boss ds-1 owner s manual
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boss ds-1 owner s manualBefore using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (separate sheet). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, this manual should be read in its entirety. By rotating the knobs you can create all kinds of sounds, from warm, soft sustain to hard, powerful distortion. The DS-1 can be powered by a battery or an optional AC adaptor. The indicator lights when an effect is ON. If this indicator goes dim or no longer lights while an effect is ON, the battery is near exhaustion and should be replaced imme- diately. Rotating the knob clockwise cuts lower frequencies, creating sharp sounds. Rotating the knob counterclockwise cuts higher frequencies, creating softer, warmer sounds. DISTORTION Knob This knob controls the depth of distortion sounds and the length of sustained sounds. This will help prevent any damage to system components. AC Adaptor (PSA-Series;. Depress the pedal switch to turn the effect on. (Make sure that the CHECK Indicator lights.) Adjust the depth of distortion with the DISTORTION Knob. Replace the battery following the steps below. Battery Snap Cord Battery Snap 9V Battery Loosen the thumbscrew at the front of the pedal, then lift the pedal upwards to open the. This versatile pedal can be used for guitar or keyboards, and provides Distortion, Level and Tone control to tailor overall sound as desired. It is also quite common that customers throw outTry Google Search! Manual - Coles Microphones 4038 Stereo Mount for Studio Ribbon 4038 SM Posted by: Ruth 2020-08-10 18:00:04 Coles 4038 stereo mount. Peavey Peavey Delta Blues 115-Tweed 30 watt Guitar Amp - Peavey Delta Blues 115 Tweed Tube Guitar Amplifier 03327810 Posted by: 2020-08-08 23:50:04 please pdf the manual on this amp.http://www.kontrrels.ru/imgeditor/boss_ch850m_manual.xml
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Discover everything Scribd has to offer, including books and audiobooks from major publishers. Start Free Trial Cancel anytime.Browse Books Site Directory Site Language: English Change Language English Change Language. Retrieved 20 April 2016. Hal Leonard Corporation. p. 187. ISBN 9780634046193. Retrieved 11 January 2013. By using this site, you agree to the Terms of Use and Privacy Policy. Full working order. Will deliver at buyers expense. Learn More Blog About Sell on Depop Jobs Events Spaces Press Support Terms Privacy Safety Instagram Twitter Facebook English French German Italian Open Australia Germany France United Kingdom Italy United States Open. Including the ProCo Rat, and the Electro Harmonix Big Muff Pi, this pedal has become renown for having earned the hearts of not only aspiring rock stars, but also for well-seasoned studio musicians and celebrity professionals.Candidly, we don't really hear much of a difference, if any at all. We have a convenient link below for you to listen yourself.By contrast, none of the originally-conceived red-yellow-green pedals are even made or sold any longer. The SP-1 was killed off; and the OD-1 and PH-1 have been re-imagined into new pedals by Boss.Most notably, a dual-opamp was used in place of the original single TA7136. Of course, other changes were made in resistors and capacitors in the effort to make the pedal sound the same. We think Boss did a pretty good job.Here's to hoping that this format makes sense to most readers!It's probably the reason they sound so similar to each other.Even if you're not familiar with reading a schematic, you should be able to see, at a basic level, how the instrument signal flows through the circuit.These components do not interact with any sound signal from an instrument. As a result, these parts don't have a meaningful effect in terms of inverting the signal's phase or changing or affecting the sound of the signal.http://paseygol.com/userfiles/boss-ch-350-manual.xmlThe simplest explanation (and we're speculating) is that the issue of phase inversion was not even a consideration.Since each active component has the possibility of coloring your tone, the place you'd want it minimized is in your clean, not your distorted tone. Once we considered this, we all came down on the side of the Post-Japan schematic, and the clean signal not going through Q7 as the more clever electronic design. Even if chocolate chip is on your mind, our cookies make an important contribution to a great shopping experience. They help us to show you relevant offers, remember your settings to ease navigation on our website and alert us when the website is slow or unstable. You can view and manage further details and options here.Always with customised added value for musicians. Close Service Contact us Help Compared to the legendary overdrive pedals from BOSS, it provides considerably rougher and more aggressive distortion, which is clearly oriented towards the stack sound of British amps and further away from the rather toneless fuzz sound of older distortions. DS1 is certainly good tip for fans of a harder pace. With level, distortion and tone controls one can naturally create tamer sounds. And the stability and reliability of DSP effects - there's no need to mention it. Start Stompenberg Of these, 378 customers have written no texts or given their feedback in another language. 4 198 Customers 198 customers have given this product a 4-star rating. Of these, 190 customers have written no texts or given their feedback in another language. 3 45 Customers 45 customers have given this product a 3-star rating. Of these, 44 customers have written no texts or given their feedback in another language. 2 12 Customers 12 customers have given this product a 2-star rating. Of these, 12 customers have written no texts or given their feedback in another language. 1 4 Customers 4 customers have given this product a one-star rating. This is where DS-1 comes into play.http://gbb.global/blog/bosch-injection-pumps-manual PROs: I wanted something simple and versatile, to be able to play blues and classic rock and some occasional heavy metal (maybe even thrash metal). The pedal does the job for me and I highly recommend it for this purpose. It has passed the test of time and is backed by many famous players: Steve Vai, Kurt Cobain, Gary Moore. You can also find a lot of settings and mods available. CONs: Not sure if my high-output humbuckers are to blame (and also a lot of other reviews mention it), but at high tone, there is a lot of buzz - than can be used in some genres, but not useful when you want a mild distortion or a slight overdrive. But there are better pedals for that. Conclusion? Buy it, try it, learn to use it. It's a good basis to start for every player. Send report Total features sound quality handling Does the job very good. It can make very awesome sounds Ferre11, 03.03.2020 i have been using the boss ds-1 pedal for a while now. First of I used it like a real heavy distortion pedal and now i use it just to kinda boost my amp with a bit of distortion. It just works great for the low price of the pedal.Send report Total features sound quality handling Brilliant for 90s grunge 26.04.2016 Use: I use this pedal going straight into my Marshall dsl40c tube amp. Send report Total features sound quality handling Very good for the price 25.10.2014 Well to begin this pedal is a classic. Considering that is used by many professionals I am surprised that it is still so cheap unlike the Ibanez tube screamer for instance. The controls are similar to a tube screamer but the sound is very different in my opinion. I have managed to get very good tones for soloing straight away. The distortion knob is very very responsive. With the tone knob and a bit of eq from your amp you can get a wide range of distortions suitable for many genres. What I am very pleasantly surprised about is how good it works in conjunction with other distortion pedals and even the boost channel from my amp.GGCCNET.COM/images/boss-ds-1-owner-s-manual.pdf You can play around a bit and get some interesting tones using two distortion pedals at once, or the ds-1 going through the dirty channel. You have to be careful with the amount of distortion coming from each source or it can sound very broken and lose all consistency. Also the construction is very solid, like all Boss pedals made to last forever. All an all a good distortion pedal especially for rock in my opinion. I would recommend it. Send report Read all 291 reviews Rate product Standard Delivery Times Downloads Show all Manual PDF test results: Read review. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Translate this page: Relevant AUDIO forum topics: TO-92 tokhoz hutozaszlot hol kapok? (felig megoldva) Sziasztok! Egy erositot javitok, ahol a hibak nagy resze a gep melegedesebol (es elegtelen hutesebol) fakado eloregedett forrazstasokbol fakadt. A nyakon is jol latszodnak a megbarnult melegedo reszek, azon a reszen nagyon surun vannak TO92 es TO92L tokos tranzisztorok. A forrasztasokat ki tudom javitani, de jo volna ezt a dolgot egyszer, s mindenkorra lerendezni. Regebben lattam kepeket TO92-hoz valo hutozaszlorol, de most, hogy egy kicsit keresgeltem a neten nem talaltam semmilyen boltban kaphato megoldast, barkacsolni nem szeretnek, mert kb. 20db ilyen hutozaszlocska kene.http://drvision.org/wp-content/plugins/formcraft/file-upload/server/content/files/1626eacb7d1539---bosch-maxx-7-dryer-manual.pdf Kellene nehany TO126 tokhoz valo hutes is, ebbol egyfelet talaltam az elektro kontha oldalan, de az nem lesz jo nekem mert az fektetett felszereleshez van, nekem meg allitva vannak a tranzisztorok es nincs akkora helyem, mint amekkora az a zaszlo. Tudnatok valami forrast talalni nekem ilyen hutozaszlokhoz. Elore is koszi a segitseget! TO126-hoz mar van bordam, hala welding alt-nak. Technics rs b605 deck,kopott a fej Kopott a fej a fentebb emlitett kazettas magnoban,kiszeretnem cserelni de nem tudom hany ohmos kelhet bele, mertem es ket erteket kaptam a fejen 318 es 298 ohmot.Szeretnek utananezni hogy tudnek e hozza venni,csak nem tudom a mert ertekek alapjan hogy is keresgeljek!SM-ben sem talaltam ide vonatkozo erteket,szivesen fogadom tanacsaitokat hogyan is kezdjek neki a fejcserenek. ION Archive LP Turntable This is a compact design to I guess transfer the vinyl into MP3 format. Complaint was when the arm was moved the tt dont spin, confirmed that as theres a leaf switch to sense arm movement, and its fed to a main pcb with all the IC's that I guess handle all the stuff. The switch is ok, and I remember seeing 14V or so on the motor pins frm the PCB, so I figured perhaps theres anough current to spin the motor and focused on testing the motor. Manufacturer does not supply the mainboard that feeds the motor but the motor can be taken apart and after I opened it and disconnected the small pcb fron the motor terminals and apply power directly, it spins w 12v. The drive Motor is an EG-530-SD-3F, main board is stamped K-13007. Gonna check the cap, but after searching this IC and its applications with the motor, I see its popular and some drawings show how its used to regulate the 78,33 and 45 rpm speeds. This drawing looks pretty much what I see in there: The main pcb Hozzam kerult a fenti erosito azzal, hogy nem szol. A tapja TL494-el van felepitve. Az IC nem mukodott, a FET-ek nagy resze zarlatos a tapban.airbornelabs.com/images/editor/files/contemporary-abstract-algebra-solutions-manual-download.pdf IC es FET csere utan ovatos inditas, eletjel van, de a tapfeszultseg nem all fel, FET-ek melegednek. Leakasztottam a vegfokot a taprol, es a tap hibatlanul elindult. A vegfok FET-es szinten, de egyik sem zarlatos. Egy veletlen pillantas segitett megtalalni a hibat, a vegfok FET-ek leszoritojanal az egyik nem olyan volt, mint a tobbi.A tapban MTAJ30N06 FET-ek voltak. Probara beletettem amit talaltam, viszont kernek javaslatot, hogy mit lehetne beletenni, ami olcso es szigetelt tokban van? 6 darab megy bele. Parameterek alapjan en is tudnek valasztani, de a tapasztalat nagy ur:). Udv: Jacint Similar manuals: You can write in English language into the forum (not only in Hungarian). Please try again.Please try again.Please choose a different delivery location.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Page 1 of 1 Start over Page 1 of 1 In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.http://www.nbrownies.com.br/wp-content/plugins/formcraft/file-upload/server/content/files/1626eacd23d04f---bosch-maxx-6-sensitive-manual.pdfThis approach is critical to the DS-1’s characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.This DS-1 distortion pedal is a time-proven mainstay of rock and metal tone, no doubt about it. Three knobs make way for practically every rock sound you've ever heard. If you dig it loud and distorted, you've simply got to have a DS-1 in your rig. And that's that.Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. Please try again later. j. thiele 5.0 out of 5 stars It sounds like rock and roll. My only nitpick would be I would like a little less crunch at its lowest setting. Other than that it is distortion perfection. Sturdy like all Boss pedals.Not my favorite distortion ever but without a doubt one that I love having around(on my board it's always fighting between the pro co rat since I'm already at 9 pedals so I can only use one at a time until I upgrade my power supply from 8 which I have 2 pedals on the 500mah port). Surprisingly I've really been leaning towards the ds1 over the rat but the rat spends more time on my board.https://clearlakesd.org/wp-content/plugins/formcraft/file-upload/server/content/files/1626eace2d9a25---bosch-maxx-6-washing-machine-user-manual.pdf I think the rat is just falling outta favor cause I only use it as a fuzz, my marshall dsl100hr has plenty of gain and especially so when driven with a tube screamer so I don't really need distortion pedals but they give me a different tonal option which is really nice to have if something your writing, jamming or covering isn't working with your amp in the way you want. Back to the Ds1, if your new to this pedal don't turn the tone past noon. Now every setup is gonna vary tonally but most guys would probably agree the DS1 is best with the tone at anywhere between 9 and 1 o clock (normally closer to 9). And the distortion can really work at any level but it's gotta be set right tonally first or you'll end up sounding like your guitars going through a dimed tube screamer on steroids (very mid heavy hi fi). Basically the tone pot is very sensitive. It's an older pedal that reacted differently to the amps that were being used when it was made but it still can sound excellent with newer amps if you just learn to get to unity volume or a touch above and keep the tone dialed back enough. Volume set to unity volume, and distortion at about 2 o clock. I think if your having trouble enjoying the ds1 or getting usable sounds you should give those settings a try. The basic idea is to use the least amount of time as possible so as far counter clockwise as possible.There's a reason famous names have Boss only pedal boards Well not really but if you are in your 30s or about you will undoubtedly know of Boss pedals. And especially the DS-1. I started playing bass at 17 around 2001. There were pedals n amps and modulations and all the stuff was coming out. But you did not have to work at Guitar Center to see the DS-1. Boss arguably is the most common effects pedal maker on the planet. They exploded in the 80s and 90s. Sure they have always had their few essential pedals but they make their own version of everything under the sun.aidsaccess.com/ckupload/files/contemporary-abstract-algebra-instructor-s-solutions-manual.pdf And the one thing, even the most BOSS hating person on the planet has to admit if they can be objective in anyway, they last. They are physically built like a tank. The pots are sturdy, box is solid etc. The wiring is excellent too. You will read horror stories (as you would with even most boutique pedals).Ok this is a rant. To the pedal itself. I honestly like it. I do understand the common criticizsm they get. It is a noisy mid-high gain nasty pedal. If it was the only pedal that I owned, I would not like it. It can sound hollow and tinny by itself. But it is an Excellent stacker. It sounds good used as a distortion box while coupled with basically most overdrive pedals, especially the ESSENTIAL SD-1. That is the only pedal I've owned that is always on. But it sounds great with any overdrive really. It also is capable of being more transparent than people give it credit for. But it cleans up enough when you dial it back to use as an overdrive itself.. Look. I'm not a Boss fanboy. I love em but I'm not blind. Yes. There are better distortion pedals out there. Dozens. But you are not going to find a more reliable and good overall distortion pedal that the ds-1.I am a fanatic about my gear, but for no other reason than I simply love the guitar. I play through a Fender Blues Deluxe all tube 80 watt, 1x12 amp. I play mostly an American Standard Strat and at times, an American Standard Telecaster and Les Paul Custom. Most of the time I use my second channel cranked for a distorted sound, and use an Ibanez Tube Screamer for that crunchy sound (ala SRV). But there are times when I want a hard nose distortion, but not that deep crunchy driven sound. This is when the DS-1 comes into play. It does have a high pitch treble sound, but that's not a bad thing if that's what you are looking for. The moral of the story is that the DS-1 is a great pedal if you use it for the right purposes. Don't expect a rich low end zone and you will be happy.I like both, but if I could only choose one, it would be this. If you want that classic rock abrasive tone, this will help you get there. You'll have to turn the level down if you turn the tone and distortion up. Otherwise, the noise will get out of control. This works really well with compression, delay, an equalizer, and most-importantly, a noise-gate. I give this a slight edge over the overdrive box because it seems more versatile. It can take you to places that the overdrive box can't.Since it is related to the OD-1X, I had high expectations for it. Although I wanted to like it, I knew almost immediately that it didn't have the sound I was after. All across the sweep of the level knobs, it sounded very 'fizzy' and thin sounding. I had the (original) DS-1 and this pedal reminds me a lot of the original. My equipment includes Gibson Les Paul and Fender Am. Std. Strat, guitars into a Marshall half-stack and Fender Frontman amplifiers. Surprisingly, I could not get the sound I wanted using any combination of this equipment. This pedal obviously gets some very good reviews, so it might be worth trying. It's just not for me and I ended up returning it.This is the best distortion pedal I have ever owned, the tones are perfect. Fits perfectly on my pedal board too. Would recommend this for anyone getting into guitar pedals.Sorry, we failed to record your vote. Please try again Some say it's overly fizzy but that's what the tone control is there for. I've not used it on humbuckers however. I have it in the loop of a noise suppressor, which - like any high gain pedal - it needs if you like lots of distortion and are fussy about a clear signal during those lulls.Sorry, we failed to record your vote. Please try again I'd say it's good if you only want a very limited old classic rock guitar tone but not for anything more.Sorry, we failed to record your vote. Please try again And it does it well. And so you know, it does come with a battery, although I changed it immediately to a new Duracel.Sorry, we failed to record your vote. Please try again You can change the tone and distortion levels so I think this would be an ideal pedal for me. Overall I love this distortion pedal and I would definitely recommend it to you. Yes you, the person reading this review.Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Literally, plug it in and you will get a distinct Nirvana-vibe from the sound. Whether you're aiming to perform to a crowd or just bask in the awesomeness of your sound, this pedal is fantastic and easy to use. Battery included, easy to navigate and no technical issues with it whatsoever. (Also comes with some pre-set sounds in the owner's handbook to guide to demonstrate the diverse sounds you can achieve, for those not-so music savvy like myself).Sorry, we failed to record your vote. Please try again Great price from Amazon with super fast delivery.Sorry, we failed to record your vote. Please try again It couldn't be easier for beginners or old pros.Sorry, we failed to record your vote. Please try again The sound isn't incredible but what can you expect for ?40? At this price it's pretty damn good.Sorry, we failed to record your vote. Please try again Very versatile and is perfect for a guy who likes to play different varieties of genres (rock and metal for me)Sorry, we failed to record your vote. Please try again Awesome, as my teenage son says !Sorry, we failed to record your vote. Please try again In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Turbo Distortion. DS-2 Music Pedal pdf manual download. File Boss DS-2 TURBO Distortion. FREE DELIVERY possible on eligible purchases. Guitar Effects Pedal The BOSS DS 2 is an enhanced version of the already. Turbo mode can also be activated via an additional footswitch on the remote jack. 0 Financing, ? FREE Shipping, ? FREE Tech Support, and. FREE Warranty for Boss DS-2 Turbo Distortion Pedal!. Turbo Distortion Pedal gives you two turbo modes: warm and mild with flat frequency. BOSS DS-2 Owners Manual. The DS-2 features twin Turbo modes. Turbo Mode I produces warm and mellow distortion with flat frequency response. Turbo Mode II provides biting distortion. The first distortion effects unit made by Boss, it has become a classic effect, used by many notable guitar players. Boss produced a successor, the DS-2. The DS-2 Turbo Distortion released in 1988. The Boss DS-2 Turbo Distortion features two modes of distortion, one flat and classic and one with pronounced mids for soloing or cutting through. Using an. Boss DS-2 TURBO Distortion. It is rumoured that the DS-2 was maybe used by Kurt Cobain of Nirvana in the early 90 s, but he is linked to a lot of equipment so. 21 Nov 2014. road-tough construction-everything on a BOSS pedal is made with. DS-2 TURBO Distortion. This sound, with maximum MANUAL and. Reload to refresh your session. Reload to refresh your session. It is instantly recognisable pedal used by everyone from beginners to absolute professionals. The Boss DS-1 is still to this day relied upon by guitarists in need of a versatile pedal that can provide smooth, creamy crunch, hard edge distortion and everything in between, all with low noise. This has fuelled the signature sounds of guitar legends all over the world and is still an extremely popular pedal in the music world. So today we’re going to look at why this pedal has enjoyed such popularity and stood the test of time, going on to become one of the most well-known effects pedals ever made and the highest selling BOSS pedal to date. A BRIEF HISTORY OF THE BOSS DS-1 DISTORTION PEDAL When it was first introduced back in 1978, the Boss DS-1 Distortion pedal would become Boss’s first foray into the world of distortion pedals, instantly defining a new sound that provided players with hard edged attack and smooth sustain that guitarists of all genres fell in love with. Aside from the small DS-1 logo being moved slightly when production moved from Japan to Taiwan, the overall Boss DS-1 design is unchanged, with its signature sound still intact. Before this pedal exploded onto the scene, most distortion pedals were known for producing harsh, muddy tones especially when driven into high gain saturation. However, the engineers at Boss changed all that when they developed the unique DS-1 circuit complete with a pioneering two-stage circuit. This two-stage circuit incorporated both op-amp and transistor gain stages resulting in a signature low-frequency fullness loved by punk, rock and metal players. The fact you could crank the distortion knob to achieve everything from a mild boost in distortion that would drive your amp all the way to full throttle no-holds-barred gain made it an appealing option for those who loved to bust out the big riffs. However, we’re willing to wage that you have an album in your collection that has this pedal on due to the fact it’s such a ubiquitous presence in the music scene. The Boss DS-1 has some really famous users and as we said, has been used on a myriad of different records that might surprise you. According to an interview in Guitarworld.com producer Butch Vig was known for preferring to get his distortion sound directly from the cranked amps, but as Kurt Cobain did feel that the DS-1 was the main factor in his tone, he made special exception. Take a look below at some of the most famous Boss DS-1 users all spanning a wide range of different genres and styles: In addition, the DS-2 includes a built-in Remote jack which allows you to switch between modes via an external footswitch. This meant you could go from loud to louder and then even louder again should you need to. The major difference between this and the original DS-1 is that this is a digital pedal designed to process your playing in real time and adapt its distortion tones based on how you were playing. If you played harder, the pedal would respond, if you played a little softer the pedal would change to suit your dynamics. In addition, you have a wider range of EQ settings to play with! However, it was in 2017 that the team at Boss would reissue a special edition version of the Boss DS-1 and really set the collectors out there into a frenzy. The Boss DS-1-4A was a limited-edition pedal commemorating 40 years of boss innovation and to celebrate 40 years of the DS-1. This now sold-out pedal had exactly the same sound as the original DS-1 pedals but featured a black body with gold lettering, gold-capped knobs, and a vintage silver thumbscrew for the battery compartment as well as a special box with 40th anniversary logo. The Boss DS-1-4A was a limited edition 40th anniversary edition of the DS-1, and if you have one, you're pretty lucky.Straight out of the box you get amazing sounding distortion that is tight, focused and provides huge distortion with minimal noise. The rich harmonics of the pedal work in unison with the characteristics of your guitar bringing out the best sound possible without taking anything away from your sound. You can use the pedal as a subtle tone or volume boost by dialling the distortion back, or crank it right up for some seriously bone crunching riffs.