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boss dd 500 manualThis can be used simultaneously with delay. 5 By connecting the DD-500 via a USB cable or MIDI cables, you can switch sounds and control parameters in synchronization with your computer DAW or an external MIDI device. Also, handle the unit carefully;. The DD-500 power turns on. A brief interval (a few seconds) after turning the unit on is required before it will operate normally. STANDARD Clear digital delay. TERA ECHO Spacious echo sound with movement, neither reverb nor delay. SLOW ATTACK Delay with a suppressed attack as if the volume is being faded-in. FILTER Delay with a swept filter added. You can apply the delay while creating layered performances.TIME Specifies the delay time. Specifies the tempo. NOTE Specifies the delay time with the note length relative to BPM. Adjusts the feedback level (or how much the sound is repeated). MODE: SLOW ATTACK Parameter Explanation Adjusts the sensitivity of the slow gear. When it is set to a lower value, the effect of the slow gear can be obtained only with a stronger picking, while SENS no effect is obtained with a weaker picking. DUAL TYPE Selects the type of delay. DUAL LINK Link the delay time and feedback of the second delay to the settings of the first delay. D2 TIME Specifies the delay time of the second delay. Specifies the controller (source). EXP PDL External footswitch (EV-5 etc.;. BANK MODE Specifies the timing at which the patch is changed when you change banks. BANK EXTENT MIN Sets the lower limit for the banks. BANK EXTENT MAX Sets the upper limit for the banks. For example, an external MIDI device or DAW could switch patches on the DD-500 or control its tempo. Connection Example. However, if some problem occurs, or if the performance is poor, using the BOSS original driver may solve the problem. FEEDBACK Controls the FEEDBACK. TONE Controls the TONE. E. LEVEL Controls the E. This transmission of data is referred to as bulk dump. Ask your question here.http://apex-equipments.com/userfiles/bose-wave-3-manual.xml
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Provide a clear and comprehensive description of the issue and your question. The more detail you provide for your issue and question, the easier it will be for other Boss DD-500 owners to properly answer your question. Ask a question About the Boss DD-500 This manual comes under the category Not categorized and has been rated by 1 people with an average of a 5.2. This manual is available in the following languages: English. Do you have a question about the Boss DD-500 or do you need help. Ask your question here Boss DD-500 specifications Brand ManualSearcher.com ensures that you will find the manual you are looking for in no time. Our database contains more than 1 million PDF manuals from more than 10,000 brands. Every day we add the latest manuals so that you will always find the product you are looking for. It's very simple: just type the brand name and the type of product in the search bar and you can instantly view the manual of your choice online for free. ManualSearcher. com If you continue to use this site we will assume that you are happy with it. Read more Ok. With our cookies we would like to offer you the cleanest shopping experience possible with everything that goes with it. This includes, for example, suitable offers and remembering preferences. You can view and manage further details and options here.Always with customised added value for musicians. Close Service Contact us Help Of these, 26 customers have written no texts or given their feedback in another language. 4 8 Customers 8 customers have given this product a 4-star rating. Of these, 7 customers have written no texts or given their feedback in another language. 3 2 Customers 2 customers have given this product a 3-star rating. Chorus, Flanging, Psuedo Reverb, Doubling, Shimmers and pitch changes.Add a competent Looper to that list, with a reasonable loop time. Yes, you can have the effects running with the looper:) And.Wide and spacious, tight and precise; editing is easy.http://educationalmodels.com/userfiles/bose-vs-2-video-enhancer-manual.xml Apart from having to look at the manual to understand the system settings, I just dived in there and started having fun. I'm late to this party, but pleased I came along. Send report Total handling features sound quality Delay with endless possibilities 22.04.2016 First of all, I've not used a lot of pedals until recently. I did not think it was necessary but as time passed I realized that it is good to be able to get a lot of different sounds for different occasions. This pedal can do just that, it has several high quality delays and you can tweak them to your liking in so many ways. From subtle delays to big, spacious sounds, this pedal can do anything in between. I like the fact that you can use two delays simultaneously. Pros: high quality build, high quality sound, more affordable than competitors, easy tweaking thanks to the display, very versatile. Cons: some say it can sound sterile, but you can tweak the sound to your liking if you think so. I am really happy that I got this pedal, hopefully it will be used for many years to come. Send report Total handling features sound quality Best pedal I've ever owned Naf174, 26.11.2017 Desert island pedal right here. Its is fantastic. Especially now with the 2.0 firmware and pc editor. No more bending done to set up patches or make settings. Ignore any reviews which say is is cold and clinical, it is not. 95 of the presets out of the box need some work. Plenty of tutorials online. It can cover pretty much whatever delay needs most people require. Highly adjustable. You want bright clinical delays, no problem. You want warm lush repeats, no problem too. It can even give you chorus, tremolo and flanger effects. Build like a tank too and a great price for now. Snap it up before they jack the price up to 366 euros like the RV500. Send report Total handling features sound quality Boss DD500 Delay pedal Mayham, 24.04.2020 Nice bit of kit.well made and good price from Thomann. Ordered and received quickly.http://www.bouwdata.net/evenement/4-speed-vs-6-speed-manual Send report Read all 32 reviews Rate product VAT Available immediately Available immediately This item is in stock and can be dispatched immediately. Standard Delivery Times Modulation Effects Pedals The term ?modulation? in its broadest sense covers a range of sonic effects, from the subtlest chorus to ear-bending ring modulation. This may happen as a result of the following: Javascript is disabled or blocked by an extension (ad blockers for example) Your browser does not support cookies Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. This incredible sound-creation toolbox offers 12 distinctive delay modes with exceptional audio quality, plus deep editing controls, a graphic display, patch memories, MIDI, and much more. From basic echo to dead-on emulations of classic delays to incredibly lush spatial textures that take your breath away, the DD-500 will launch your music places you never thought possible. DD-500 Version 2 Software: New and Improved Control Parameters, Routing Options, and Effects for Increased Performance Flexibility The feature-packed Version 2 software update brings powerful new performance enhancements and unparalleled flexibility to the DD-500. Five new effect types have been added to the current delay algorithms, plus many updated parameters common to all modes. The update also offers lots of user-requested features, including additional MIDI controls, new modulation types, a feedback loop function for inserting external effects, adjustable input and output levels, selectable EQ position, and more. DD-500 Version 2 software is a free, user-installable update for all DD-500 owners, and is available in the Downloads section. Everything you need is here, from warm, gritty vintage delays and tape echo to complex modern delay lines that employ pitch shifting, filtering, and other unique processing.http://d-frax.com/images/boss-dd-500-manual.pdf With the hands-on knobs, it’s easy to shape essential parameters and create great sounds immediately. Each delay type also includes a semi-parametric four-band EQ, modulation, ducking, and many other parameters, allowing you to dive deep and refine tones with maximum precision. And while the delay effects are high-end digital, the DD-500 supports analog pass-through on the straight guitar tone, and you also have your choice of buffered- or true-bypass operation. Along with strengthening the analog dry signal, buffered bypass has the added benefit of enabling carryover, so delay trails are not cut off unnaturally when turning the effect off or switching patches. The large, integrated LCD fully supports the pedal’s immense capabilities, giving you clear visibility of delay time, patch ID, and more on one screen, plus sane navigation for detailed parameter tweaks, naming, and system management. And via USB, it’s simple to connect to your computer for remote editing and patch backup with the DD-500 Editor.However, they can be customized to operate in alternate ways, such as providing top-level access to three different delay patches, or allowing you to use two patches at once for layered delay sounds. Even more parameters can be manipulated via MIDI commands or by connecting an optional expression pedal or external switches. These names are used because it is the most practical way of describing the sounds that are simulated. DD-500 Assignable Control Functions. These assignments are stored as part of a patch. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality. X knob sets the level of a -1 octave signal that feeds the reverb. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times. Press the sustain switch to latch signal.http://www.holzbau-hoelzl.at/wp-content/plugins/formcraft/file-upload/server/content/files/1626e47e970ace---4-lane-manual-nhai.pdf Experiment with the X knob to add vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of vibrato applied to the reverb trail. Releasing the switch turns the effect off, and fades it out. In the “Dream” algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode. Daisy chain power supplies are not recommended. Power supply not included. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality.They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. The internal DIP switches let you choose the boost frequencies, and EQ settings. They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster.The Hotcake is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. With the Drive and Presence controls set to minimum, and the Level at around 2 o'clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control.australiandiamondnetwork.com/ckfinder/userfiles/files/77hp-tracer-2-manual.pdf Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds. The Hotcake also handles chords well. It is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier's effect loop. Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion. With well over 50,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain. We know what it takes to make an instrument sound like it’s been professionally recorded. We know how to make your guitar jump from the mix. We know how to make it fun and easy to play. Keeley Compression is how. The Keeley Compressor Plus is the first true advancement in our 2 and 4 knob compressor line. The new features are simple and straight forward. Now there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. Our team designed a gorgeous sounding Tone Control that emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and more importantly the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to handle any instrument. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse that a note or a bend that has died before it’s time; the Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.https://aquaticlandscape.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626e48000b991---4-point-probe-manual.pdf Humbuckers have more average energy than single coils and this can cause compressors to stay in “compression mode” for a lot longer. This can make any series of notes you play sound dull. With the quick release of the new Compressor Plus, your humbuckers stay true sounding and each note retains attack and definition. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. We took that circuit and made it into a full fledged tone control. We found that it was the perfect way to gently add back in highs lost in the compression process. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you. Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven! The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you’ve only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well balanced. Forget it all and use the Compressor Plus for the best amp boost you’ve heard. Nothing pushes an amp better than the Keeley Compressor Plus. Chief Engineer and founder Robert Keeley said, “Compression was the first effect I found that was hard to make sound good off the shelf, so I set out to create the best sounding compression effect possible.” We have it down to a science but still treat it like art. Since it is at the core of what we do, we can offer it for an incredible price now. The Keeley Compressor Plus is completely made in the United States. Come by our shop and watch the magic happen. We didn’t just start making compressors to look good alongside co-branded coffee mugs and shirts and hats.https://amagi.la/wp-content/plugins/formcraft/file-upload/server/content/files/1626e481407347---4-in-1-remote-control-manual.pdf Add the Compressor Plus to your rig, you and your guitar will be singing for days. With well over 50,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain. We know what it takes to make an instrument sound like it’s been professionally recorded.A wide range of sounds are available from this modern classic. It can produce transparent boost to warm rich overdrive tones, all with the signature mid-range boost that it’s famous for. The KTR is designed to overdrive the amp further into breakup, producing a lively and dynamic lead tone. The Treble control is very powerful and capable of providing subtle gradations in high-frequency response. It is usable and natural-sounding throughout its entire range; experiment Different amps and pedals have different input-stage headroom characteristics, so take some time to experiment with the Output to find whatever setting gives you the best results with your particular rig. In this mode the circuit has enormous headroom and will not generate any distortion of its own. Clean-boost enables you to hit the front end of your amp harder, or the next pedal in your signal path harder, without changing any of the essential characteristics of the signal. The KTR, allows the user, via the switch, to choose between buffered output or so-called true-bypass output the former almost always yields a signal with more presence than the latter. Do not attempt to power the unit with more than 9 volts, as damage to the circuitry will result, necessitating the replacement of the entire circuit board; please note that this kind of damage is not covered under the unit's warranty. Expect about ten hours' life from a new Duracell; replace the battery whenever you hear a loss of dynamic range, a high-pitched tone (the symptom of a weak battery). It's 100 designed by the original manufacturer, Bill Finnegan. This pedal is straight ahead and completely intuitive.chingjin.com/userfiles/files/77hp-g-manual.pdf A wide range of sounds are available from this modern classic.With well over 50,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain. We know what it takes to make an instrument sound like it’s been professionally recorded. We know how to make your guitar jump from the mix. We know how to make it fun and easy to play. Keeley Compression is how. The Keeley Compressor Plus is the first true advancement in our 2 and 4 knob compressor line. The new features are simple and straight forward. Now there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. Our team designed a gorgeous sounding Tone Control that emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and more importantly the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to handle any instrument. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse that a note or a bend that has died before it’s time; the Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes. Humbuckers have more average energy than single coils and this can cause compressors to stay in “compression mode” for a lot longer. This can make any series of notes you play sound dull. With the quick release of the new Compressor Plus, your humbuckers stay true sounding and each note retains attack and definition. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. We took that circuit and made it into a full fledged tone control. We found that it was the perfect way to gently add back in highs lost in the compression process. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you. Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven! The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you’ve only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well balanced. Forget it all and use the Compressor Plus for the best amp boost you’ve heard. Nothing pushes an amp better than the Keeley Compressor Plus. Chief Engineer and founder Robert Keeley said, “Compression was the first effect I found that was hard to make sound good off the shelf, so I set out to create the best sounding compression effect possible.” We have it down to a science but still treat it like art. Since it is at the core of what we do, we can offer it for an incredible price now. The Keeley Compressor Plus is completely made in the United States. Come by our shop and watch the magic happen. We didn’t just start making compressors to look good alongside co-branded coffee mugs and shirts and hats. Add the Compressor Plus to your rig, you and your guitar will be singing for days. With well over 50,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain. We know what it takes to make an instrument sound like it’s been professionally recorded. With exceptional sound quality and customisable flexibility, the DD-500 is an absolute powerhouse of a delay, able to handle practically any delay-related task you assign to it.While all of these modes are fundamentally delays, they are all different and have contrasting qualities to them which make for a diverse and inspiring palette of sound options to choose from. One way to find out of course is to try them yourself, but if you can’t access the particular pedal that you’re after, it might be difficult to fully appreciate what these delay modes can do for you. In this article, we’ll show you the differences between the 12 different delay modes available on the BOSS DD-500 and perhaps give you a little bit of insight as to how you might use them.It is usable on practically any sound that requires a delay effect. Crystal clear, ideal for contemporary delay and infinitely flexible with the DD-500’s parameter controls, this is a go-to delay type for when you want an unaffected, transparent, repeated representation of your original signal. With the ability to replicate signals in ways that are simply not possible on tape and analog delay units, digital delay has become the industry standard for delay effects.It has a lot of space and adds a certain animated and lively quality to the delay sound that is excellent for ambience. Tera Echo on the DD-500 is based on the MDP powered stompbox pedal of the same name. Combining elements of delay, filtering, reverb and pitch modulation, the complex sound produced by this effect is perfect for ambient washes or subtle reverberation with a slight edge. Certainly one of the most exciting new innovative effects of recent times, the Tera Echo sounds incredible on clean tones for a sparkly, modulated result. However, if you use it with some overdrive or distortion, you’ll hear the highly expressive quality of its multi-faceted sonic abilities in soaring detail!Similar to if you were to use a volume pedal or your guitar’s volume control. Great for bringing the delay in gradually after you play something, for a building kind of sound. You can use the Slow Attack mode to produce stunning and highly imaginative “bow-like” sounds that perfectly lend themselves to big chords, epic leads lines and clean swells. Combined with other effects like reverb and phase, you can create mesmerising soundscapes with the Slow Attack. And, if you swap your volume pedal out for an expression pedal from the BOSS EV series line, you can now let the Slow Attack take care of your swell time and focus on controlling different aspects of your delay sound via the DD-500’s parameters, including Mod Depth or even the delay time and feedback!Use if you want the delay sound affected by a modulation effect. Not only do you have the benefit of a new space added to your sound, but you’re now affecting that space with movement and a new texture. Augmenting the original signal with new elements, highlighting your delay sound with new colours and being able to control all of these factors is ideal for taking your music into new territory. Plus, you’ll save space on your pedalboard if you want to leave your phaser or flanger at home. For rhythmic and percussive effects, this mode is perfect. For dreamy, psychedelic washes, it works a charm. For combining multiple classic effect parameters into a highly usable and dynamic delay setting, try the Filter mode of the DD-500.Originally, these different effects units were independent of each other, so for example, a delay signal was fed into a pitch-shifting unit. This resulted in a shimmering quality to the delay sound, wavering as it progressed over time. As the “Shimmer” effect grew in popularity, it started to appear as a selectable mode on delay and other effects units, right up to today. Because of the combination of different effects all working on your sound, the complex results that the DD-500’s Shimmer mode can deliver makes for a fantastic accompaniment to clean arpeggios. This is where you can really hear the individual note pitches shifting, after you play each one separately. Of course, there are no rules, so experiment with the DD-500’s Shimmer mode and discover what works best for you!Use for a more unusual delay signal. Similar to the “Bit Crush” effect that has enjoyed recent popularity, the SFX mode reduces the resolution of your delay signal. This creates a lo-fi, buzzing and glitching kind of sound, similar to if you were playing an early video game! It also has the ability to add a tremolo effect to your sound, resulting in a wavering, shaky and almost synth-like effect. The SFX mode is an unusual sounding effect for unusual purposes, but that doesn’t mean that you have to stay regulated to the world of weird sounds with it. Using the modulation elements subtly can enhance your delay tone, giving a rough and slightly textural edge to an otherwise straightforward delay sound.Great for psychedelic sounds. Certainly a more unusual-sounding delay effect, the Reverse mode might take a bit of experimenting if you’ve never played with it before. But once you get the hang of it, it’s an infinitely rewarding feature. When engaged, you’ll hear the decay of the last note you played first and the first note you actually played, last! Similar to the “bowing” sound that the Slow Attack mode can produce, the Reverse mode will give you strange rise and fall sounds that sound even weirder once you employ extra parameter manipulation with the CTL switches. Sure, it’s not a mode you’d use on everything but as a unique addition to your sound palette, it’s definitely worth exploring. And don’t forget, you can always store and recall a particular patch setting that you like!It provides a rhythmic sequence to the affected signal, perfect for adding a choppy, pulsating kind of element to your delay sound.Where it can get really fun is if you use the DD-500’s MIDI functionality to tempo sync the Pattern delay to (or as) a Master Clock. Do this with a drum machine like the TR-8, a DAW or any other device you’d like to jam and stay in perfect time with. As a pulse for other instruments to work around as well, you can essentially become the rhythmic backbone in an ensemble situation with this mode.It’s like having two different delay pedals on different settings working on your input signal at the same time. The delays can be in series or parallel (that is, you can have one delay follow the other, or have them both affecting your input signal at the same time before merging). With this mode, you could have a shorter delay time and a longer delay time simultaneously, for creating fascinating and evolving spatial repeats. The different delay times are able to link with each other and you can also select the feedback level for each delay. Level control for each delay is also able to be dialled in so you can have twin Tape or Shimmer delays independently working on your sound, for spectacular results!Similar to the BOSS DD-2, the world’s first stompbox delay pedal and Roland’s famous SDE-2000 and SDE-3000 rack units.However, the early digital delay pedals (such as the BOSS DD-2) have a certain charm and texture to them, which at this point is particularly unique because of the developments in digital delay! The early digital delay units, like those pictured above, certainly appear limited by today’s standards but this isn’t to say that they are any less usable. In fact, the clear, crisp-yet-warm sound of early digital delay is great for adding a specific kind of textural quality to your sound.Similar to the legendary Roland Space Echo, first introduced in the 1970s.