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boss dm 300 manualYou may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. Astor Piazzolla - Libertango 2KL.pdf. Astor piazzolla libertango guitar pdf to adam.Service manuals for vintage synthesizers and other electronic musical instruments. DM-1: Service Manual. GR-300: Service Manual. Boss Dm-300 Boss Dm 300 For Sale Boss Dm 2w Manual Boss Dm-300 Sick of wasting time, searching for a decent service manual. Tired of downloading the same vague schematics from yet another website, the copy that is copied ad infinitum on the web. Or did you buy a CD on eBay, full of the same rubbish. Time is money, and especially so for technicians. Time that should be dedicated to repair and not wasted with the frustrations of searching for a decent service manual. So here is a site with only high quality, high resolution service manuals. Here you will find no unreadable drawings or manuals with crucial pages missing. Here you get what you need for the job and get on with it. Free downloads instead of paying silly money for an email with attachment. Of course hi-res means large files. They can be up to 8 times the size of a lo-res scan. That means they need much more server space, space that has to be rented at costs that will come back every year. And many of the manuals you will find here had to be bought as hard copy originals from the manufacturers before they could be scanned at all. Most of this is funded privately, but there is a limit to this budget. Yes, you got it. When this service is useful to you, and you not only want it to continue but to expand as well, that's the way. Contributions received will immediately result in more server space, giving room for more service docs. Donations will also open the way for later additions, such as synth chip data- sheets, synthesizer spec sheets, etc. Have any of you tried either of these. I have a DM-300 myself.http://oliviachang.com/uploadedfiles/boson-lab-manual.xml
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I think it's great, however it's my first foray into analog delay so I don't have a basis of comparison to other analog delays.it definitely self oscillates (quite easily actually).they both have a chorus mode which is strange in that it's not chorus as you may imagine, but more of a weird warbley effect, similar in my opinion to what I've heard of the modulation section of the lo-fi loop junky.I believe I read a while back that seif owned one of these.care to contribute? For those of you who haven't heard of it, here are a few pages with more information: And some sounds clips here. So sorry, ive been off line, in the 'other world' i just didnt use them that much and also I used them for trades. Boss Dm 300 For Sale I found them sitting in repair shops. Theyre are good stuff indeed. The modulation cannot be used in conjunction with the delay, theyre seperate. So, the exp pedal thing can just go between the chorus and push down and the delay comes on. Its not time controlling or anything like that. I had the dc-10 I think, btw. Its also is about 800ms, but obviously, no modulation. I think one or two or still up there in seoul in the shop. Originally posted by choadwarrior thanks. Well its more clean, less muddy. And its longer. That works out for funny. But actually, the s.o. Is a bit more tame than the dm2. Funny, i looked in it once and it had a ton of chips inside. Thats the cool thing about these wierd japanese pedals and whatnot. I would suggest these second to a tape echo. Boss Dm 2w Manual The long time is defintiely fun. Later, Dwarves started to replace machines with golems, elementals and even demons. Eventually it led their civilization to the decline. The DM-300 and similar machines were typically used for construction and mining, and in some cases, for city defense. This avalanche can damage and stun you.Shutting down.” The entrance will be collapsed when entering the room. Scattered around the room are triggered traps. DM-300 has no ranged attacks.http://pragatiestate.com/userfiles/boss---ac-2-acoustic-simulator-manual.xmlThe DM-300 will chase you, moving back into striking range. Since it moves at the same speed you do, this will give it no extra hits. Because of the pattern by which gas spreads, you'll have an extra turn if you move away from the DM-300 diagonally.Unlike other bosses, it can't be slain with a Potion of Toxic Gas.This will dramatically decrease the damage received from the boss to 0 to 7 damage.If you have a good weapon keep fight. 2015-11-19T08:30:06Z. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual. Document preview No preview for this item!For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Translate this page: Relevant AUDIO forum topics: VW Delta 6 autoradio radioveteli hiba Sziasztok! Hoztak egy fent megnevezett autoradiot, melynek az a hibaja, hogy olyan mintha nem lenne benne antenna. AM-en es FM-en is. A modulacionak megfelelo alapzaj, sisterges megvan, de allomas semmi. Hangolni is szepen hangol, tapfeszek mindenhol megvannak, AM-en meg talan a Kossuth is hallatszik valahonnan a siron tulrol, de semmi mas. CD jo, szepen gond nelkul szol. Ezt kicsereltem, de tovabbra sem jo. Egyik tunerben TEA6846 van, masikban TEA6848. Sajnos, rajzom sincs a keszulekhez, csak amit az ic-k adatlapjaibol lehet kibogaraszni. Mit nezzek meg meg rajta? Udv! Imre Sony hifitorony. Push Power Protect! Sziasztok! Vaz egy SONY hifitorony tipusa:HCD-R550. Az a jelenseg,hogy ha bekapcsolom,PUSH-POWER-PROTECT-felirat villog a kijelzon.http://fscl.ru/content/43-liter-manual-transmission Valamit matattak a hanfalkabeleknel kint,lehet osszezartak. Talan vegfokos lenne.Stk 407-090 van benne.lekotottem a vegfok osszes labat,es akkor is ez a felirat van jelen. Valmi tipp aki mar csinalt ilyent. Koszi! Udv:Sparco LG - LAC-M0510R MP3 lejatszo auto hifi Sziasztok! Mi nap kerult hozzam ez a kis joszag! A Hiba jelenseg az hogy nema (hangugyileg), minden mas rendben uzemmel. Kapcsolasi rajzot megtalaltam de nem lettem okosabb. Kimertem a tapvonalakat minden fesz.Talalkozott mar valaki ilyesmivel. Honda fejegyseg bekotese. Sziasztok! A kepen lathato Honda fejegyseg bekoteseben szeretnek segitseget kerni. Az oldalara ez van irva BB717PO. Tobb infom nincs rola. A piros nyillal jelolt csatlakozolabakra adtam tapot, es a hazra foldet, de ez meg keves a bekapcsolashoz. Udv. Similar manuals: You can write in English language into the forum (not only in Hungarian). Depression, ADHD, memory loss, agitation: These may seem like inevitable byproducts of modern lives spent multitasking, not getting enough sleep, and operating on digital overload. But while much of the brain’s work still remains a mystery, a growing body of scientific evidence suggests that the food you eat directly affects how well your brain functions. Brain health also pl.The guests range from super celebs (Jamie Foxx, Arnold Schwarzenegger, etc.) and athletes (icons of powerlifting, gymnastics, surfing, etc.) to legendary Special Operations commanders and black-market biochemists. For most of my guests, it’s the first time they. This analog delay unit uses a dual MN3005 BBD circuit; the same chip used in the first issue DM-2 Delay pedal - but with twice the delay time given that it was designed with two BBD's instead of just one. Plus it includes a number of other features and controls over the compact pedal version. The Boss DM-300 was also released in some countries under the Roland name as the DC-30. There are also dB cut switches on the input and output to adjust to your original sound source.https://airframecreative.com/images/boss-dm-300-manual.pdf The main controls are similar as for a DM-2 pedal, with Repeat Rate (speed of repeats), Intensity (number of repeats) and Echo Volume, but with the addition of a tone control to brighten or darken the repeats. In addition to the delay, there is a switchable Chorus setting with Intensity control, for that classic Roland chorus sound. The Chorus can only be used independently of the delay by switching to either the Echo or Chorus modes on the front. The intensity control adjusts the amount of the chorus effect, from mild to deep.This analog delay unit uses a dual MN3005 BBD circuit; the same chip used in the first issue DM-2 Delay pedal - but with twice the delay time given that it was designed with two BBD's instead of just one. The intensity control adjusts the amount of the chorus effect, from mild to deep.Please check the fields highlighted in red.Currency. Subscribe for updates. Register your product and stay up-to-date with the latest warranty information. Among them are everyday guitar staples like overdrive, distortion, and reverb, as well as unique effects like Slow Gear and Slicer, just to name a few. And, of course, BOSS pioneered the famous chorus pedal in 1976, a now-standard effect that’s regularly used by players in every style of music. To date, 20 different models have provided delay and echo effects in one form or another. Sit back and settle in as we run down the entire history of BOSS delay pedals through the decades, from 1978 to present. BOSS and Roland (its parent company) have been innovating with delay effects since their earliest days. On the Roland side, the RE-201 Space Echo—first introduced in 1974—is widely regarded as the premier tape-based delay unit ever made. Starting in 1983, rack units like the SDE-3000 Digital Delay were at the forefront in music tech, and they became vital components in guitar effects systems used by the biggest names in music.www.theflightfest.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626e61b337b4a---bosch-hba13b150b-single-electric-oven-manual.pdf To achieve these goals, BOSS has continually pushed the envelope with both analog and digital technologies, setting many trends that continue to influence the industry to this day. There’s a lot to cover, so let’s get started with the rundown! The DM-1 Delay Machine—the very first BOSS delay unit—provided a more affordable and compact alternative. While limited in frequency response and versatility in comparison to a Space Echo, the analog DM-1 had a very nice sound and provided delay times up to 500 milliseconds. Unlike the subsequent BBD-based models in the DM series, the DM-1’s circuit used a charge-coupled device (CCD), an electronic component that went on to be widely used in digital cameras. Since the DM-1 was produced for less than two years, it’s a rare bird on the used market, and commands some very high prices if you can find one. For the DM-2, BOSS employed a bucket-brigade device (BBD), as opposed to the CDD used in the DM-1. One of the ways they did this was to limit the frequency response of the effect sound. This compromise contributed to the DM-2’s characteristic warm, enveloping tone, which blends so well with a guitar or any other input signal. The world’s first digital delay in stompbox form (and also the first digital pedal of any type from BOSS), the DD-2 put the much higher audio fidelity and increased delay range of studio rack processors within easy reach of every musician. Roland’s flagship digital delay at the time was the SDE-3000, a rack unit regularly used in recording studios. Thanks to its rich, guitar-friendly sound, it also found a home in large-scale rack rigs used by serious pro players. However, the SDE-3000’s cost and form factor was beyond the means of many working musicians and casual players at the time. With that, the next formidable steps were to fit the rest of the electronics in as well, and to power it all with a 9-volt battery!defaico.com/d/files/canon-mini-260-manual.pdf With its max delay time of 800 milliseconds and clear-yet-warm tone, the pedal was an instant smash and a must-have item. The DD-2 set the standard for the flurry of digital delay stomps that would come after from BOSS and other manufacturers, and every one of them owes its heritage to this revolutionary pedal. Its replacement, the next-generation (but still analog) DM-3, was slightly more affordable. Evolving from the DM-2, it included some design tweaks that cleaned up the delay repeats for a clearer sound with less noise, an ever-present engineering challenge when trying to get the best performance out of analog BBD circuits. The DM-3 also featured a Direct Out jack for sending dry and effect signals to two separate amps, as well as some unique knobs not seen on any other BOSS pedals before or since. It’s perhaps a touch less gritty and more refined in the delay repeats, but that can be a good thing in many applications. It was the last all-analog delay pedal in the BOSS lineup for 26 years, until the introduction of the Waza Craft DM-2W in 2014. While samplers had started to hit the scene a bit earlier, they were typically high-cost devices used mainly in studios. True to the BOSS philosophy, they brought this evolving technology within reach of all musicians with the DSD-2. There’s also a Trigger input for triggering the sample from a drum pad or other external source. While the sampling capabilities were rather limited by today’s standards, the DSD-2—and later DSD-3—can be viewed as early descendants of BOSS’ immensely popular Loop Station products that would come many years later. This allowed manufacturers to bring less expensive products to the marketplace, and the DD-2 was a direct beneficiary of this trend. However, instead of dropping the price on the DD-2, BOSS decided to replace it with the new, lower-cost DD-3 instead.https://webmodeli.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626e61c3ca492---bosch-hammer-drill-service-manual.pdf This longevity serves as an enduring testament to the skill and expertise of the BOSS engineering and development teams in getting it just right the first time out. Other than the model names on the cases, the DSD-2 and DSD-3 are essentially the same pedals. Why am I including it here. Because delay functionality is offered as one of its many sound modes. When used in stereo, the RV-2’s Delay mode functions as a panning or “ping-pong” delay, where the repeats alternate between the left and right outputs. However, most musicians think of delay and reverb as individual effects types—and use them in somewhat different ways—so we’re treating them as separate effects categories in this rundown.) Originally designed for the RRV-10 Digital Reverb in the MICRO RACK series, this first-generation chip offered an unprecedented amount of processing power in a compact pedal. It also pulled a lot of current, so the RV-2 could only run on the supplied AC power adapter (no batteries). It can be set up to one octave up or down, or to any interval in-between with Manual mode. A Tuner out jack allows you to connect to an external tuner (like the era’s BOSS TU-12 ) and accurately fine-tune the pitch interval as you twist the Manual knob and play. Yes, that’s a little inconvenient by today’s push-button standards, but it was bleeding-edge at the time. In one of its Delay modes, the PS-2 offered up to two full seconds of time, another BOSS delay pedal first. It also cost less, and could run on a 9-volt battery. Along with improved reverberation, the delay capabilities were greatly expanded in the RV-3 as well (so much so that “Delay” was added to the product name). Straight delay with up to two seconds is available, as well as modes that combine the delay effect with the pedal’s four different reverb types. As you can imagine, all these cool capabilities resulted in one wildly popular pedal!https://www.budgetskemaet.dk/wp-content/plugins/formcraft/file-upload/server/content/files/1626e61d10b481---bosch-hammer-drill-manual.pdf While the delay functionality is the same as the PS-2, the pitch-shifting abilities were really expanded. Pitch can be shifted up or down over two full octaves, and a Detune mode allows you to create chorus-like tones. In addition, each of these functions can be used in dual modes, where you can create two independent pitch shifts at once. Each can also be sent to separate outputs when the pedal is used in stereo. That’s more than double the maximum 800 milliseconds provided by the DD-3, the only dedicated digital delay pedal in the lineup at the time of our current stop. BOSS addressed this performance gap with the DD-5, and added a lot of high-end features along with it. Tempo-sync delays are also available, with the ability to tap in the time via an external footswitch.First off, the max delay was increased to 5.2 seconds (when using Long Delay mode), and the tap tempo functionality could now be accomplished with the onboard pedal switch. The Hold function was also enhanced, with 5.2 seconds of recording time and sound-on-sound overdubbing.This approach was widely embraced by creative musicians everywhere, and the series soon began to expand. Eleven sound modes provide a variety of delay flavors, including the standard DD-3 style delay, warm BBD analog and tape emulations (including dual-head Space Echo effects), reverse, SOS (sound-on-sound), and more. Warp mode from the DD-6 is also included, as well as new Smooth and Twist modes for additional unique sounds. The two onboard pedal switches make tap tempo, memory select, and other delay operations easier, and an external switch can be plugged in for additional control. Though there were a number of different models through the years, the RE-201 Space Echo was both the enduring benchmark and most popular. With three separate playback heads, built-in spring reverb, and distinctive 12-position Mode Selector, the RE-201 was easy to use and capable of a wide range of creative, organic echo effects.http://de-technics.com/userfiles/files/canon-mini-260-manual.pdf As such, it found a home in many different music applications, from recording sessions to arena performances. The Space Echo was also an important component in the reggae-driven dub sounds created by early electronic music artists. All of the original’s controls are completely replicated in the RE-20, and adjusting them in real time produces identical behaviors as well. For example, tweaking the Repeat Rate not only adjusts the delay time, but also mimics the unique pitch-shifting behavior that occurs in the RE-201 as its physical motors gradually slow down or speed up the tape loop. Stereo operation is supported, and the delay time can be tapped in with the right pedal or an external footswitch. A Twist function is also available, which adjusts multiple parameters with a press of a pedal; this makes it easy for guitarists to replicate the dub-style runaway echo effects originally popularized by twisting the RE-201’s panel knobs. (Of course, similar effects are also possible by manually turning the RE-20’s knobs.) And, thanks to the RE-20’s digital design, there’s no need for periodic tape replacement and other maintenance hassles! Additionally, Hold mode now provides up to 40 seconds of sound-on-sound recording, allowing the DD-7 to function quite capably for looping tasks. The pedal also includes Analog and Modulate modes borrowed from the DD-20. All in all, the DD-7 delivers an amazing amount of delay versatility in one small pedal. Embodying the company’s spirit of innovation through the years, the TE-2 delivers a truly unique ambience effect never heard before in any other single pedal, from BOSS or anyone else. The resulting tone has elements of delay, reverb, filtering, and pitch modulation, and you can twist the pedal’s knobs to dial up all sorts of sounds, from subtle reverberation to long, swirling ambient washes. Pressing and holding the pedal switch engages the cool Freeze function, which holds the effect sound to provide an ambient bed for playing over the top. While both pedals are sought after, it’s the DM-2 that’s the most highly regarded, thanks to its warm, grungy delay tone that oozes retro musicality. In Standard mode, the DM-2W is a complete replica of the DM-2, delivering the same rich, all-analog tone that made the original such a classic. But BOSS wanted to go beyond a simple reissue, so they added a Custom mode that more than doubles the available delay time to 800 milliseconds, while slightly cleaning up the grittiness for more definition and clarity. The pedal also has the ability to send dry and effect sounds to two different amps, a feature grabbed from the DM-3. Finally, there’s a jack for controlling the delay time with an expression pedal, a handy modern feature not available in either the DM-2 or DM-3. It updates the mighty RV-5, which has reigned as the industry standard for over 12 years. While its predecessor sounds exceptional, the RV-6 kicks things up to new heights, delivering rich, expansive tones equal to or exceeding boutique pedals and studio rack units costing much more. However, the next-generation RV-5 focused on reverb only. As you tweak the Time and Tone knobs, the reverb and delay characteristics are adjusted in multiple ways under the hood, providing ideal combo tones at every setting. And with its incredible price-to-performance ratio, it’s by far the best value as well. If you’ve been looking for the delay pedal of your dreams, BOSS has really delivered with the DD-500! It can recreate the sounds of every pedal throughout the history of the BOSS delay lineup, plus famous units like the Roland SDE-3000 and Space Echo. In addition, it has a ton of fresh, modern effects that combine delays with filtering, modulation, pitch shifting, and more. And that’s just the start. You can read all about the features the amazing DD-500 has on tap in this previous post. Throughout this historic review, a common thread is certainly clear: BOSS is always innovating, striving to create top-quality products that support the needs of musicians of all levels, from amateur players to high-end pros ripping it up nightly for audiences in the thousands. They’ve certainly achieved that goal, as BOSS delay pedals continue to be embraced by players everywhere, inspiring them to take their music to new levels of creativity, originality, and expression. Get Latest Price from the seller We are well-supported by our team of highly skilled professionals who possess rich industry experience in their respective domains of business operations. Their strong support makes us able to provide the utmost level of satisfaction to our clients. Get Best Deal I agree to the terms and privacy policy All rights reserved. Provides an overview of key features, functions and operational tips. Stay up to date with Roland news, artists, promotions, events, and more. Register your product and stay up-to-date with the latest warranty information. That’s why the long-discontinued pedal has fetched such high prices on the used market for two-plus decades now. With the Waza Craft DM-2W, the fabled stomp has been completely reborn and then some, offering the same warm analog sound as the classic DM-2, plus additional range and versatility for modern styles. Of course, those familiar with the original have already snatched up DM-2Ws for themselves, and are enjoying its exceptional sound now. But if you’re not in on what makes this pedal stand out from the analog delay pack, here are five great reasons you should add one to your setup. Capable of a wide range of tones from doubling to quick slapback to long repeating echoes, the character of the BBD effect is distinctly different from digital delay, which tends to be very crisp and defined. In contrast, the DM-2W’s echoes sound somewhat dark, fuzzy, and “lo-fi,” and these characteristics intensify with each echo repeat.Like so many classic music tools, it produces that magical “glue” that takes an already great tone and makes it even better. While the enhanced definition of digital delays can sometimes create bouncy echo artifacts that get in the way, the analog DM-2W always supports your tone with highly musical sounds, even at extreme settings. In its way, the “murky” BBD sound straddles the line between delay and reverb, and is often preferred by many top players over a straight reverb effect (though they work really well together too—the DM-2W sounds especially luscious when paired with the new RV-6 Reverb ). As you probably know, BOSS makes digital delays too, and our new DD-500 is capable of creating a huge range of amazing delays sounds (including a spot-on emulation of the DM-2), many of which are simply not possible with analog tech. But while more limited in its scope, analog delay has a really unique character that’s simply different from the standard digital delay sound, and each type shines in specific applications. For more tonal diversity, many players also have a digital delay like the DD-7 alongside a DM-style delay, kicking in the former for its crisp, distinctive echo effects and super-long delay times when needed. And when the DM-2W’s mode switch is on the “S” (Standard) setting, that’s exactly what you get—the real DM-2 analog delay sound. No emulation here! And that’s what happens when you flip the sound mode to the “C” (Custom) setting. That’s getting close to digital delay territory. In addition, the delay repeats are somewhat clearer than Standard mode, though the tonal quality still remains firmly in gritty analog BBD-land. Custom mode brings a lot more to the party, giving you increased range for rhythmic delays and dramatic echo effects. On the DM-2W, it’s really effective with the Custom setting, thanks to the increased delay time that’s available. And after you’ve had some time-warping fun with the pedal, you might try reaching down and cranking up the Intensity knob for some way-cool self-oscillation effects as well. This feature was actually on the DM-3; it was the next-generation successor to the DM-2 back in the ’80s, with a very similar (though subtly clearer) sound to the original pedal. They all sound great, and they all work really well together. But if you’re an analog purist who gets nervous about digital gear in your signal path (you know who you are), rest assured you have no worries with the DM-2W, because this pedal is pure analog through and through. If you love old-school tone and methods, the DM-2W is made for you. But if you’re one who’s more open to mixing the two worlds together, the DM-2W brings a unique and powerful tonal complement to any digital pedals you might have. You can really get a handle on the great sounds and features this pedal has to offer in this informative video review, which also appears in Issue 35 along with a written review. They misspelled “Waza” in the video title, but we’ll forgive them for that. They also state that the max delay time is 600 milliseconds in Custom mode, though it’s actually 800. Better yet, get down to a dealer and play one for yourself! That’s why the long-discontinued pedal has fetched such high prices on the used market for two-plus decades now. They also state that the max delay time is 600 milliseconds in Custom mode, though it’s actually 800. Better yet, get down to a dealer and play one for yourself. Please enable JavaScript in your browser. Classic Dire Maul North is considered the hardest wing of Dire Maul, and you have the choice of either killing all bosses as normal, or doing what is called a Tribute Run. Dire Maul Tribute Run A Tribute Run is considered a hard mode version of Dire Maul North. In a normal Dire Maul run, you will progress normally through the instance, defeating every single Guard (which counts as a boss). However, on a Tribute run, the group must go through a series of tasks to ensure all Guards are alive and only the final boss of the wing, King Gordok, is killed by the end of the run. Be mindful that you will get NO LOOT from the Guards, Stomper Kreeg, Captain Kromcrush or Cho'Rush the Observer on a full Tribute Run. Here is a quick rundown on what needs to be done to ensure each guard stays alive: Guard Mol'dar - Simply skip him by not going down to his area. He drops Gordok Inner Door Key, required to get to the final part of Dire Maul North. Rogues can Pick Lock the door (275 Lockpicking required), Engineers can open the door with Large Seaforium Charge, and Blacksmiths can open the door with Truesilver Skeleton Key. Stomper Kreeg - Simply skip him by not getting close to him. Easily avoidable as his aggro range is severely reduced. Guard Fengus - Skip him, the easiest route is going to the right of his area. You must sneak to Fengus's Chest and loot the Gordok Courtyard Key without aggroing him. Guard Slip'kik - Freeze him by using the Broken Trap near Knot Thimblejack. To fix the trap, you need 1 Frost Oil and 1 Thorium Widget to complete A Broken Trap. Captain Kromcrush - Fool him by pretending one person from your group is an Ogre bringing prisoners by using a Gordok Ogre Suit. You can create one Gordok Ogre Suit per run by bringing Knot Thimblejack 1 Ogre Tannin (looted from Ogre Tannin Basket in the instance), 4 Bolt of Runecloth, 8 Rugged Leather and 2 Rune Thread to complete The Gordok Ogre Suit. Tailors and Leatherworkers can learn to craft the Gordok Ogre Suit at a reduced cost by talking to Knot Thimblejack. Both professions use only 1 Ogre Tannin, 2 Bolt of Runecloth, 4 Rugged Leather and 2 Rune Thread on their versions of the recipe.