ll probably want to take advantage of this feature by assigning names that suggest the sound you’ll obtain, or the song in which it'll be used. Select the patch whose name you want to edit. The patch previously stored at the write destination will be lost once the write is executed. When no edits have been made to the currently The PATCH WRITE screen appears. The following explains how this is done. “Selecting a Tone (Patch Change)” (p. 29) Select the exchange source patch. When edits have been made to the currently The PATCH COPY screen appears. Since you can use such stored settings in other patches, just like with the Preset Quick Settings (p. 35), storing effects settings you like ahead of time User Quick Settings is a convenient way to create new patches. The PATCH COPY screen appears.http://ghespanail.com/fckeditor_userfiles/boss-dr-rhythm-dr-770-manual.xmlSYSTEM The SYSTEM MENU screen appears. Select CONTROL. The CONTROLLER screen appears. Select the SYS KNOB SETTING screen (page 1).SYSTEM The SYSTEM MENU screen appears. Selecting these prepared sample settings (Quick Settings) lets you choose optimal values for the related parameters instantly. You can save up to eight separate settings per patch (using Assign numbers 1 through 8) that determine what parameters are controlled by which controllers. Select ASSIGN. The ASSIGN screen appears.The screen that's shown uses ASSIGN No. 1 as an example. Parameter Explanation Target. Target: FX1:UV:Rate Src Mode: Moment Min: ActRngLo: Max: ActRngHi: Source: EXP1 PEDAL Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System) The GT-10 features a function called Internal Pedal system. Switching to Manual Mode Press this button several times until the following screen appears. The MANUAL SETTING screen appears. Select the pedal whose assignment you want to change. You can switch the following functions in any condition other than the Manual Mode. In this mode, you can record up to 38 seconds of material (recorded in mono) and repeatedly play material as a “phrase loop.” As the loop plays, you can overdub new material if desired. You can record a phrase loop with effects, or you can add effects after a loop has been recorded. For information on the Clear Pdl parameter, refer to “Clear Pdl (Clear Pedal Function)” (p. 60). When the Clear Pdl parameter is “Clear Only”. These are used as bank switch pedals. Phrase Loop can be controlled by assigning the Phrase Loop feature to any of the CTL pedals 1 through 4 and maintaining the BANK pedals' bank switching function. This is effective when you are connecting a different guitar from the one used when the patch was created. This is called the “Global function.http://www.raumboerse-luzern.ch/mieten/bosch-logixx-8-1200-express-manual” With the Global function, you can change your settings to match those of your equipment and the operating environment, while leaving the settings in the patches untouched. This is an effective tool when guitars are changed during performances and for making adjustments in response to noise levels at the performance venue. This is an overall setting and does not alter the individual patch settings. This is effective for adjusting to the acoustics of the performance venue. This setting does not affect the individual patch settings. This has no effect on patches in which the reverb is turned off. SYSTEM The SYSTEM MENU screen appears.Digital signals are output from the DIGITAL OUT jack on the rear panel. You can connect this directly to the digital in connector of a digital recorder or other device and record with no degradation in sound quality. If this occurs, adjust the display contrast. SYSTEM The SYSTEM MENU screen appears. Select LCD. If the necessary following conditions regarding the effects chain and effect parameter settings are met, you can then have the decay of reverb, delay, and similar effects continue on into the next patch after you switch patches. This provides an effect that always gives you the sound of the same guitar amp regardless of the patches you set. When edits have been made to the currently The PATCH COPY screen appears. SYSTEM The SYSTEM MENU screen appears. Select PLAY OPTION. This makes it easier to locate pedal positions on stage and in other darkened environments. SYSTEM The SYSTEM MENU screen appears. Select PLAY OPTION. SYSTEM The SYSTEM MENU screen appears. Select PLAY OPTION. The PLAY OPTION screen appears. Move the cursor to Dial Func. Select the dial function. If you encounter problems such as being unable to fully cut off the sound with the volume pedal or being unable to switch the EXP PEDAL SW, you can use the following procedure to readjust the pedal.http://chateau-malbrouck.com/images/boss-gt-10-manual-pdf.pdf Repeat steps 8 and 9 to adjust the Thres parameter so that the EXP PEDAL SW indicator lights up and goes out with appropriate depres- sion force. The sensitivity of the PEDAL SW is calibrated. You can perform the following operations using MIDI with the Remotely Controlling the GT-10 GT-10. Using an External MIDI Device The use of MIDI requires that the MIDI channels of the connected devices Switching Patch Numbers match. Set them as needed, depending on the intended use. Select MIDI. Select MIDI. The MIDI MENU screen appears. Select B.DUMP. The BULK DUMP screen appears. Select the start and end of the data to be transmitted. The following types of data can be transmitted. This data- receiving operation is called a “bulk load.”. Make these settings in accordance with how you plan to use the GT-10. Setting the Digital Audio Signal Input and Output This lets you adjust the volume level of the digital audio signals output from the GT-10 and adjust the amount of digital audio from USB (computer) to be mixed in. SYSTEM The SYSTEM MENU screen appears. Select USB. The USB screen appears. Move the cursor to Dir.Monitor. You can use the GT-10 to apply effects to the audio data played by the computer, then record the data again with the computer. Use this process when, for example, you want to add effects to existing audio data. Their marks are used solely to identify the equipment whose sound is simulated. Loud performances of heavy riffs. OD-1 This is the sound of the BOSS OD-1. This is the sound of the BOSS MT-2. OD-2 This is a overdrive sound with high gain. Metal Zone. Range JC-120 This is the sound of the Roland JC-120. BOSS Drive distortion. Presence This models a Soldano SLO-100. SLDN Adjusts the tone for the ultra high fre- This is the typical sound of the eighties. CUSTOM AMP SETTING This is a compact open-back speaker cab- 1x10” inet with one 10-inch speaker. This is a compact open-back speaker cab- Setting available when Type is set to Custom.https://www.helpfulhunks.com.au/wp-content/plugins/formcraft/file-upload/server/content/files/1626ed73fee546---bosch-owner-manual-dishwasher.pdf A parametric type is CUSTOM SPEAKER SETTING adopted for the high-middle and low-middle range. Setting available when SP Type is set to Custom.EXP Pedal or the expression pedal connected to the EXP PEDAL 2 jack. BOSS Comp This models a BOSS CS-3. Threshold This is a compressor that adds an even Hi-BAND stronger effect in the high end. Adjust this as appropriate for the input Light This is a compressor with a light effect. This detects the pitch of an electric guitar and outputs a synthesizer sound.This effect changes the pitch of the original sound (up or down) within a range of two octaves.Harmonist is an effect where the amount of shifting is adjusted according to an analysis of the guitar input, allowing you to create harmonics based on diatonic scales. This allows you to automatically produce a phrase simply by You can set the corresponding pitches to be output for each picking a single note. In addition to the 30 different prepared phrases, you can also This effect allows you to perform the melody in the upper create a your own original phrase (User phrases). This models a Uni-Vibe.Range Custom Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played. Setting available when Type is set to Custom. Normally, this is controlled with the EXP Pedal or the The parameter names displayed in Icon View (or at Play screen expression pedal connected to the EXP PEDAL 2 jack. 4 (p. This feature is effective when you Off, On off. This al- Patch lows you to use different preamp settings switching specified effects on and off. Range (Example) If a patch is switched while the volume is SYS KNOB SETTING (System Knob Setting) being controlled with the EXP Pedal, the COMP:Sustain, COMP:Attack, volume of the subsequent patch will take COMP:Threshld, COMP:Release,. You can use a different output set- ting for each individual patch. This uses the system’s Output Select set- System ting. If this does not display. Boss GT-8 Russian.chloroacetic-acid.com/upload/files/20220504_200017.pdf Support - GT-8 Owner s Manuals. Double your power with BOSS s new GT-8 floor-based mega processor. Unfortunately I can not find a manual for Tone Studio. It is not possible to import GT-8 patches into a GT-100. There s a lot of information available about this awesome processor. Guitar Effects Processor. Boss owner s manual bass effects processor gt-6b (84 pages). Music Pedal Boss MT-2 Metal Zone Instructions Manual. (8 pages). View and Download Boss GT-10B owner s manual online. Boss - Multi Effect Pedal. Music Pedal Boss GT-6. processor (13 pages). Find great deals on eBay for Boss GT-10 in Multi-Effects Guitar Pedals. Incredible and powerful multi-effect and modeling processor. Manual Not Included. NOTE: BOSS GT-10 Patches will work with a BOSS JS-8 if you manually transfer. Product manual icon. Boss GT-8. Boss With Power Supply GT-8 Multi Processor Black. Videos; BOSS GT-1 Guitar Effects Processor; GT-1 Quick Start chapter 1. Manual on GT-1 awful, I found only 1 things better between Mooer GE100 and. I use a Radial mic splitter for vocals from the Ve-8 and Digi 4 for the harmony vocals. 21 Nov 2014. road-tough construction-everything on a BOSS pedal is made with the professional in mind. Musicians who. AD-8 Acoustic Guitar Processor. GT-8 Guitar Effects Processor.Reload to refresh your session. Reload to refresh your session. Discover everything Scribd has to offer, including books and audiobooks from major publishers. Start Free Trial Cancel anytime.Browse Books Site Directory Site Language: English Change Language English Change Language. At ten pounds, the GT-10 is a bit on the heavy side, but by the looks and feel of it, it can take some serious stage abuse and still survive the rigors of the the road. The GT-10 comes with a full paper product manual which in this age of PDF disc manuals is highly refreshing. I hate to have to worry about access to a computer when I am in the rehearsal studio, so having a paper manual is a definite plus for me.https://www.yoursurveysurveyors.co.uk/wp-content/plugins/formcraft/file-upload/server/content/files/1626ed74fd0a73---bosch-oven-user-manuals.pdf Surprisingly there was no software installation disc with the unit. Boss has the drivers and librarian software available via their website and they have to be downloaded if you want to use the USB connection to access the GT-10's capabilities from a PC. Probably a plus since usually a unit like this goes through incremental driver updates. The GT-10 comes with a Roland PSB-1U adapter which should work fine with US and EU electricity. In the middle there is a backlit 132 x 64 LCD that is well visible under stage conditions. Right under the LCD screen there are 4 Parameter controls labeled 1 to 4. These adjust the parameters selected on the screen and perform various functions depending on the screen selected. On the right of the LCD screen there is a rotary controller with 4 arrows around it that can be pressed down to control parameters as well. On the left of the LCD there is an Output Level control for the overall GT-10 output volume, with Output Select button underneath specifying the type of output (Line out, Amp fx loop, etc.) and a System button which accessed the system menu. Pressing each one of these changes the LCD screen to the corresponding control being selected. The right side of the GT-10 is dominated by an expression pedal with rubber grips that serves in its default position as volume control. Even without a manual, the GT-10 is easy to start playing with, the LED is also so bright that you can't keep the vibe of the lava lamp without needing bright room lights. The unit doesn't really have that much of a learning curve, unless you need to go really deep into routing and effects options. I was able to cruise through the presets and get an idea of what this unit is capable of. What Boss has managed to achieve with this system is a quick and easy way to specify your sound. On the next step you're presented with a diagram Basically selecting a position on this diagram changes your tone accordingly to your selection.http://www.caribbeandentist.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626ed760389bf---bosch-over-the-range-microwave-manual.pdf Next window is the EFX menu where again on a matrix you get to choose the type and amount of time effects such as Delay and Reverb. Once you press the exit button under the jog wheel, your patch is good to go. From all the other processors in this price range I'd have to say that this is the easiest to start making music with straight out of the box. Fig. 3 Personally, it felt that it was overly complicated on some parts and other parts, like the USB connectivity section lacked in detail. Overall, my impression was that it could've been written better. Regardless of that I was able to get a quick grasp of the unit and when I had a question, the Boss staff were always happy to assist me. Unlike some other processors, the GT-10 actually had some quite useful presets, especially when it came to blues and classic rock tones. Its metal and hard rock factory presets were way over the top and I found them overcooked for my taste. Usually when starting out with a processor what I do is find a factory preset I like and modify that further, and with 200 user modifiable preset locations I doubt that I'll ever run out of space to save them. Even if I do - there is a librarian software that will back them up for me. With so many editable and configurable parameters Boss made sure that even the most demanding control freak will have nothing to complain about.Just move it there with the jog wheel. What the GT-10 offers is parallel processing, which lets you blend in two amp sounds in one or run them to separate outputs and even add separate processing to each. You can also sync up the left and right side with delay, chorus or flange at different tempo intervals - say set the left channel to quarter note and the right channel to an eight note and set the speed by tapping the Ctrl pedal. Another options is that you can change amps based on pick attack. With so many outputs, the GT-10 also lets you route your digital signal out where you want it in the chain.alexandramarati.com/files/files/canon-pixma-ip6220d-service-manual.pdf So, say you're recording a band and not sure that this is the amp sound you're after. Put the digital out before the preamp in the signal chain and the signal goes out to tape dry while the guitarist listens in to the whole patch, effects and amp simulation included. There are also tons of routing possibilities that came up to me when looking at the routing table - you can use the fx loop to connect to an external amplifier and feed back the signal in the GT-10 and you can also use the GT-10s built in Amp Control out to control the amp's channels. I did this successfully with a Marshall JCM900 head that needed a bit more overdrive to go into a screaming lead tone. I basically looped the head into the GT-10 by taking the FX loop out of the GT-10 and feeding that into the amp's input. Then I took the amp's fx send and fed that into the GT-10's FX loop return. The GT-10's output (mono) then went back into the FX return of the JCM900. I was then able to move the FX loop in line after the overdrive in the signal flow chart, moved a noise gate, compressor before the overdrive thus effectively adding the amp in the GT-10 and using the GT-10s amp control I switched between clean and overdrive channels on the JCM900. That's what I call flexibility, although you won't necessarily need to go there as the GT-10 has plenty to offer in terms of amp sounds! There are tons of options from Roland's own Jazz Chorus to Mesa and Marshall models to even boutique makers as Soldano and Matchless. These models get quite close to the originals. There are also quite a few useful overdrive and distortion models, again from the Boss line and from other manufacturers. Boss has provided a huge variety of controls and the user can even pick the mic placement, type of mic, and type of speaker combination. If that is not enough - you can even create your own amp and distortion pedal. The GT-10 can also serve as a midi controller for other gear and could control a midi preamp or a midi switchable amp without a problem. The options are so limitless that I caught myself playing for hours with just these. I was particularly impressed by the delays, reverb and eq selection. The eq can get really surgical and the LCD helps display well what is really happening to your signal. The reverbs were lush and grand as were the delays - plenty of controls and the usual Roland quality. I particularly liked the analog delay which had a frequency high cut control just as in real analog units, and who said you'd have to use this only on guitar. One thing that seemed to be missing and would've been very handy that is included in some other effect units is a patch compare option before committing the patch to memory. I often had trouble getting the right volume on a set of patches that I meant to use in the same song. There is input and output metering and you can eyeball it but it is hard to get the levels right as you have to save, compare levels and go back and edit again if it needs adjustment. What this does is basically record and loop as many layers as you want. Since I am not that well versed with it I didn't try it live but it came in handy when using it to learn a few licks or work out guitar harmonies. There is no memory on this function so it is a bit of a letdown as it could've been really useful to trigger a second guitar line when needed. Your loop is basically saved in temp memory and is lost as soon as you move away to disengage the looping function. It could've been nice to add say SD memory card feature to save your loops and pair it with the patches, especially considering how cheap a 4 gig SD card is nowadays. There is also the volume pedal that is assignable to various functions as well. You can literally do anything with them. You want it to hold your delay pedal. You want it to engage the tuner. You want it to switch 2 effects at the same time? - No problem! The volume pedal could also pretty much be made to do anything as well, and if this is not enough - you can also attach external controllers and expand your control pedals even further. I personally found the capacity of the GT-10 enough, although it is good to know that there are possibilities for expansion. I took these as suggestions as these have to pass the listening tests, but in this case these settings were almost spot on but needed just a little midrange tweak. I was also able to do quick adjustments via the Master setting which acts as a final equalizer - it helped me to add a bit more sparkle to my high end. Changing guitars was also a breeze as there is a setting where you can bring your guitars tonality via eq and different volume levels under control and then save that under three available settings. I wouldn't mind seeing a few more settings available as I have more guitars and basses and quick selection would be nice, as would be the ability to name the guitar presets. Not a design flaw per se, as you can control these settings via your patches as well. Switching patches while playing proved to be a bit of a problem as I wore Doc Marten's hiking shoes that were almost as wide as 2 pedals so it was a bit of a problem hitting that lead patch properly as the pedals seemed to be a bit too close for my taste. The GT-10 is well illuminated in stage lighting conditions as well (Fig. 6) - no problem seeing the controls or the patch numbers. Besides the switching problem I encountered that day (Reminder: wear tennis shoes next time!) I found the unit to be perfect for live work as well. There was also a bit of signal drop out when switching patches, not as prominent as some other pedals, but still noticeable during a studio session.After installing a driver and putting the GT-10 in USB mode I was able to connect it in Mac OS X (ver. 10.4.10) laptop without a problem - it showed up in all my software and I was able to record and play back though it. Latency wasn't a big issue as the driver allows for direct monitoring, which is another huge plus for me. I did not test on PC as at the moment Boss didn't have any 64-bit drivers for XP 64 or Vista 64, my current workstation of choice. I used the GT-10 to record solos and bass for an online collaboration and the client on the other side was impressed with the tones I achieved by plugging direct. They've made a definite state of the art product with the GT-10, which can be as simple or as complicated as you want it to be. I was thinking maybe of just ditching the whole idea and getting a Boss GT-100 or perhaps a GT-10 to solve the whole effects issue. I'd be using it in conjunction with a Marshall DSL40c. I'm not interested in using amp models with the GT but thought that it would save me buying a shed load of pedals. ISBN: Meet the new flagship of the BOSS multi-effects family. The GT-10, driven by BOSS’ latest custom-made DSP and proprietary sound-modeling COSM engine, is a floorboard powerhouse that offers natural and musical response as well as a marked improvement in sound quality from previous generations. It’s also loaded with an innovative user interface, including EZ Tone, so guitarists can obtain the exact sound they desire in the most intuitive way imaginable. Powered by BOSS custom-made new-generation processor and proprietary COSM sound-modeling method, the GT-10 ushers in a new era of audio quality for guitarists. BOSS’ legendary know-how of effects and sound modeling are fully integrated into this new flagship floorboard multi-FX unit. A certain school of guitarists have adopted the mantra “WWJD,” which, of course, means “What Would Jimi Dig? ”I have no doubt that if Hendrix were still alive and jamming, he’d be all over the Boss GP-10 Guitar Processor for its powerful combination of traditional tones, synth textures and stringed instrument emulations as well as for its instant access to alternate tunings and numerous other features. The COSM V-Guitar technology behind the Boss GP-10 has been around for a while now (since 1995, to be exact), but the GP-10 makes that technology both more affordable and more powerful than ever. FEATURES The Boss GP-10 is housed in a compact, road-worthy metal case that’s about two inches wider and deeper than a Boss Twin Series pedal and painted mustard yellow, perhaps in tribute to the Roland GR-100 that shook up the guitar synth market way back in 1980. Support - GT-10B Owner's Manuals Owner's Manual. CE-2W. The world’s first chorus sounds, reborn with Waza Craft. RC-202. Powerful tabletop looping and multi-effects in an ultra-compact package. Bass Tone Factory. Powered by BOSS’ latest custom-made sound processor, the GT-10B provides dozens of stunning effects algorithms and COSM amp models to explore, combine, and customize, but with careful attention given to the needs of bass players. Support - GT-10 Owner's Manuals Owner's Manual. WAZA-AIR. A Revolutionary New Tone Experience for Guitar. SY-1000. Soar Into the Infinite GT-10 Music Pedal pdf manual download. Look at any books now and should you not have time and effort to learn, you'll be able to download any ebooks in your laptop and check later. Download Free Download Manual Boss Gt 10 Printable 2019 Online Reading at Free Download Books Download Manual Boss Gt 10 Printable 2019 You know that Boss Gt 10 Manual Mode Boss Gt 10 Manual Mode Eventually, you will very discover a further experience and ability by spending more cash.View online or download Boss GT-10B Owner's Manual Boss GT-10 Manuals Manuals and User Guides for Boss GT-10. We have 3 Boss GT-10 manuals available for free PDF download Owner's Manual, Workshop Manual, Training Manual This channel provides information of the BOSS's best quality electronic musical instruments. Provides an overview of key features, functions and operational tips. Facebook. BOSS Fan Page. Stay up to date with Roland news, artists, promotions, events, and more. I own a GT-3 and GT-6 now I have the GT-10 and am enjoying the many up dates to this sound machine. There is a steep learning curve with the GT-10 but well worth your time. I would say to anyone who likes the older models.the GT-10 the sound will blow you away.We go over our. The Official SAT Guide. Prime Eligible? Buy Now. Check Price on Amazon. Some were excluded for obvious reasons, some likely never had wide readership until found in an obscure library thousands of years later and some just barely missed the cut to being included. Bewahren Sie die Anleitung zu Referenzzwecken auf. Weitere Informationen finden Sie unter “Verkabelung” (S. 22). Das GT-10 wartet jetzt auf die Eingabe der Patch-Nummer. Die Anzeige am Nummer- Was ist ein Patch. Pedal blinkt. Eine Kombination von Effekt- und Parameter- 2. Aufrufen des System Menu- Auswahl des Menus Das entsprechende Displays Display erscheint. Parameterwert ndern Display-Seite wechseln Parameter ausw hlen Auswahl des System-Menus Best tigen der Eingabe Verlassen des Menus Einstellen des Wertes Sounds einstellen mit vorgefertigten Patches. Im Knob View-Display werden nur die wich- tigsten Parameter dargestellt, im List View- Display alle zugeh rigen Parameter. Achsenkreuz ein. Beispiel: Einstellen des Delay Delay-Sound: Wet (stark) F r Soli Cursor ursor Delay Time: Short Delay Time: Long Distortion: Soft Distortion: Hard Delay-Sound: Dry (leicht) F r Backing Horizontal Vertikal. Mute Das GT-10 wird stummgeschaltet.Bank und Nummer werden im Display des GT-10 wie folgt dargestellt: fig.02-040d Bank. Man nennt das die CATEGORY-Funktion (S. 39).